SnoopyStyle Studious Grace Berry (Eva Amurri) is denied financial aid for school because her irresponsible mother Rhonda (Susan Sarandon) ruined her credit history. Her sister Taylor (Willa Holland) refuses to lie to get a lawsuit settlement. She works at the water park and needs $12k by the end of the summer to pay for school. Dorian Spitz (Anton Yelchin) is rebelling against his rich family and forced to work at the park. Dorian convinces Grace to sell drugs with him. She falls for rich kid Ben Pretzler (Justin Chatwin). Dorian has a crush on Grace and Taylor is interested in Dorian.Eva Amurri is not quite right. She's a little too old. Her character is suppose to be a doormat but Eva is never that as a personality. The pull of pairing mother and daughter is not enough to justify the miscast. The family dysfunctions are compelling but not what is done with them. The movie is building some big drama. The actors are all doing good work. The movie just never gets all there.

Rich Wright If you're looking for a classic 'slice of life' film, you've come to the right place. Middle Of Nowhere concerns the fortunes of a young girl hoping to attend college... only problem is, she's skint. In no small way thanks to her mother taking all her dough. So what better way to make up the difference than to become the driver for a teenage drug dealer? There are a whole mess of other problems besetting her too: The jealous little sister trying to act older. The man she loves lying about not being in another relationship. And the REAL reason your father committed suicide. Hearts will be broken, skeletons will emerge from closets... and could those tops get any lower?Sorry... lost my train of thought there for a sec. This film, is a heart, a simple tale well told, with the cast giving it their all and lotsa dramatic scenes to nail down your interest. These people are not wholly bad or good... they have set goals in life that others may seek to challenge, but for the most part don't succeed in derailing. We like them, we want the best for them... and these are signs of emotional investment. In other words, the movie works. A modest flick, moderately succeeds. That's all there is to it, really now... 6/10

VisualAssault If you liked 'Blue Valentine', 'Half Nelson', 'Crazy/Beautiful' or 'All That I Love (2009)' you're certainly gonna like this one.I wasn't expecting really much to be honest but gave it a try and what a nice surprise it was. Don't expect anything dumb or crazy, another stupid teen flick this is not. Just normal young (but very smart and reasonable) people who struggle to find themselves and try to do something worthwhile with their lives. This film is a pretty good definition of the so called 'Gen Y'. Everything is authentic and it is this film's biggest advantage. So if you're in your early 20's and want to watch a film about people like you, go ahead, you won't be disappointed.Kudos to John Stockwell. I admire his way of portraying things in an unpretentious, real and laid-back fashion. He really understands this day's youth and should get more credit for it.

gradyharp MIDDLE OF NOWHERE is one of those surprise films that appear to have gone direct to DVD - not because they are unworthy of theater showing but because they are thinking films rather than explosively entertaining/CGI/3D extravaganzas. The script (Michelle Morgan) is smart, the concepts are viable and refreshingly not overdone, the direction (John Stockwell) shows great respect for the talents of the actors, and the cast is as solid as could be assembled for a film about touchy subjects. The theme that is born at the beginning of this film and grows in importance right to the end is the parent/child conundrum: when is parenting adequate and what are the drivers for dysfunctional family units. Grace Berry (Eva Amurri, in a very natural and focused tough role) explains to a college scholarship counselor (Sharon London) that she needs financial aid to begin her higher education to become a doctor, but though she is a brilliant student, the counselor refuses to award a scholarship because of Grace's exceptionally bad credit rating. Distraught, Grace challenges her mother Rhonda (Susan Sarandon) when she discovers Rhonda has used Grace's name to open credit cards and has spent them to the limit. Grace needs big money to attend college and her summer job at the water park in town is minimum wage only. Also working at the water park is the happy-go-lucky Dorian (Anton Yelchin) who flirts with disaster, having found an 'extra job' selling weed to the rich folks of the city. After a lot of patter Dorian gently coerces Grace into being his driver (Dorian has no car, having been grounded for misbehavior by his grumpy uncle who is serving as relief for Dorian's adoptive parents), and the two begin a quality friendship that fills emotional and financial gaps in each of their lives. But the truth about Grace and Dorian's parents surfaces: Dorian was given up by his 15-year- old mother for religious reasons and has been placed with quasi-appropriate wealthy parents; Grace lives with the knowledge that her father committed suicide only to come to discover that the suicide was the result of discovering that Rhonda was (and still is) having an affair with his brother Bob (William Haze). Grace's discovery comes through a conversation with her Aunt Polly (Karen Bramen, in an excellent role for this new actress) and Grace's mother-favored younger sister Taylor (Willa Holland), and the revelation sets off a series of events that propels the story to an end. Yes, there are sidebars expected in stories of teenagers: Grace falls in lust with rich kid Ben (Justin Chatwin); Taylor rebels against her mother by cutting her hair thus ending her mother's obsession with Taylor's becoming a model and Taylor seduces Dorian; Dorian confronts his birth mother; there are fights where Dorian is injured and finds himself alone without family support. But without a sugarcoated finale, the film ends quietly, affirming the importance of friends - a kind of love than can replace gaping holes in family relationships. The movie truly belongs to Eva Amurri who proves she is becoming as fine an actress as her mother, Susan Sarandon. The film also allows Anton Yelchin to demonstrate a much broader range to his acting than he has been given before. The entire cast is excellent. This is a coming of age story - with far more attention being paid to the adult end of the developmental spectrum. Grady Harp