bob the moo Since the death of his father, David Kennedy has lived with his mother Frances (Frank) and has suffered with her suffocating "care" for him and inability to move past her loss. After embarrassing him one too many times, David snaps and rants at her about getting a life and getting out of his. However when Frances takes this to heart, we decides to enrol at an University to take a degree in BA with a major in poetry. Thing is though, she enrols at the same Uni as David.The plot summary makes it sound like a straightforward comedy and for a while that does appear to be what it is trying to do. However gradually the film moves into more of a character drama were the dynamics within Frances' family changes a bit. Both approaches work reasonably well but neither one is actually that good. The comedy side doesn't really work as it isn't that funny but the bigger falling down comes in the dramatic side of the narrative. The thread with Professor Mortlock doesn't really go anywhere and it is the same with the major of the character interactions; I didn't feel convinced or touched by them or what was happening to them.What makes the film better than it deserves to be is a passionate performance from Cusack. The script and direction may leave her without the support structure but she gives her all in a difficult character. Newton does reasonably well alongside her and rises to the challenge when the material gives it to him – which sadly isn't that often. Neill drifts around in the background with a simple performance but not really adding much value.Overall then an average comedy drama that doesn't really work that well in either regard. The comedy is light but never actually that funny while the drama offers things happening but not in a manner that engaged my head or heart. A couple of good performances carry it along more than it deserves but the final impression is to shrug one's shoulders and say it was "OK".

Keith Williamson I saw this film purely by chance. It was shown very late, or more correctly very early one morning on television. I had woken up and was having trouble getting to sleep and this film came on.It deals with a subject covered many times elsewhere (it certainly isn't as good as Educating Rita, despite a couple of additional twists) and has a very predictable ending.Despite its very obvious shortcomings I did enjoy the film and this was thanks to the acting of some of its players rather than the story or the piece as a whole.I am a big fan of Sam Neil and have seen him in many different films including: Dead Calm; The Piano; Sirens; Children of the Revolution; Event Horizon; Bicentennial Man and the ubiquitous Jurassic Park. He was very good but he could have played this part with his eyes shut.Some of the acting was, in my opinion, dreadful Rose Byrne for example and some of the elusions were rather heavy handed (all the board woman in empty lives all dressed totally in white for example).However, two actors (who I hadn't, or don't remember, seen before) impressed me a lot Sinéad Cusackn as Frances (Frank) Kennedy, and especially Matthew Newton as her son David. He, in particular, was very convincing and I would like to see a lot more of him.

marianne.timbrell The Australian public and the Australian film industry are often heard to complain that there are not enough great Aussie films around, or that they are all the same.Well in this case this film is not a carbon copy of other Australian films. It is unique - it will make you laugh out-loud, it will make you cry and it will make you feel really good about yourself.The casting of this film is superb and the acting is second to none. The script and the photography (colour/light etc) is wonderful. But more important this is a great film. I don't want to talk about the plot as I think it is always best to see a film knowing as little about it as possible. Suffice to say this film will appeal to a wide range of audiences. Take your girlfriend, take your Mum, take your friends - for a great evening out.10/10!!!!

Stephen Groenewegen My Mother Frank begins as a warm, amiable comedy about a middle-aged Catholic woman (Frank, short for Francis, played by Sinead Cusack) who shakes herself out of the doldrums by enrolling as a student in her son's university. Most of her friends and family are horrified, not least her son (Matthew Newton), who is busy falling in love with his best mate's girlfriend (Rose Byrne). Meanwhile Frank has raised the ire of her disapproving English tutor (Sam Neill).Matthew Newton is utterly disarming as David; relaxed and natural in the role, even when the character's uptight. He generates valuable goodwill, steering the audience through some of the film's more awkward, broad comedy moments. Not long after the half-way point, first-time writer-director Mark Lamprell expertly steers his film into darker emotional territory and gives Cusack a real chance to shine.The supporting cast is full of familiar and welcome faces (Lynette Curran, Sacha Horler, Nicholas Bishop) and all the principals (including a more animated than usual Sam Neill) are excellent. While it meanders a little towards the end, My Mother Frank delivers more than it promises and is a genuine Australian crowd-pleaser.