clanciai
This was evidently made to go more into details about the Moses case than was possible in "The Ten Commandments" of 1956, which remains the best Moses film. For this version Anthony Burgess among other writers were consulted to make deeper research into the problems, which results in a much more interesting and controversial picture of Moses with his more debatable sides and complexities such as his cruelty and intolerance. We did not see much of Aaron in "The Ten Commandments" while he is here lifted forth to great advantage, convincingly played by Anthony Quayle, showing both his merits and weaknesses. After all, Burt Lancaster gives a sympathetic interpretation of Moses, which completes the efforts of Charlton Heston, who was only convincing and interesting as the prince and fugitive from Egypt. Best, however, is Laurent Terzieff as Pharaoh Mernephta, who is presented as a very conciliatory and human ruler placed in a very delicate and tough spot, - although he is historically entirely wrong. Mernephtah succeeded Ramses II at 66 years of age and did not rule very long, while he is here presented as a very delicate young man. It is more probable that Ramses was the pharaoh who had to deal with Moses, but that's the only flaw of the film, to which Ennio Morricone had great pains in making suitable music. The Red Sea sequence is as always the highlight of the drama, no film can fail in making that a great spectacle, and here is even included Miriam's celebrations afterward, which adds to the films many deserts.
ma-cortes
Spectacular story produced by Italian RAI television with all-star-cast such as Burt Lancaster as Moses , Anthony Quayle as Aaron , Ingrid Thulin as Miriam , Irene Papas as Zipporah and narrated by Richard Johnson . Biblical and evocative tale that deals with Moses , the Hebrew lawgiver . Evocative adaptation about known story , it recounts the greatest Bible story ever told , a journey through the Holy Land that focuses Moses (Burt Lancaster, great appearance as the liberator of the Israelites, forever typecast him as the sort for epics , along with Charlton Heston) , the Hebrew leader , leading the Jews out of Egypt and realized in Italian style . This is the wonderful story about an extraordinary man receiving a holy calling , and follows his life from birth , abandonment , slavery and trials in leading the Jews ; this is the greatest event in epic motion picture history . Biblical story developed in on a great scale though no such as the classic Cecil B. De Mille's version . An Egyptian prince named Moses (Bill Lancaster , Burt's son) who is adopted and brought up in the court by an Egyptian princess (Mariangela Melato) and learns of his identity as a Hebrew and later his destiny to become the chosen deliverer of his people . This vivid storytelling although fairly standard follows appropriately the Moses'life , the son of a Jew slave , from birth and abandonment on a basket over river Nile , as when the Pharaoh ordered the killing of all newborn babies , being pick up by Egyptian princesses and he's raised in the royal court , becoming into Prince of Egypt . One time grown-up Moses (Bill Lancaster as Young Moses) embarks a supernatural mission , as the Egyptian Prince , learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people , getting the freedom for Hebrews . When his Hebrew origin is revealed , Moses is cast out of Egypt , and makes his way across the desert . Then , Moses retires out of Egypt where meets Jethro , marring him with his daughter Sefora . The stoic Moses along with his brothers Aaron (Anthony Quayle) and Miriam (Ingrid Thulin) confront Pharaoh Mernefta (Laurent Terzieff). Moses asks Pharaoh to liberate them but he refuses, causing the Egyptian plagues : invasion of locusts , fogs , epidemic , water become in blood and death of the first-born . As Moses instructs the slaves to put lamb's blood above their doors for protection and in the night , the angel of death comes , and passes over the protected doors . In the homes of the Egyptians where there is no protective sign , the angel kills off the first born children of Egypt, including Pharaoh' son . Moses goes to his brother after this , and is given permission to take the Jews . Moses takes charge of God's people and wrests them from Pharaoh's punishing grip . Moses like liberator of the Jewish leads his people throughout desert battling enemies and with holy intervention . Finally , Moses climbs the Mount of Sinai bringing the holy tablets , meanwhile Jewish people worshipping the golden calf .This is a monumental TV version of the Biblic book of ¨Exodus ¨ with production design carried out in utter