Meantime

1983
Meantime
7.2| 1h47m| en| More Info
Released: 16 October 1983 Released
Producted By: Channel 4 Television
Country: United Kingdom
Budget: 0
Revenue: 0
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Synopsis

A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.

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SnakesOnAnAfricanPlain Doctor Octopus, Commissioner Gordon and The Abomination all join forces in this 80's gem. Displays real people in a real environment trying to get on with their daily struggles of unemployment. Leigh certainly has an eye for realism, but not an ear for music. It's probably the fact this was 24 years ago now, but the music is jarring and off-putting. Roth and Phil Daniels are brilliant as brothers, displaying the right amount of bitter hatred and genuine love and concern. No matter what, Leigh captures families by approaching each individual as exactly that, but always keeping an eye on how the family forms the roots and influences these characters. You never question their relationships because of Leigh's detail.
groggo I'm a big fan of Mike Leigh's gritty films, and 'Meantime' fits well into his admirable canon. He examines the lives of 'ordinary people' unlike any other filmmaker I know. Here, his microscope (forget the lens) is on a NON-working class (perhaps proletarian without the peasant's earth) family in 'estate' housing in the wretched suburbs of London. Once again, as in all his films, Leigh, using his well-known improvisational rehearsal-and-execution technique, receives razor-sharp performances from his cast. At the centre of this work are two simply superb performances: Phil Daniels as Mark and Tim Roth as his mentally 'slow' younger brother Colin. Anyone who has had a sibling will recognize the evolution of the relationship between these two. It's universal in its reach.Splendid acting abounds and carries 'Meantime'. As the parents, Jeff Robert and Pam Ferris are all-but-tactile with their sizzling frustration and rage. Gary Oldman as a deeply disaffected youngster is wonderful. A very brief scene where he rolls in a barrel, mindlessly banging it with both hands, is both riveting and disturbing.The quibbles I have with this film are perhaps minor to some, but of concern to me. One is Andrew Dickson's music. Is that a zither playing in an Egyptian carnival dance band? It is initially just jarring, but then it becomes downright annoying and intrusive.I quite frankly could have used subtitles in 'Meantime'. Whole sentences just went past me. It's necessary for the stark social realism of Leigh's settings, but for non-Londoners, this can, at times, be rough going. I listened to fragments of this dialogue and it became an exercise in linguistic irony: these characters live in the country where the English language was BORN.Doesn't matter; it's still a great and very moving film.
daspacemonkey Anyone who grew up in the early eighties in the suburbs listening to The Specials can relate to this. Leigh, as he has done with every decade provides an accurate social comment of the time, the sheer boredom of a disaffected youth, the pointlessness of life without a job and the struggle to fill the days, with something to do. Personally I think it ranks up there with Leigh finest work, helped by an outstanding performance by Tim Roth and wonderful cameos by Gary Oldman, Phil Daniels and Marion Bailey. If you're English born in the seventies and like Mike Leigh it's a must, if your not there still plenty to marvel at. Enjoy.
grantw Typically bleak Mike Leigh film set this time in London in the early 80's. Leigh has captured the whole sentiment of the period perfectly, with many props and locations dating back before even the 70's, just as you would expect to find in homes and pubs of the time. So, authenticity aside, what of the film? The story, such as there is, circles around the relationship between Mike, played by Phil Daniels, and his brother Colin (Tim Roth). Not a lot happens, which is again typical of this director, so it is in the depth of character where the artistry lies. It is worth watching alone for the small set pieces, such as Gary Oldman wearing 28 hole ox-blood DMs rolling around in an oversize bin because he has nothing better to do. Be prepared for a gritty slice of english life, and don't watch it late at night - you run the risk of being lulled to sleep by the constant piano soundtrack.