TheLittleSongbird Mickey's Gala Premiere is a superb cartoon that I loved as a child and still love to this day. There is so much to love about it, with everything I love about the Disney cartoons present here. The animation is crisp, clean and beautifully shaded. I do agree somewhat about the character designs of some of the caricatures being on the slightly cruel, but never offensive, side, but that didn't deter me from enjoying, loving even, Mickey's Gala Premiere. Besides Mickey and the gang were animated perfectly I felt. I also loved the cartoon for its energetic music(as ever enhancing the action wonderfully without it feeling repetitive) and the glitzy, exciting Hollywood atmosphere. As well as having Mickey(the star of the cartoon), Minnie, Pluto(their stepping out the limousine signifies classic Hollywood), Horace and Clarabelle, there is the wonderful gag where Mickey keeps changing vehicles with a galloping xylophone, a turtle, an octopus and a kangaroo.Mickey's Gala Premiere is notable also for three things. The caricatures, some I recognised immediately like Greta Garbo, Mae West, Laurel and Hardy, Joe E.Brown, The Marx Brothers, Maurice Chevalier, The Barrymores, Charlie Chaplin, Clark Gable, Marlene Dietrich, Buster Keaton and Douglas Fairbanks, and others like Will Hays(looking very like Prince Charles), Sid Graumann, Wheeler and Whooley, George Arliss and Janet Gaynor that I wasn't so familiar with. Also, the interesting use of the cartoon-within-a-cartoon with Galloping Romance, which is like Galloping Gaucho, The Birthday Party and The Cactus Kid all in one and with amusing if slightly predictable results. Finally, the "it's all a dream" ending; some may find this strategy a cop-out, and at first it did disappoint me, but after watching it many more times since then I realise that this approach was deliberate, not just because the cartoon like with the cartoon-within-a-cartoon idea was acknowledging its medium but also taking away any since of arrogance the cartoon could've had. The voice work from all is spot on.In conclusion, a classic cartoon. 10/10 Bethany Cox

Michael_Elliott Mickey's Gala Premier (1933) *** (out of 4)Simple Disney short has all of Hollywood shutting down so that the major stars can show up at Grauman's Chinese Theater to see Mickey Mouse's latest movie. Mickey arrives with Minnie and Pluto but the real stars include Wallace Beery, Marie Dressler, Laurel and Hardy, Edward G. Robinson, Clark Gable, Ginger Rogers, Joan Crawford, Joe E. Brown, Chaplin, Keaton, Mae West, Boris Karloff, Bela Lugosi, Fredric March and countless others. This isn't the greatest written cartoon ever made but the real reason to watch is for the A-list talent from Hollywood. Laurel and Hardy probably get the most screen time but the Marx Bros. get a few good jokes in as well. The stuff dealing with Greta Garbo coming onto Mickey was pretty funny but the other highlight is the twist that follows. The short features Lugosi as Dracula and Karloff as the Frankenstein monster but they really don't play too close to detail. The same is true for March who appears with them as Mr. Hyde but he looks more like a werewolf than anything else.

Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.The famed Grauman's Chinese Theater is the Hollywood location for MICKEY'S GALA PREMIERE, with a multitude of luminaries showing up for the occasion.This is a marvelous little black & white feast for movie mavens who get to try to spot & name as many of the caricatured celebrities as possible. With this film Walt Disney was signaling that both he & his little buddy had reached the big time with the rest of Hollywood, literally, at their feet. The film within a film, GALLOPING ROMANCE, is treated like an authentic, stand-alone Mouse cartoon; featuring Mickey, Minnie & Peg-leg Pete, it is necessarily short, but fully up to Disney's standards. Walt supplies Mickey's squeaky voice.Many of the stars whose likeness appears in MICKEY'S GALA PREMIERE are now quite obscure, therefore making their identification a difficult procedure. Here then, as much as possible, is a listing of the celebrities, noting when they make their first appearance in the cartoon (many show up more than once):Out in front of the Theater: The Keystone Kops - Ben Turpin, Ford Sterling, Mack Swain, Harry Langdon & Chester Conklin.Emerging from limousines: Wallace Beery & Marie Dressler (she was box office queen at the time); Lionel, John & Ethel Barrymore (all costumed for their roles in RASPUTIN AND THE EMPRESS, 1932); Stan Laurel & Oliver Hardy; Groucho, Chico, Zeppo & Harpo Marx.At the microphone: Maurice Chevalier; Eddie Cantor (costumed for his role in THE KID FROM SPAIN, 1932); Jimmy Durante; Ginger Rogers, Joan Crawford (costumed for her role in RAIN, 1932) & Bette Davis; Harold Lloyd, Clark Gable, Edward G. Robinson & Adolphe Menjou.Entering the Theater: George Arliss, Sid Grauman, Joe E. Brown, Sir Charlie Chaplin (costumed as The Little Tramp), Buster Keaton & Mae West (costumed for her role in SHE DONE HIM WRONG, 1933).Emerging from limousine: Mickey & Minnie Mouse, Pluto, Horace Horsecollar & Clarabelle Cow.Seated in the Theater: Chester Morris, Gloria Swanson & William Powell; Will Hays (dressed in regal robes and crown to spoof his position as Censorship Czar); Greta Garbo; Will Rogers; Ed Wynn; Bert Wheeler & Robert Woolsey; Bela Lugosi (costumed as Count Dracula), Fredric March (costumed as Mr. Hyde) & Boris Karloff (costumed as Frankenstein's Monster).Rolling in the aisle: Douglas Fairbanks.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.

Squonk This is an enjoyable black and white Mickey Mouse short in which Mickey is the guest of honor at the premiere of his latest film. Most of this short's humor relies on cartoon versions of many famous faces from when this film was made. I'm sure many of today's viewers would have a difficult time recognizing all of them. Some of them are kind of bland but others are very funny, the Joe E. Brown character is especially funny. The movie within the movie has it's share of funny moments.