conviction and passable special effects professionally made by the great Mario Bava , including the parting of the Red Sea ; in spite of the time effects still look acceptable . The production team formed by Sir Lew Grade and Vincenzo Labella conferred with roughly experts to make the film as accurate as possible and ample participation by various screenwriters as Vittorio Bonicelli , Anthony Burgess , Bernardino Zapponi and the same director Gianfranco De Bosio . Obviously changes were made to the story to make it work as a Biblical feature , in fact , there is a short list of differences between the movie and the Biblic account of the Exodus . Serious acting by veteran Burt Lancaster who plays a sober Moses. Just as Charlton Heston's son Fraser played the infant Moses in Ten commandments (1956), Burt Lancaster's son Bill (as William) plays Moses as a young man . Secondary cast is frankly good , such as Ingrid Thulin , Marina Berti , Jacques Herlin , Umberto Raho , Simonetta Stefanelli , Michele Placido , Paul L. Smith , Mariangela Melato , among others . Glamorous and luxurious costume design by Enrico Sabbatini . Colorful cinematography by Marcello Gatti , being necessary a right remastering ; filmed on location in Morocco and Negev desert , Israel . Special mention to sensitive musical score by maestro Ennio Morricone , including an enjoyable leitmotif . This movie was the most expensive Italian TV series ever made at the time . However , watching in TV it makes lost most really spectacular scenarios on the small screen . The picture professionally directed by Gianfranco De Bossio is suitable for family viewing and religious people. Other adaptations told in compactly form about this biblical story are the followings : classic mute (1923) by Cecil B. DeMille with Theodore Roberts , Charles Rochefort ; the second handling and the greatest , made in a gargantuan scale by Cecil B. DeMille (1956) played by Charlton Heston , Yul Brynner, Anne Baxter , Debra Paget , John Derek , Edward G. Robinson and Vincent Price . Furthermore , a new take on titled ¨In the beginning¨ (2000) by Kevin Connor with Billy Campbell as Moses , Christopher Lee as Seti and Art Malik as Rameses ; animated rendition (1998) titled ¨Prince of Egypt¨ produced by Dreamworks and directed by Simon Welles . And television rendition (2006) by Robert Dornhelm with Dougray Scott , Susan Lynch , Naveen Andrews , Paul Rhys , Omar Sharif , Linus Roache , among others
Cristi_Ciopron
It is completely erroneous (and useless) to try grouping together films totally unrelated like the big—budget Antiquity themed Hollywoodian movies, the Italian muscle-men flicks of the '50—'60s, the various epics, the swashbucklers, the exotic movies about non—European civilizations, history, fantasy, myth, literature and adventure, legends and plays, the religious or religion—themed films, Gibson's movies, the Italian TV Biblical biopics, Ivanhoe, adaptations, historical films, fantasy and mythological productions, Middle Ages outings—in a word, every movie set before the last century, under the pretext that they have something in common. Nothing links them; they are unrelated—Gibson's films, SPARTACUS, BEN—HUR, IVANHOE, the many Maciste/ Hercules/ Samson etc. Italian flicks, BLACK ROBE, MONTE CRISTO, etc.. This is not even eclecticism—it is chaos.This Lancaster epic is a transitional movie—between the big—budgeted blockbusters of the '50s—'60s,and the small decent honest TV Biblical stories of the '90s. The film is not very inspired, nor very appealing; its main merit is the cast. Lancaster performs in a conventional Hollywoodian way the disconcerting and enigmatic Old Testament prophet. Another epic from the same transitional period is MASSADA, which boasts O'Toole's high voltage, decadent, picturesque role. MOSES looks and feels more like the '60s epics. One quality is the feel of the tepid tiring crossing of the desert, the tough experience of dwelling for decades in the wilderness. Quayle also reminds the '60s epic blockbusters. Mrs. Papas is reliable as ever. The atmosphere is not the lesser accomplishment of MOSES. The probably ugly experience of the desert's crossing, after the initial exultation of the glorious escape, is well captured and rendered. In this respect, it's a resolute depart from the previous epics' habits. It's not triumphal in what it depicts; it shares the feel of its subject. The Hollywoodian conception behind all such epics (this one is a TV production, nevertheless ) is objectionable; yet the movies remain interesting and worth--wile.In sum,this is the exodus as seen from below, from the common people involved in the exodus POW.Recommended.
