TBJCSKCNRRQTreviews The ninth and final Animatrix short, as well as the longest, running at about 16 minutes. This is the most surreal of them all, with downright psychedelic images. The animation is amazing, well-done 2D Animé with well-integrated and utterly stunning 3D CGI elements. One can tell that this was done by Peter Chung(directed as well as written), the man who brought the world Aeon Flux(the television series, *not* the movie). With a brief philosophical debate making up nearly all of the dialog in this, this also has food for thought, including some in the basic idea of it, in which there is great irony. The sound and visuals are impeccably well-done. I could imagine many not enjoying this on account of how weird it is(not to say that anyone who doesn't care for this has that particular reason for it), it definitely is not for everyone. There is a making of on this, as with all the others(albeit in a couple of cases, two share one), on the DVD, and it is an interesting watch at almost seven minutes. There are various disturbing things here, and it will be up to the individual viewer to decide what is and what isn't, really. I recommend this to fans of the Matrix universe, trippy, off-beat and imaginative efforts and/or science fiction. 7/10

william (willsgb) Matriculated is a decent effort that attempts a lot and only partially pulls it off, but contains intriguing elements and discussion; it features a lady on an island in the real world who waits by a fire by the sea, attracting the attention of 2 'runner' machines. a chase through a cyberpunk post-apocalyptic vision of the wasteland of the machines' world leads the runners to a setup where a few tests lie in wait. both are taken down but the smarter one takes a human friendly machine - their lights are colour coded accordingly, the familiar red for the runners, green for the friendly robot - down before the lady re-emerges with an energy gun from the films to take it out. a short conversation with a scientist ensues regarding the nature of reality and subjective perception and the conversion of machines to friendliness and helpfulness to humans as opposed to simply reprogramming their AI as necessary, and then all but the scientist are plugged into a simulation along with the smart machine which has been repaired.a small monkey lives with them and is also plugged in, which suggests some animals survive, or are used as batteries by the machines too; it doesn't seem to serve any other purpose but that's nothing compared to the simulation they're jacked into. director Peter Chung, of Aeon Flux fame, presents to us a severely drug induced psychedelic montage of colourful and bizarre images and interactions that make no real sense other then to, eventually, lead to the machine being stripped of its calculating logic and malignant desires toward humans and then saved from them in an act of solidarity later on, which persuades it to become friendly toward humans. i imagine it's great fun to watch if you're on drugs. sober as a judge it's an interesting visual journey but also, i feel, an unnecessarily abstract one.anyway as we see earlier one of the runners - presumably the smarter one - dropped a number 2 while chasing the girl into the human compound and that little number was in fact a warning beacon, which attracts a bunch of sentinels and other robots. just as the smart runner is converted into a friendly, those reinforcements arrive and the compound is attacked. the other friendly robots are activated and the malicious and beneficial machines and humans fight it out; basically they all die or get destroyed. one machine remains, which carries the girl away after hurting her as she pleaded with the newly converted runner to help her, having been the final straw that broke the runner's anti-human desire. it snaps out of it and attacks the machine, having watched the rest of the battle unfolding previously. it then plugs itself and the girl back into the simulation.the girl seems terrified when it sees the runner's residual self image, and fades away. it isn't clear if she died then, thought it was the matrix, thought the machine was trying to hurt her or what, but it's very a King Kong moment. the runner then waits by the fire by the sea. it's a tragic conclusion that did inspire sympathy for the runner in me, as well as for the girl and the scientist and the other humans on the island; they were simply trying to survive, and in addition reason with and make friends with machines, first steps in a possible plan for peace with the machine collective. it all ends in tragedy and death and the latest converted machine, having been shown human compassion and made friendly, has been left alone after the attack killed the humans and the friendly machines, and the little monkey. even the unfriendly machines were destroyed, leaving this lone runner yearning for purpose. bleak, full of discussion and in-keeping with the atmosphere of the films and the other Animatrix titles.a few other interesting aspects are the monkey's presence, suggesting other animal life having survived in some capacity at least - i've always entertained hopes that there were perhaps a few places on the matrix Earth of the future untouched by operation dark storm or by the machines, havens where flora and fauna still thrived and survived, a small flame of hope kindled slightly by Smith's contempt for man in his interrogation of Morpheus in the first film highlighted by his unfavourable comparison of man with other animals - the anti-matrix that the people use on the runner to convert it, taking the concept of the matrix simulation and turning it on its head by using it to placate a machine rather then pull the wool over the eyes of an enslaved human, promoting discussion on the rather blurred line between the two and how it seems to come down to intention and result, and finally the presence of a compound of humans on the surface, suggesting Zion isn't the only stronghold of people left, even though this particular compound is wiped out.it's the final Animatrix on the DVD of the nine in the Ultimate Matrix Collection and it is a quite bleak and tragic conclusion to series, that all the same contains philosophy and dialogue and ideas that promote hope and positive development. it ventures into realms of abstraction and vivid, visceral imagery that seems somewhat excessive and pointless at times as well as that seemingly careless luring of the runners into the compound - one runner calling for reinforcements which of course leads to their downfall - but the style and the substance are there, they just don't seem to overlap much. still, it's a worthy piece in the matrix universe and well worth a watch.

teleomorph I'm stunned by the previous review. I thought the CG animations at the end were exquisite. My favorite of the 9 by far (well, 'Beyond' was also beautiful). Sophisticated, breathtaking and very trippy. And all on top really deep concepts:Scientist: "How do they know that the real world isn't just another simulation? How do you?"Alexa: "I know I'm not dreaming now because I know what it's like being in a dream."Scientist: "So dreaming lets you know that reality exists."Alexa: "No - only that my mind exists. I'm not sure about anything else."

TheOtherFool Somehow the Animatrix shorts with the most interesting premises have the worst outcome. Matriculated is the worst of the bunch (although it's a close call with Program), as it takes a great idea (showing the machines the beauty of mankind by plugging them in) and turns it into the worst experience of the 9.As I said, the story begins promising and interesting, but ends with a long, long, long sequence of 'weird' images, a cross between the famous scenes from 2001 and VGA-rain (who can remember it), but not as interesting as neither of them.Too bad as the Animatrix wasn't great to begin with. Add the fact that Revolutions as well as Reloaded were a huge disappointment... who knew it would end this way 5 years ago when we were all in awe of The Matrix... don't you hate sad endings? 3/10.