bandw François (Daniel Auteuil) is a successful antique dealer, in business with his partner Catherine (Julie Gayet). At a birthday party the topic is broached that François has no friends. He becomes defensive about it and says that he does have friends. Catherine is dubious and bets him that within ten days he cannot prove to her that he has a best friend. If Catherine wins the bet, François will have to give over his interest in an expensive urn. That is the premise that sets the rest of the movie in motion. François contacts old acquaintances, thinking that they might attest to being a good friend, but to no avail. And so on.There are a couple of major flaws in this story. First off, either you have a close friend or you don't and, if you don't, you are not going to find one in ten days. Secondly, Auteuil, in appearance and behavior, simply cannot play a person high enough on the a**hole scale to be as friendless as he is presented to be. But, there would not be a movie this lighthearted if François is alone and rejected in the end, so coincidence has him meeting a rather sociable taxi driver, Bruno; from there things progress to the inevitable ending with some speed bumps thrown in along the way. The efforts for a feel-good ending border on fantasy. But the whole affair is agreeable enough, a strong point being a good cast. I particularly liked Julie Gayet. And, if you do want something a little deeper out of this, you can examine your own situation vis-a-vis friends. Can you distinguish between good friends, acquaintances, associates, people you see often? Do you have any relatives that you consider friends? Do you have an obvious best friend who is definitely more than a good friend? What does having a best friend mean to you? Stretching the definition of "best," do you have more than one friend you would put in the category of best friend? Does the whole concept of categorizing friends something you have thought about, or do you even reject that very idea?

Sebastian Antunez I actually watched this film on a crappy bus going from Rosario to Buenos Aires.The screen was really little and flickering. But the film was so good it actually caught my attention and I really liked it.One thing I could say was not too good is that you actually know how it's going to develop within the first minutes. It is quite predictable, but its point of view about friendship is really nice and makes you think about it too.It's something you can watch in family or of course, with your best friend.I really recommend this movie.

Terrell-4 Oh no, not another winsome human comedy about life-lessons and friendship. Buy a movie ticket or the DVD anyway. In the hands of director Patrice Leconte and actors Daniel Auteuil and Dany Boon, My Best Friend turns out to be not just a charming, sweet-natured fable, but a well-told and well-acted one. Francois Coste (Auteuil) co-owns a Paris gallery, has a great- looking apartment, seems estranged from his college-going daughter, knows many people in the business and has just impulsively bought at auction a very expensive Greek vase. One thing Coste lacks are any friends. Oh, he has plenty of business acquaintances, is reasonably cordial most of the time, but also, we notice, is somewhat distant to everyone he knows. He can talk antiques engagingly but he doesn't seem to really notice much about the people he talks to. When he gets in over his head financially with the purchase of the vase, his smart, good-looking partner is irritated. Francois has never even noticed that she likes women and has a partner of her own. She makes a bet with him. He has ten days to prove he has a best friend...or she gets the vase. Francois is smugly confident, until the people he adds to his list of friends begin telling him the truth. And then he meets a cabdriver, Bruno Bouley (Boon). Bruno likes people, listens to them, talks to them and has a great passion for odd facts. He wants to be on a television quiz program. People seem naturally to like Bruno. When Francois realizes he has no friends, real friends, the kind you can call up at 3 a.m. or who will do whatever it takes to come to your assistance if you need help, he decides to have Bruno teach him how to make friends. It doesn't work out quite the way Francois expects, or the way we expect, at least not till the very end of the movie. Sweet-natured the movie is. Both Francois and Bruno learn some lessons that hurt, Bruno first and then Francois. That the story eventually works out for all concerned is no spoiler. We've smiled some, teared up a little, and left the movie house feeling well pleased and satisfied. We also ask ourselves, this is a Patrice Leconte film, from the man who has given us such exceptional movies as Mr. Hire (1989), Man on the Train (2002), Ridicule 1996) and The Widow of Saint-Pierre (2000)? It is, and My Best Friend is an amusing vacation from angst and irony and drama. It's a thoroughly enjoyable movie. The two actors who make it work so well, of course, are Auteuil and Boon. They play off each other with great skill and authenticity. Auteuil is practically a French national treasure. Along with his contemporary Gerard Depardieu, the two have just about dominated French acting by male leads. Neither of them has conventional leading man looks, but both can play anything, from tragedy to comedy, from fools to heroes, and both can either dominate a movie or fade back into being one of the cast. Compare the versatility of Auteuil: Contemporary high drama in Cache (2005) and La Separation (1994), rollicking sword-play and romance in Le Bossu (1997), tragedy in The Widow of Saint Pierre (1994) and hopeless, dull-witted ineptitude in Jean de Florette and, especially, Manon of the Spring (both 1986). Mon Meilleur Ami is an easy-going, charming movie about friendship and even love. "There is no love, just the tests for love;" no, "There are no tests for love, just love." Both make sense. That's why this movie works.

richard_sleboe Writer-director Patrice Leconte takes a universal and potentially bottomless subject - friendship - and turns it into a flat and meaningless farce, despite A-list actors, fine cinematography and elegant production design. It's all in the plot, and the plot is laughable. "Teach me how to be likable", art dealer François Coste (Daniel Auteuil) tells a random stranger (Dany Boon), and that about sums it up. We learn next to nothing about friendship, and Daniel Auteuil may be a fine actor, but not one minute do we believe he could be the cut-throat egoist the script depends on him to be. Just as we hope the travesty is over, Leconte pulls one of his usual cathartic third acts, fast-forwarding from damage to disaster. Like François's treasured Greek vase, everyone and everything in this movie is a fake. Leconte's only asset is Julie Gayet in the part of Coste's business partner Catherine, looking swell and sexy despite a major mishap of a haircut.