Modulations

1998 "Cinema for the Ear"
Modulations
7.2| 1h15m| en| More Info
Released: 18 September 1998 Released
Producted By: Caipirinha Productions Inc.
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Less a documentary than a primer on all electronic music. Featuring interviews with nearly every major player past and present, as well as a few energetic live clips, Modulations delves into one of electronica's forgotten facets: the human element. Lee travels the globe from the American Midwest to Europe to Japan to try to express the appeal of music often dismissed as soulless. Modulations shows that behind even the most foreign or alien electronic composition lies a real human being, and Lee lets many of these Frankenstein-like creators express and expound upon their personal philosophies and tech-heavy theories. Lee understands that a cultural movement as massive and diverse as dance music can't be contained.

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Reviews

p_reavy A broad range of people linked to the current and past techno scene have made it into the film and it would be mean not to note how great Holger Czukay's dancing is. But the publicity for Modulations says it "traces the evolution of electronic music", which is not quite true. There's quite a leap from the jumble of clips involving Pierre Henry and John Cage into the familiar material on disco, Kraftwerk and Derrick May.A more serious documentary might have challenged what the techno movement has to say about itself. Techno's rhetoric is borrowed from the modernists of the 50s and 60s, but maybe the real story is a more familiar one for pop music: the dancefloor's appetite for the next big thing.
John Seal Modulations attempts to cover too wide a subject area in too little time. Electronic music is an all-encompassing label that is applied to musicians as diverse as Can, John Cage, and the Prodigy(!!). There are great segments here with pioneers such as Cage, Robert Moog, Karl-Heinz Stockhausen, and Pierre Henry. There are too many segments of talent-short and ego-long knob twiddlers. And there's an inexcusable total lack of Kraftwerk or Cabaret Voltaire, the two groups who pioneered the crossover of 'electronica' from fringe to pop. And why no interview with Afrika Bambaata? He made it onto PBS' Rock n Roll Series, and he should have been talked to here. The lowpoint is reached when a German techno artist says that techno has absolutely no revolutionary potential....except for his own special brand of hardcore jungle!! Modulations is a fascinating but frustrating once over lightly look at this ever evolving music scene.
bigmike-4 Being a fan of electronic music for several years now, I was surprised that a full scale documentary on the history of techno was produced.I got a chance to catch it at the Motor Lounge in Hamtramick and what I saw surprised me. This documentary is incredibly well done. It covers the history of electronica from its earliest origins in the 1950's to the modern day rave scene.The audio is fantastic and any music lover should appreciate the facts presented within the movie. Modulations covers most of the bases, including the various techno scenes across the world. They interview many artists and the man who started it all (inventing the Moog Synth). This is great stuff.....The audio and video are fantastic and I hope that they release this on DVD in the near future.
apostasy Pretty fine documentary. Whole thing concentrates almost exclusively on club-oriented electro-music, be House, Ambient, Illbient, Techno-Acid-Wash-Trance-Electro-Acoustic-Drumming or whatnot. I would've much preferred to see more variety included: Xenakis, Japanoise, etc. But then again there's only so much film that can be shot. Above all worth seeing again and again, if only for the wisdom of Genesis.