Memento Mori

1999 "Some secrets should never be revealed."
Memento Mori
6.3| 1h38m| en| More Info
Released: 24 December 1999 Released
Producted By: Cinema Service
Country: South Korea
Budget: 0
Revenue: 0
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Synopsis

The ghost of a lesbian high-school girl takes revenge on the people who used to bully her. And another young girl finds her old diary detailing her love and rejection when she was alive.

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Derek Childs (totalovrdose) High school love stories are fraught with difficulty, especially when depicted on camera, and even more so when the couple in question are involved in a same sex relationship, as shown in this suspenseful thriller, that, despite a couple of brilliantly unpredicted scares, works best as a character drama, much like its prequel, Whispering Corridors, though the two are completely unrelated.Min-ah (Gyu-ri Kim), a cheerful high school student, discovers a diary which illustrates the relationship between two of her fellow students, Shi-eun (Yeong-jin Lee) and Hyo-shin (Yeh-jin Park), which transitions from a contemporary friendship, to a complicated romance. Much like a car crash, Min-ah is unable to keep her eyes from the two young ladies, the diary being far from beautiful, proving to be as sad as it is sometimes disturbing, which reflects the tone of the feature.After one of the lovers commits suicide, the entire school is affected by not only the emotional turmoil of such an incident, but the ramifications that come after, as bizarre, haunting occurrences begin to dominate the school. To articulate any further about the plot would be telling, Memento Mori been one of those films where every scene is pivotal to the understanding of the feature, potentially requiring more than one view to comprehend segments of the plot, though unanswered questions will continue to prevail.Unlike the original, the second film in the Whispering Corridors franchise is not in chronological order, rather, past and present are simultaneously conveyed, the beginning portions of the film on initial viewing appearing to blur together, before viewers inevitably become accustomed to the story's unique portrayal. However, in using this style, the filmmakers are able to intelligently lead the audience in one direction, before surprising them with an unexpected twist, occasionally showing a moment of beauty, but once its perspective is fully realized later, the tenderness of the moment is reduced to sadness.The characters are brilliantly portrayed by the talent, the chemistry, both good and bad been exceptionally achieved, and on more than one occasion I felt as though I could be friends with some of them had they been real, a rare feeling that was quite enjoyable. This is heightened by the genuine high school environment, which captures not only the hardships of school life, but its fun atmosphere as well, although occasionally, the focus on the three central characters leaves little room for the development of Min-ah's closest friends.Questions persist after the conclusion of the film, regarding not only the directionality of the characters, but the reasons behind some of the decisions they made over the film, a query which especially relates to Shi-eun's character, whose hypocritical behavior potentially requires further in-depth perspectives. Despite characters been well articulated, additional back-story's could have proved helpful. Though the movie feels complete, viewing the special features provides the audience with the knowledge that several scenes were cut, and had they been included, the film's impact would have remained unchanged, but the many complexity's might have been more thoroughly understood.Like Whispering Corridors, viewers are able to provide their own answers to the many questions that remain, the filmmakers laying the foundations for a story that continues long after the credits have rolled. Half an hour after watching the feature I became quite sad after continuing to contemplate much of the film and character decisions, which impact the audience for a long while afterwards.Intelligent, beautiful and poignant, Memento Mori is every bit as unique and fascinating as Whispering Corridors. Although on most occasions the movie is not in your face terrifying, the story feels like a rite of passage that anyone of any age should view, in order to understand the complexities of an adolescent mind, the teenage girls of the feature inevitably forging paths that will lead them into adulthood.
BA_Harrison Memento Mori is apparently a sequel to Whispering Corridors, which was a reasonably enjoyable Asian ghost story set in an all girl's school, but although the location may be the same, the characters and events are totally unrelated (so there's no need to bother seeing the original film first if you haven't already).Unrequited Sapphic schoolgirl lust, suicide, and a scorned spook are the order of the day, all of which sounds like a recipe for some serious fun, but the manner in which Memento Mori is executed is so messy that confusion and then boredom are the inevitable outcome.The film begins with schoolgirl Min-Ah finding a diary written by two of her classmates, who are one step away from rubbing rug. As Min-Ah delves deeper into the girls' private scribblings and learns more of their relationship, things begin to get really weird and completely unfathomable, a fractured time-line that whips erratically between events past and present not exactly helping matters.Other reviewers here on IMDb found the film subtle, surreal, and touching; I would add 'totally boring'.
Boba_Fett1138 This sequel got released only just one year after the first movie, which normally really isn't a good sign but surprisingly enough this movie is not only different from the first movie, it's also a much better one.I really wasn't too impressed with the first installment out of the Yeogo goedam movie-series. Luckily its sequel is a superior one, in about every way possible. It's still not a perfect movie but it at least is a greatly watchable and refreshingly original one.It must be because this movie is being directed and written by two new fresh persons. It makes this movie quite different from the first one, which only works out positively for this movie. Their fresh new take on this movie ensures that the story works out better this time around, as well as its tension and mystery,It still is mostly being a movie that mostly consists out of buildup, without too much happening in it but at least the movie this time remains a far more interesting one. It's also really because the characters work out real well.The movie has some very convincing characters in it. They all behave like real schoolgirls and you actually believe that these girls have known each other all for years. I really liked their relationships and how they and the teachers got portrayed in this movie. It gave the movie a real realistic touch, which made the movie a compelling one.Visaually the movie is also definitely an improvement over the first. The camera-work and lighting all seems far more professional, as if they also had an higher budget to spend. My guess is that both Tae-Yong Kim and Kyu-Dong Min had watched lots of Japanese horror flicks in preparation for this movie. Yes, it's a South-Korean movie but it really got done in the style of a typical Japanese horror flick, that has supernatural tendencies in it.And it's also perhaps better to call this movie a supernatural thriller instead of an horror flick, in order not to create any false expectations for this movie. It's one that really builds on its atmosphere and mystery, rather than having scare moments and gore in it. I don't mind this, since this movie handles it all really well and effectively.Yes, the story and the movie can get quite confusing at times but I like that this movie tries to be different and more creative and original with all of its story elements.A surprisingly good sequel.7/10http://bobafett1138.blogspot.com/
yachiru-chan This film was quite disappointing really. Not much happens in it, and it certainly wasn't very scary at all. The freakiest thing in the film will be the fact that the diary was very densely written in, and it reflects a very obsessive personality of the writer. At the beginning, the intrigue of the diary barely keeps you on your toes, and as the film dragged on, you just start losing any other interest in it.Acting was pretty OK, but by no means amazing. I guess the film does reflect on the compulsiveness of the characters within it - this is the only interesting bit I think.If you wanted to see a film scarier than this, and leave you with something to think about, I suggest 'A tale of two sisters' instead.