moonspinner55 East meets West, with the usual pleasures to be had in a rather typical fish-out-of-water story. Terence Hill is the jolly Britisher who arrives in Old West Arizona upon his dying father's wish that he become a cowboy. Writer-director Enzo Barboni knows just how to utilize Hill's starry-eyed charm, and the actor is very funny exercising in the morning in front of the gunslingers or riding his bicycle down tumbleweed streets. A ready-made romance is provided for our hero with a literature-minded lass into Byron (her baby-blue eyes match up well with Hill's, although his dimply prettiness is tough to beat). The film isn't much, but the English-dubbing is good and the Yugoslavian locations give it a curious and unusual look. The general handling is so amiable that viewers may become absorbed by the movie without even realizing it. It sneaks up on you, like the best kind of sleeper. ** from ****

gordodj2000 I saw this film as the opening film at a drive-in many years ago, and found it to be more entertaining and enjoyable than the feature, which I don't even recall. If this is available on home video, it is a Must-See, especially for fans of Spaghetti Westerns.

stamper I must admit, this was not the worst Terence Hill film I've ever seen but certainly one of his worst ones. The jokes are not too frequent and there is too much made of the romance. For me the highlights of his career are still the movies he made with Bud Spencer. Some of those are really hilarious. On his own I find Terence Hill not to be too entertaining. His best solo works is Renegade. 6 out of 10 P.s.: I watched the german dubbed version (as I always do) for these films are hard to come by, plus I find the voices and the dialogues much better in German than I do in Italian

guyguisborne I allways liked Bud Spencer and Terence Hill films as a kid. And I still think some of them are quiet good and fun to watch, but this one is different (in a way). Of course there's fights in the typical terence hill style (with the favorite opponent Riccardo Pizzuti), but then there's this fine irony, the melancoly sometimes and the story of the greenhorn coming to the wild west, having no idea about it and getting into big trouble without realizing it.