Marriage on the Rocks

1965 "Any Number Can Play!"
5.7| 1h49m| NR| en| More Info
Released: 24 September 1965 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Ad-agency president Dan Edwards goes to Mexico to celebrate his nineteenth wedding anniversary and winds up getting divorced by mistake, whereupon his wife Valerie marries his best friend Ernie Brewer by mistake.

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masercot There are a lot of recognizable names in this one: Sinatra, Dean Martin, Deborah Kerr, Caesar Romero, Nancy Sinatra, Deforest Kelly ("Bones" McCoy on Star Trek) and Kathleen Freeman (one of my favorites).Problem is Dean Martin is a mediocre actor; Frank Sinatra is a mediocre actor; and, Nancy Sinatra is the worst actress to ever come out of Hollywood. All three are singers and not one of them sings in this movie.To be honest, I read the plot before watching and had to see how they pulled it off. They pulled it off okay... it didn't seem contrived much...Caesar Romero is funny in this and speaks pretty good Spanish. Kathleen Freeman is always good. The rest of the cast is dull and lifeless.Watch this only if the act of watching it will save a puppy's life.
writers_reign Though you'll go a long way to find a bigger Sinatra fan than me I'm not the besotted type who thinks the idol in question can do no wrong and I'm well aware of his substandard work as both singer and actor or, to put it another way, Mama Will Bark was not the only dog with which he was associated. It's hard to imagine exactly who and at what obviously early stage ever thought there was a scintilla of merit in this turkey which relies on the audience 'getting' the joke that Sinatra, a celebrated swinger in real life, is here cast as a boring husband so much so that wife Deborah Kerr seriously attempts to use boredom as grounds for divorce. Nepotism is certainly alive and well with roles for daughter Nancy and real-life (at the time) son-in-law Tommy Sands. Best buddy Dean Martin plays himself and flavor of the month Tony Bill - Sinatra cast him in Come Blow Your Horn and None But The Brave - also turns up cast against type. There's minimal chemistry between Kerr and Sinatra, Cesar Romero does his best as the stereotype foreign jack-of-all-trades and to add insult to injury Sinatra allows Trini Lopez to stink up the screen when he himself could have supplied a real vocal interlude. For completists only.
edwagreen Tedious Frank Sinatra and Deborah Kerr film. I think they made up for the fact that they had no scenes together 12 years before in "From Here to Eternity."Despite a great cast, the film sags as Frank Sinatra plays a family man who is boring Val (his wife Deborah) after 19 years of marriage. He has a swinging business partner Dean Martin, who was rejected by Val when she married Dan (Sinatra) instead.The picture becomes nonsensical when the couple go to Mexico for a second honeymoon, quarrel and wind up divorced by the unscrupulous Cesar Romero. The laughs begin when the two immediately decide to retie the knot, but when Dan can't join Val, Dino flies into Mexico instead only to wed Val by a Spanish speaking priest instead.The film then deals with the change of roles brought on by this marriage as it affects all 3 characters. You see, Val is hesitant in signing the divorce papers with Dino so that she can remarry Dan.Hermione Baddeley steals the show as Val's Irish Rose of a mother. Nancy Sinatra appears in the worthless role of the daughter of Dan and Val, who is looking to spread her wings with a room-mate and eventually marry nerd psychiatrist Tony Bill. Bill, who was so good as Sinatra's kid brother in "Come Blow Your Horn," has little to do here.The film is good for a couple of laughs but is highly predictable. Also, Kerr is just too British to assume the role of Val.
moonspinner55 It's a marriage merry-go-round when Deborah Kerr rather inadvertently divorces workaholic hubby Frank Sinatra while on vacation in Mexico; when he fails to make things right, she (once again) inadvertently winds up hitched to boozy best friend Dean Martin. Made during the time when films had become second priority to F.S. (Ol' Blue Eyes had earned his Oscar and, with some exceptions, it quickly became a downward spiral for him and the movies). This picture is quite plush and well-produced, but it's just a throwaway--a shame since the premise did have some interesting possibilities. Best part of the flick is Nancy Sinatra (barely out of her teens) and Tony Bill as the youngsters in love. The rest is a snooze. Happy Hour for the Rat Pack was finally over...closin' time guys! ** from ****