Horst in Translation ([email protected])
Let me start this review by saying that I'm a huge fan of Idris Elba's work in "Luther", so I was quite curious to which extent he could pursue his big movie career with the truly showy role of Nelson Mandela, which brought Morgan Freeman an Oscar nomination not too long ago. Well.. it did not for Elba, but after reading many criticism that he just doesn't look the part, I was actually pleasantly surprised when I finally got to watch the movie. The make-up was very fine and I also liked U2's Golden Globe winning song, even if I was glad Frozen's song got the Oscar afterward.The film is a nice biopic on Mandela from his early years up to his later years and summarizes efficiently in roughly 2.5 hours why he did what he did and how he became who he was. As this came out in the year of Mandela's death, it earns additional relevance. Here and there was a scene I was not too fond of, like the whole pants in prison focus. Obviously, it showed Mandela's early fight for equal rights, but it left me rather unattached. Director Justin Chadwick shows us his take on the South African legend here, a couple years after Eastwood in what could almost be described more of a sports movie. I enjoyed Chadwick's "Other Boleyn Girl", which received mostly bad reviews and he did not disappoint me here either. Naomie Harris worked with him before in "The First Grader" and this may not have been the last cooperation of the two. Still, I remember she received lots of early hype as a possible Academy Award favorite for her character here, but I (and also the awards world) felt she could not really fulfill the ambitions. Her character was truly militant and showed nice contrast to Elba's Mandela, but that's all there really was to her. Not the depth one had hoped for. If it's her fault or the script's fault, who knows.As much as I was entertained by the film, I also have to say that it did not bring the outstanding moments, the main character's biography had offered and that could stay in mind for a long time. Of course, the cell he was in for decades was a central point here as well just like in Eastwood's approach. In addition, it was also nice to find out a bit about the people Mandela was working with, especially the high-profile statesmen both black and white, in shaping South Africa the way it became today. I would like to close this review by saying, despite some criticisms I recommend watching this movie and by mentioning my favorite scene which was how delighted they were after the trial that they were not sentenced to death. Still, life in prison is not a bowl of cherries either, but all that mattered that very moment was that he would live and I really liked the way they managed to depict that scene to make it relevant.