Leofwine_draca
MOTHER LODE is an all but forgotten tale of survival in the wilderness and the hunt for a golden treasure. I'd never heard of it before I saw it was on TV so I thought I'd give it a go; I quite like Charlton Heston when he's at his most bombastic so I thought I'd see what he was like here.The good news is that Heston is the best thing in the film and his larger than life portrayal of a mountain man is hugely entertaining. It's a shame that the rest of the film can't match, really, as MOTHER LODE is saddled with a slow-moving plot and some rather unlikeable protagonists. Nick Mancuso and Kim Basinger play characters who seem self-centred and indeed rather selfish and I couldn't warm to them despite their various misadventures. Basinger's screaming soon becomes annoying, too.What MOTHER LODE does have going for it is some stunning outdoor location photography of the British Columbian wilds. A lot of the aerial shots are simply breathtaking and truly bring to life this rather neglected part of the world (at least neglected when it comes to cinema). It's certainly an amiable enough watch overall, containing a little of that early '80s spirit of adventure that infused the likes of RAIDERS OF THE LOST ARK, although this is much darker and more realistic, and not as entertaining. But it'll do.
Woodyanders
Determined hothead airplane pilot Jean Dupre (a fine and credible performance by Nick Mancuso) and the sweet'n'spunky Andrea Spalding (a solid and appealing portrayal by the gorgeous Kim Basinger in an early starring role) find themselves trapped in the expansive Canadian wilderness after their plane crashes while searching for a missing colleague. The pair run afoul of hearty, yet insane, possessive, and reclusive Irish minor Silas McGee and his oddball twin brother Ian. Director Charlton Heston, working from a quirky and engrossing script by his son Fraser, relates the absorbing story at a steady pace, offers a flavorsome evocation of the vast, lush, and desolate sylvan setting, maintains a tough and serious tone throughout, conveys a potent feeling of real danger in the underground tunnel sequences, and delivers a few tense and exciting moments (the plane crash at the beginning in particular is quite startling). Moreover, Heston does first-rate work in a juicy dual role and essays the part of the no-count Silas with deliciously wicked and intense relish. Veteran character actor John Marley lends wonderfully engaging support as wise and crusty old-timer Elijha. The clammy and cramped caves add substantially to the claustrophobic suspense and authentically grimy atmosphere. In addition, there's even a strong central message about how greed and obsession can corrupt a man's soul. Richard Leiterman's sharp cinematography provides an appropriately gritty look, makes inspired use of dim natural light, and comes through with a wealth of striking images of the breathtaking British Columbia countryside. Kenneth Wannberg's moody score hits the brooding and stirring spot. Recommended viewing for those with a taste for something different.
stewball99
The flight sequences and cinematography are superb, and the story is excellent. This may be Charlton Heston's only role where is doesn't play excessive melodrama. It was Kim Basinger's first big role before her starmaking role in the Natural.It NEEDS to be on DVD.
