gavin6942 Zhi Ming (Jet Li) weasels out of the north Shaolin temple to assassinate a despotic ruler at the ruler's extravagant public birthday celebration.This film is notable as the only collaboration between film director Lau Kar-leung and actor Jet Li. It is the third part of the successful Shaolin film series which began with "Shaolin Temple" (1982) and was followed by "Kids From Shaolin" (1984). Although it stars many Mainland actors from either or both predecessor films (Jet Li, Yu Chenghui, Yu Hai, Hu Jianqiang and Huang Qiuyan), "Martial Arts Of Shaolin" uses a Hong Kong production crew from Shaw Brothers Studio, in contrast to the other two films (which are Hong Kong-funded but are shot by a Mainland director with a Mainland crew).The production values, especially the set, are a dramatic improvement over the old Chang Cheh films. So, for that, the film is to be commended. But is there much new to offer? For me, not so much. Also, the movie really drives home the theme music. I like the idea of using the music over and over in different ways, but they seem to have used the same melody for almost 75% of the film, which is a bit obnoxious.

callanvass I must admit that I am glad to be finally done with this trilogy. I have now seen all three films, and neither really brought the merit that I was expecting them too. The first was solid, but nothing special. The second one was an atrocity, whilst the third one is fairly enjoyable. Shaolin Temple III has a solid medium of drama & comedy, mostly leaning towards the comedy side of things. The humor is quite silly, and doesn't offer many laughs, but at least it's not overkill like the second one, or the cruel style of humor that the first one had. The action is the main reason to see this one. We get plenty of exciting fights, which are expertly paced. Jet Li's acrobatics are out of this world, and he made sure to make up for the second one's shortcomings in the fights department. I also dug the opening. Jet Li ferociously punching at a tree, evokes memories of Rocky punching the meat. Final Thoughts: It's not something I'll ever watch again, but it's not bad for a one time watch. The fights deliver in a big way, and I was entertained by them. It's worth a look6.4/10

Chung Mo This is a strange film in HK movie history. It's possibly the last "traditional" Shaw brothers film, released a year after the film studio closed it's doors. In fact there are no scenes shot in HK at all. Nearly everything is on location in Mainland China. It's also the last Liu Chia Liang film working with his Shaw crew of cameramen and technicians. It's one of the first HK and Mainland co-productions and the first time Jet Li worked with anyone other than Mainland film crews. Jet Li has been unusually frank about his unhappiness with the work habits of the HK crew, director Liu included.The story is clearly from HK as Jet Li gets into situations that would have been considered unacceptable in a Mainland production at that time. He plays a mischievous kung fu monk with an agenda for revenge against an evil warlord. He meets up with a girl with the same agenda but she's disguised as a boy which fools everyone but the audience. Many, many fight scenes with a generous helping of lion dancing.The film is thematically the style of Liu's previous films for the Shaw studios right down to the woman dressed as a man plot device. If the story was a little bit more substantial perhaps this film would be as well known as Liu's other classics. It's easy to imagine replacing the entire Mainland acting company with the Shaw regulars. The camera work is in the Shaw style but with the added benefit of gorgeous Mainland landscapes and famous landmarks. The action is classic Liu Chia Liang choreography with a Mainland Wu Shu twist. The mass action scenes are exceptional. Great action, Jet Li playing a comic character, excellent photography. Recommended.

pete I saw this movie on the big screen here in boston a few weeks ago. I loved it. this was the jet back then, before he was lassoed down by the hong kong choreographers who are still wondering, 'til today, what to do with a five-time wushu champion of China. Jet got to show off his staff work, his broadsword, mantis fist, bagua zhang (the same kungfu the Evil Jet used in The One), his made up shaolin lohan fist, not to mention the kicks that he'd hardly perform anymore.Lau Karleung had a lot to do with the fights looking so good as well, the fight scenes in first and second shaolin temple looked too much like live wushu sparring sets, too demo-like, but in this film Lau KarLeung really worked hard on intensifying the fight scenes and stylizing the hand-to-hand combat scenes. There were so many fight scenes, and each one of them looked different, emphasized on a different style/ technique...etc. There was even a fight scene with Jet dressed like a girl, pretending that he didn't know kungfu, and somehow defeating a bunch of soldiers. this was also the charming boyish, charismatic jet li that we hardly get to see anymore (not since Fong Sai Yuk anyways)--he was in drag, he was killing snakes for dinner, he had a crush...etc., and it was cute. The hoaky plot and music only added to it. The sentimental crap in this film wasn't too unbearable, kinda helped the film with its charms in fact.So yeah, it was a good movie, and the fight scenes were incredible.