smithoman Don't pay attention to the "stick in the muds" previously expressing their inability to enjoy this fantastic film. I've watched a lot of movies over the past 50 years and let me say, without question, this is my favorite movie of all time. Admittedly, I love early 60's British humor and films. This classic is humor all the way. I won't put in any spoilers but would say that the actors in this film are perfect for comedic escapades. The "old Dame", Retired Colonel who was in the Bath division, heavy set Charm school teacher (who my grandfather used to say had legs like a piano) and the mousy china repair flatmate , Many appear in other classics of this era. If you do enjoy this film, which I love, I would also recommend the movie "Doctor in the House" with Dirk Bogarde 1954

drednm Charming comedy about a bored group who board with Dame Bea (Athene Seyler) in an apartment. She supports many charities but has now run out of money. Through a series of events, they hit upon the idea of stealing fur coats and selling them to a fence so that she can continue to support her charities. The others are all bored so they go along ...since it's for charity. Implausible plot makes little difference as this disparate group of oddballs start their series of robberies. Subplot has Dame Bea's maid (Billie Whitelaw) who has a prison record, falling for a cop (Jack Hedley).The robberies are masterminded by the Major (Terry-Thomas) who calls on his military experience to plan the robberies, including all manner of disguises. Because they have no police records, they rob shops and gambling joints right under the cops' noses.The cast is uniformly excellent is this bit of craziness. Terry-Thomas and Athene Seyler turn in star performances, matched by Hattie Jacques as Nan and Elspeth Duxbury as the hapless Pinkie--their cohorts. Others in the cast include Raymond Huntley as the inspector, Irene Handl as Spolinski, Penny Morrell as Gertrude, Sydney Tafler and Joan Heal as the neighbors, and May Hallatt as the old lady. Kenneth Williams also shows up as the fence.The ending is priceless.

Neil Doyle Oddball British humor is as quirky as it gets in MAKE MINE MINK about a former military man (TERRY-THOMAS) who organizes an unlikely band of fur thieves in order to help fund an orphanage. It's screwball farce on the highest level, as only the British could do in the '60s about seniors in a rooming house who decide to spice up their lives by joining a robbery plan that goes awry.Within a half-hour of various pranks involving a discarded mink coat, the eccentric roomers of a London boarding house decide to go in on a scheme of stealing fur coats to fund their favorite charity. A sub-plot develops involving BILLIE WHITELAW and a young policeman. She's reluctant to become his sweetheart because she has a police record and it could hurt his career. He scoffs at the idea. She, of course, knows nothing about the roomers' plans.The plot deals amusingly with all of the bungled fur robberies and the interplay between the eccentric boarding house characters who adopt different disguises for every robbery. One of the most amusing sequences has Terry-Thomas believing he's stumbled upon a den of thieves and fences so he can sell some of the stolen goods--until he realizes the patrons are all members of the Salvation Army.The fun is in the role playing and the clever script. It's played to the hilt by an ingratiating cast and ends on an ironic note after the burglar ring has sworn that they've committed their last crime.Summing up: Mindless fun all the way.

martingomme A warm view of the criminal temptation as seen through the eyes of the comic displaced. Fine team performances, particularly from the female cast members, topped off by a Terry-Thomas character out of his own flawed top-drawer. A real treat for those who like their view of the British as slightly off-centre, warm and hypocritical...which is not a bad summary of the national character. Kenneth Williams in an early appearance shines as a character that he never really succeeded in developing for the screen but which points to a keen comic enjoying himself in very good company. Billie Whitelaw playing against type is also a revelation in a role that hints strongly at the type of role that she made her own in films later in the decade