Making 'The Shining'

1980
Making 'The Shining'
7.6| 0h35m| en| More Info
Released: 04 October 1980 Released
Producted By: Eagle Film SS
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Directed and edited by Stanley Kubrick's daughter Vivian Kubrick, this film offers a look behind the scenes during the making of The Shining.

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Michael_Elliott Making 'The Shining' (1980) **** (out of 4) Most of the time when you see "making" in the title you immediately skip over it because you expect it to be some sort of weak promo piece but if you skipped over this film then you'd be missing one of the greatest documentaries ever made. I'm certainly not going to sit here and say this contains the greatest filmmaking ever but considering what we get to see here this thing is a real masterpiece. The greatest thing it has going for it is that it gives us a behind the scenes look at Kubrick, how he made movies and what it could be like when he wasn't happy with you. If you know anything about Kubrick then you know how demanding he could be with multiple takes that would put the actors through Hell. Here Shelley Duvall is the victim in a couple terrific sequences where she doesn't do what she's suppose to and it sets the director off. Another great sequence is some of the scenes where we see Kubrick on the set not only directing but in one terrific sequence Nicholson and Duvall are practicing their lines with the legendary director just sitting at his typewriter coming up with new dialogue. The film gets off to a terrific start as Vivian Kubrick crashes in on Nicholson and then he begins playing with her and the camera. Fans of Nicholson are going to love this look at him off the camera and it's a lot of fun seeing him here. The film itself is extremely raw but I think this is what makes the thing so special. It's as if you're a fly on the wall just picking up all of this stuff and I think it adds to the entertainment value. Nicholson, Duvall, Danny Lloyd and Scatman Crothers are all interviewed as well. Fans of THE SHINING are really going to love this film because you get to see how it's made. Fans of Kubrick are going to love it because you get to see the master work. Even those unfamiliar with the film or the director will find themselves having a great time simply because of the footage we get to see and how it gives you a great idea of what goes into making a movie.
TBJCSKCNRRQTreviews This is what Making Of DVD extras are supposed to be like(or, at the very least, should be like): short, precise and to the point. Vivian Kubrick, the directors daughter, takes a camera and follows Nicholson around and interviews some of the actors, both during and after production about making the film and their opinion of Stanley Kubrick. Jack Nicholson was entertaining to watch, because though his characters are usually a lot like himself, it's kind of a rarity to see him really be himself. He flirts a little with Vivian, which must be considered either somewhat cute or deeply disturbing, seeing as he's old enough to be her father, and her actual father is nearby. Danny Lloyd is kind of cute to see interviewed. Shelley Duvall is interesting to listen to in the interviews. Scatman Crothers' interview is inspirational, even though it only lasts a few seconds. Nicholson is the most interesting and gets the most time in this. What I really liked about it, though, what really made it interesting to me was seeing Kubrick work. He has a certain intensity, a concentration that I find inspirational and impressive, being a (albeit on a much smaller scale) film-maker myself. Seeing him directing, figuring out angles, and just going around between takes... you can feel his intensity and concentration all the way through. I recommend this to any fan of Kubrick or film-making in general. While not very technical, it provides a good look at what goes on behind the scenes on a film production. 8/10
Ben Parker This is probably the most fun little behind-the-scenes glimpse i've ever been given. I think its exactly BECAUSE its so rough, exactly because it consists of Kubrick's daughter being let loose with a camcorder on his film set for The Shining (1980) that its so compelling. As Vivian herself says on a commentary she recorded for the recent DVD re-release of The Shining, its because she was so young and everyone took her for a kid messing around that they ended up being so honest with her and allowing her to take such liberties as walking in on them in their bedrooms or asking to-the-point questions about the way they've been treated on the production (Shelley Duvall in particular, who Kubrick virtually tormented in order to create the perfect feeling for her part).Most precious of all, obviously, are the glimpses of Kubrick behind the scenes. On the ground with a camera underneath Jack getting the perfect posture and feeling for the famous scene where he's locked in the kitchen and banging on the door. His directorial rage at Shelley Duvall when she missed her queue and spoiled the perfect set-up of the snow-machine and other elements Kubrick had arranged for the shot. First thing in the morning, looking slovenly (like all great artists - caring nothing for how he looked and everything for how his film would look), greeting Jack and staring right into the camera looking less-than-impressed.As impossible as it is to choose one Kubrick production over another, The Shining is particularly great. And this little documentary, the only special feature you'll ever find on a Kubrick DVD, becomes all the more valuable for the scarcity of behind-the-scenes glimpses of Kubrick at work. Enjoy!
Glenn Andreiev Stanley Kubrick has been unjustly compared to Howard Hughes in regards to his public appearances. You never saw him on TV talk shows, or make guest cameos in friends' movies. This was the first time I got to see Kubrick actually move around and talk. Wow! Here's one of the most legendary filmmakers since Hitchcock, a super intellect who knew the puzzle behind 2001, loved chess and military history, and he has such a drab American voice. No Hitchcock drawl, DeMille comanding bellow, or Scorcese jitter-talk, just a flat, almost personality free "Uh.... Shelley, that was unconvincing. It was fake... let's do it again." You don't learn anything new about Kubrick's life, his shooting style, directorial style. His talented daughter has made an excellent little companion piece to dad's horror classic.