LeonLouisRicci Directorial Debut for Jules Dassin and it Shows a Talent in the Rough as the Film has Flourishes that Enhance its Low Budget. It has Style. Conrad Veidt is Excellent in what Starts Out as a Dual Role.The Film was Made Early in the Turmoil of the Beginning of WWII and as such was Able to Show a Sympathetic German. The Implausibility of the Story is a Suspension of Disbelief but Nevertheless it is Intriguing and Suspenseful with Good Performances All Around.An MGM B-Movie with Class. Dassin would Dismiss All of His MGM Output in Later Years. Worth a Watch because of the Director and Veidt and for an Early Hollywood Effort to Rally the Citizenry.

blanche-2 Conrad Veidt plays twins, one good, one evil, in "Nazi Agent," a 1942 film directed by Jules Dassin. Veidt plays Otto Becker, a bookstore owner, and his twin brother, Baron Hugo von Detner, who heads up the German consulate in the U.S. Hugo wants to use Otto's bookstore as a message drop for his agents. Otto is in the country illegally, so with Hugo hanging this over his head, he has to go along. When a fight ensues between the two, Hugo is killed. Otto takes his place in the consulate and as head of the spy ring.Veidt is very good in both roles, that of a sweet, generous man, and the usual Veidt persona - a cold, authoritarian, but charming Nazi.The supporting cast includes Ann Ayars, Dorothy Tree, Frank Reicher, and Martin Kosleck.Entertaining. I did wonder about why Otto made the decision that he did at the end of the film, though.

sol1218 (Some Spoilers) Checking the production dates for the movie "Nazi Agent" I noticed that it was finished filming on December 16, 1941 just five days after Germany's Fuhrer Adolph Hitler declared war on the US. That was in accordance with Hitler's Germany military alliance with Japan that bombed Pearl Harbor just four days earlier. This would make the movie "Nazi Agent" the first WWII film produced by a Hollywood studio that was released when the US was actually at war with the Nazi Regime! Unlike the many other anti-Nazi Hollywood made films, like "Confession of a Nazi Spy", that were released before the US was even at war with Germany. Thus making them subject, by anti-war and US isolationists groups, to accusations of being nothing more them warmongering propaganda in an effort, by Hollywood, to get the natural US into the war in Europe on the side of Great Britain and later the USSR.The film has kindly bookstore owner and stamp collector Otto Becker, Conrad Veidt, try to start a new life in the US after he was forced to flee his homeland-Germany-after the Nazi's took over. Living the American dream Otto's life is turned upside down when his brother Hugo, also played by Veidt, who's a die in the wool Nazi pops into his house. Hugo a German diplomat is working undercover to damage US shipping in the Atlantic in an effort to get Great Britain, who at the time is getting military aid from the natural US, to give up its fight against the Nazis.Playing alone with Hugo's demands who's blackmailing his brother, in having him possibly deported back to Germany if he doesn't go along with him, Otto tries to tip off the FBI in what Hugo and his fellow Nazi's in America are up to. This sham on Otto's part falls apart when Hugo confronts him in his home and pulls a gun on him in order to get him back into line. Hugo who's killed in the struggle with Otto has his brother, his identical twin, take over Hugo's identity and infiltrate the Nazi spy & sabotage ring that he was in charge of. Working on the inside Otto uses his disguise as Hugo to stymie the Nazi's in their attempt, through short-wave radio contact, to have their fleet of U-Boats in the Atlantic sink US shipping. Otto does this by secretly tipping off the authorities to what exactly the spy & sabotage ring are planning to do.Not acting like the mindless and comical buffoons as their almost always depicted in most movies made about them at the time the Nazi's that includes Otto's assistant in the German consulate Kurt Richten, Martin Koslek,realize that there's a spy in their mist and start to zero in on Otto. Caught with his hands in he cookie jar Otto tries to save himself in implicating, for what he actually did, US hoodlum-who's working for the Nazis-Joe Aiello (Marc Lawrence) in the stopping of the US supply ship SS Farrington from parking itself in the locks of the Panama Canal. The Nazis planned to use the explosive laden SS Farrington, with an explosive timer hidden in it, to blow the canal sky high! Thus cutting off the US Pacific and Atlantic fleets from each other in the event of the US entering into the war.****SPOILERS*** With his cover blown Otto could have just taken off to the Federal Authorities for protection but instead agreed to go back to Nazi Germany, and certain death, to save his lover-who works for the German consulate in New York- French fashion designer Karren De Relle, Anne Ayars. You see Karren wasn't really a Nazi but was forced, with her family back in Nazi occupied France, to go along with them in order to save both her and her families lives or, even worse, from being sent to a Nazi concentration camp.It was this quite an courageous act on Otto's part, willingly giving up his life to save the one that he loves, that sets him apart from the the usual blood and guts heroes that Hollywood depicted in it's movies in fighting WWII, at home as well as abroad, all over the globe. This act of unselfish courage made Otto the most unique and believable, as well as tragic, of all war or peace time movie heroes coming out of Hollywood.

Neil Doyle This was a nice little programmer from the '40s that played the lower half of double-features. CONRAD VEIDT is interesting (as always) as a pair of identical twins, one of whom is a Nazi agent. When the bad brother is killed, the good brother takes his place and has to convince everyone that he is the loyal Nazi. Only gradually do a couple of people come to realize who the man really is.Veidt excels in the kind of role he always fared well in, especially riveting as the bad twin. Not the leading man type, he nevertheless manages to hold the screen with his histrionic finesse at playing either smooth villains or men with deeper convictions of honor.ANNE AYARS is the lovely romantic lead and the supporting cast, which includes MARTIN KOSLECK as a fierce Nazi (a role he's played so often and so well) is more than adequate.Good entertainment of its kind, it's a low-budget film directed by Jules Dassin.