Mojave Phone Booth

2006
Mojave Phone Booth
5.5| 1h28m| NR| en| More Info
Released: 21 July 2006 Released
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Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

In the middle of the Mojave desert rests an abandoned phone booth, riddled with bullet holes, graffiti, its windows broken, but otherwise functioning. Its identity was born on the Internet and for years, travelers would make the trek down a lonely dirt road and camp next to the booth, in the hopes that it might suddenly ring, and they could connect with a stranger (often from another country) on the other end of the line. This is the story of four disparate people whose lives intersect with this mystical outpost, and the comfort they seek from a stranger's voice: There is Beth, a troubled woman facing dilemmas with her love-life and a recurring, baffling crime; Mary, a young South African, who is contemplating selling her body for the funds to escape her dreadful existence; Alex, a woman who is losing her lover, Glory, to the belief she is plagued by aliens, and Richard, driven into desperation by a separation from his wife, who happens upon the booth after his failed suicide attempt.

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Poe-17 I'd like to give this a higher score but you've got to allow for pristine excellence. MPB doesn't have that but it noses around in that area.As you've read in other comments, the phone booth (until 2000) was real, the tales told in the movie are fictional. The very real phone booth inspired someone (you can look it up) to weave tales around a very unique phone booth.The concept is something someone should have made up but took a niche of reality to jump start things. It would have been such a triumph for someone to cobble this together from scratch. But so much of fiction uses the hodgepodge of fact for a launching pad. No foul. It's how things work.In the movie, it's one lady (suspiciously wise, lady) who calls the MPB ... and, occasionally, someone is there to answer it. When that happens, the ability of humans to be confessional with a disembodied voice (versus face to face with people we know)kicks in and the stories that create the film unfold.It's a wonderful format and allows an experimental exploration of cinema on several levels.It's just plain enjoyable and fascinating because it tinkers with something that exists in our world and something that tinkers with what we wish, might, possibly, perhaps, could exist in our world.In reality, once the phone number for the MPB was out; everyone would be calling it, trying to connect with someone at that lone outpost and reduce its "special-ness" and "unique-ness" to lowest levels of mediocrity.That's what we do. Something very special and unique shows up and we leap upon it, shred it, commercialize it, suck it dry of any meaning and slap it on t-shirts and bumper stickers, thump our chests and go looking for the next significant thing we can reduce to nothingness with our rampant and relentless egos.This film takes a pause with a very special something that really existed and wonders what would happen if the honest human element got hold of it.And a collection of stories come together.When it's over, you might find yourself thinking about all the other things that could happen if we had a phone booth in the middle of nowhere that would ring at random times and have a disembodied entity on the other end that could help us find our way through whatever dilemma enveloped our lives at the moment.Wouldn't you love something like that? I would.I don't have the answers. I'd like to knock words with someone who might.Nice foundation for a different kind of film. Fortunately; it's called "Mojave Phone Booth".Worth your time.
imizrahi2002 but i can't... but i CAN give you a reflection on my experience of this film... it wasn't terrible. and, when deciding what to see, that should never be part of my criteria...there's LOTS of stuff out there. this was fairly amateurish writing bolstered by a few strong performances... and, even though it had a clever idea to springboard from, AND as 'original'(and this is definitely part of why i'm convinced people who helped make this movie are just trying to get 'free hype' on this site, which makes this i sore) as some other commentors said it was, it was, to be kind, not all that clever... for me, though, when it was over, it became an exercise in, 'ok, genius...what would make this movie BETTER...'. i mean, after all, it's EASY to pick something apart...much harder to put it together... i don't want to spoil it for anyone who'd still care to see this... EYE was intrigued, obviously... but it'll be obvious at the end of the movie who i'm speaking about when i say that they should have developed one of the central characters more...i never found out enough about THIS central figure... and that might've made it just cohesive enough so that i wouldn't've felt compelled to write this caveat...
sinistercard Another place this story about the phone booth was discussed was on Coast to Coast AM with Art Bell. The location is actually 9 miles East Southeast of Baker California in the aforementioned Preserve in a place called Devil's Playground! Annabeth Gish is a dish! One caller to Art Bell was a " Desert Chad" who camped out as described.....he hailed from the Bay area.On a related foot note......I myself was a caller on the phone booth " in the middle of nowhere " show. Word has it that the park rangers eventually had to shut the phone down by removing it due to the environmental impact of too many people wandering to and from it! The phone booth was originally placed to help miners on a break nearby to make calls they couldn't otherwise.Waiting to find this on DVD.
drcdrc The film tells the stories of four people who are all connected through the Mojave phone booth. The stories are fictional, but the Mojave phone booth was actually in service in the Mojave National Preserve until 2000, when the National Parks Service removed it. After the phone number appeared on a website in the late 90's, people from all over the world would call the number and visit the phone booth, and it became a cult icon. In the film, the same person always calls the phone booth and provides informal therapy sessions for each of the four main characters. The film is excellent, with richly drawn characters and captivating stories. Great acting by all the cast, but especially Annabeth Gish and Christine Elise. This is one of those movies you want to go see again to catch all the details and connections between the stories that may have slipped by on the first viewing.