dunsuls-1 I found this film by accident and watched it.Its pretty good in a adult "French "film sort of way and not really a fetish film in the sense we usually use.My take is a very adult continental view of wacky humans trying to get through the day and those who "help"those who need it,really need as much help from THEM as well. The psycologist didn't kill her,her husband did ( or did he ??) but he is as messed up as she was and the film takes on a sort of "Rashomon"quality,which was reviewed on this bog, with the murder being the center and far more graphic than the scenes in Rashomon were. Mind you thats a simplistic view by me to try to explain it as I have never seen so intriguing a film before and again it illustrates just how "provincial"we can be in the states. Extreme adult content which limits the audience and it does drag a bit explaining things.

Claudio Carvalho Michel Durand (Jean-Hugues Anglade) is the psychoanalyst of Olga Kubler (Hélène de Fougerolles), a kleptomaniac and masochistic beautiful woman married with the brutal Max Kubler (Yves Rénier). Michel has a great attraction for Olga, desiring her as a woman. One afternoon, Michel falls asleep during her session and when he wakes up, he finds Olga strangled on his divan. Then he is informed by Max that Olga stole seven million francs from him. Max believes Michel knows where the money is and demands the devolution until the next day. The story has many plot points along approximately 2 hours. This movie is a very weird French dark comedy. The plot is unusual, very strange and irregular, alternating boring and interesting parts and even the genres of black comedy and thriller. The premise is good, but in some parts it does not work well in spite of a great cast. The beauty of the nudity of Valentina Sauca is amazing. Her beautiful body is perfect and looks like a statue. However, this film is only a reasonable entertainment recommended for a very specific audience. My vote is six.Title (Brazil): `Um Enigma No Divã' (`An Enigma on the Divan')

gridoon The premise is good, but the movie isn't. It's excessively talky and fatally overlong. For Christ's sake, man, this thing goes on for what seems like four centuries and never really gets anywhere. The segment about the dead body that has to be removed takes up most of the movie, and it's tiresome (many movies have done this sort of thing better), though it does give Beineix the opportunity to stage some nice Hitchcockian scenes (like one involving a blind man in an elevator). Overall, if you're looking for a good contemporary French thriller, stick with "With A Friend Like Harry". (**)

CRAMBAM-2 I came out of the cinema saying this was an OK film, no more. Better than staying at home Saturday evening. I actually laughed a lot, but I somehow still had the impression that I would have been a great video to rent. It did have a few surprising twists, but something was missing... What?