ksf-2 Simone Simon is "Elisabeth" in the deMaupassant story of a young french lady traveling in a coach with the upper class folks. This tale is SO watered down ... apparently the gal was original a prostitute, yet in this film, she is a "laundress" who keeps refusing to "have dinner" with the German soldiers. Even TCM's Ben Maniewicz chuckled at the changes required by the film code in effect at the time. At the beginning, the other travelers hailed the young lady for being such a patriot, and refusing to "eat" with the soldiers. Then, after she has relented under pressure, and "had dinner" with the soldier, they disdain her when they are allowed to continue on their way. Not sure whether they now saw HER in a different light, or maybe they were actually ashamed of themselves by coercing her to "have dinner" with the Germans. I did recognize Norma Varden... she was Piggy's wife in "Gentlemen Prefer Blondes". I also wondered about the soldier called "Madamoiselle Fifi"... was that more of an insult in the original story ? was he trying to prove his prowess with the women? why the "Madamoiselle" ? seems to be a parody of "fiefdom", one's own private territory. Also here is the story of the church bell, which is only rung when the underground has made progress. That subplot seems to be the opening and closing bookends of the story. One of Robert Wise's first jobs as director. Check out his list of films.. he sure did some biggies!

JohnHowardReid Although director Robert Wise makes striking use of standing sets from RKO's Hunchback of Notre Dame to give us memorable images of the coach in the town, the lackluster studio scenes inside the coach, plus a disappointing performance from Simone Simon who plays with little of her usual fire and vigor; plus the very second-string support cast led by John Emery, Kurt Kreuger, Alan Napier, Helen Freeman and Jason Robards, Senior – hardly players that would induce even a mild stampede at the box-office; plus a screenplay that is not only far too talky but far too obviously is bending over backwards to make patriotic parallels; plus Robert Wise's disappointingly bland direction; plus niggardly production values. In all, a very disappointing movie from the Val Lewton unit, well below the producer's usual high standard on all counts, including script, direction, cast, and writing. Screenwriter Peter Ruric could do much better than this, e.g. "The Black Cat" and "Grand Central Murder".

whpratt1 This is a very interesting film directed by a very famous Hollywood Director, Robert Wise,"The Sound of Music","West Side Story" and many other famous films. This is a gem of a 1944 film starring Simone Simon, (Elizabeth Bousset),"The Curse of the Cat People" who plays the role of a young French Laundress who shares a coach ride during the Franco-Prussian War with some very important social superiors. These so called social superiors thought themselves better than Elizabeth, however, when they forgot to bring any food supplies on their journey, she furnished them with chicken she had prepared for herself and things changed. Kurt Kreuger, (Lt. Von Eyrick) is a Prussian soldier who tries to hit on Elizabeth and stops all the travelers from going on their journey until poor Elizabeth complies with his wishes. Jason Roboards,Sr., (Wholesaler in Wines) gave a great supporting role along with John Emery, (Jean Cornudet) who comes to the aid of Elizabeth along with a Priest who will not ring the church bells of his Parish in defiance of the Prussian Generals. Great Classic Film.

Prof_Lostiswitz There is a good film waiting to be made out of de Maupassant's story, but this isn't it. (Stagecoach isn't either). We can understand it isn't Lewton and Wise's fault, it's just that the censorship wouldn't allow it to be done properly then.Thus, the central character gets turned into a laundress, and the climax comes when she... HAS DINNER with the sadistic Prussian officer!! (in the story, she was shunned by her fellow passengers for being a hooker, then she saves the day by going to bed with him)).Modern directors like Agnieszka Holland or M.L. Bemberg could make a really great movie out of this, but 1940's America was just not the place.