Claudio Carvalho
The Spanish real estate agent Alice Brooks (Candy Coaster, a.k.a. Lina Romay) and her French lover (Robert Foster) that is a writer travel on vacation to the Canary Islands. Alice has erotic and very realistic SM dreams with the mysterious black woman and her two slaves.Out of the blue, her boss calls her and tells that Princess Obongo (Ajita Wilson) from Gran Canaria wants to buy a real state in Atlantic City and he asks Alice to sell the property. Alice realizes that Princess Obongo is the woman of her dreams and she is seduced by the lustful woman. But she realizes soon that it was actually a dream, and she questions to her lover whether she had had a premonition. "Macumba Sexual" is another boring exploitation by Jess Franco. The plot is dull, as usual in Franco's films, and the camera exaggerates with the closes of Lina Romay's pubic hair. The transsexual Ajita Wilson performs a weird dominatrix and this movie is only recommended for fans of Jess Franco. My vote is four.Title (Brazil): "Macumba Sexual"
HumanoidOfFlesh
Jesus Franco's wife and muse Lina Romay plays the wife of Antonio Mayans who is plagued by a series of sado-sexual nightmares about transsexual dominatrix named Princess Obongo.Romay's life becomes more and more sexually depraved.Extremely sleazy and very dreamlike horror movie with tons of graphic nudity and sex.Jesus Franco's cameo as a mentally challenged suitor is particularly memorable.The film was shot on volcanic Gran Canaria.The desert setting is unusually striking and beautiful.I am not a great fan of Jesus Franco's sleazy excess,but "Macumba Sexual" is certainly watchable.If you liked "Vampyros Lesbos" or "Sadomania" you can't go wrong with this stylish piece of utter smut.7 out of 10.
unbrokenmetal
A young couple meets princess Tara on an island (filmed on Gran Canaria) after she previously appeared in their dreams already, accompanied by a bird-like demonic creature. The princess says she ruled in the name of the god Macumba for 300 years already. This is obviously a quasi-remake of "El Signo del Vampiro" where the heiress of Dracula provided a similar personification of obsession beyond death. "Macumba", 11 years later, even goes a step further in stylistic obsession and must be counted among Jess Franco's best movies, even though Ajita Wilson is no match for Soledad Miranda. Franco quotes Kubrick's "The Shining" here when the name of the princess is typed again and again on the machine, and seems to refer to Herzog's "Nosferatu" when the timeless ship sails without wind (and we never see the faces of a crew, either). Besides making an unbelievable lot of movies, Franco certainly watches even more which explains how he can reinvent his own style over the decades, never running out of ideas."She is the mirror of evil and of death", the hotel manager says once about the princess, and the word "mirror" is the key here. No matter how normal the young couple appears to be, they have a dark side in them which is mirrored (and set free) by Tara. Tara never enters the city - everyone who want to meet her must travel through the desert on the back of a camel! The voyage is a ritual of cleansing, purifying, though in the opposite sense of purgatory, because it opens the traveler's mind up for evil. Certainly a movie about sin, not virtue.
Scarecrow-88
The mysterious Princess Obongo(Ajita Wilson)of the Canary Islands, who may or may not be dead, and her erotic(..and perhaps evil)effects on a vacationing couple. Alice(Lina Romay)is a real estate agent and her lover(Antonio Mayans),a writer, are overcome by the passionate dreams featuring Obongo and the film follows their submission to her lustful will. What are Obongo's motives? More importantly, who is she and what does she symbolize/represent? What is her purpose and/or objective for Alice and her lover?While the film is essentially another VERY stylized and evocative porno, Franco uses imagery of voodoo, African statues & tribal objects, along with the stunning locations of the South of the Canary Islands and dream-like sequences between Obongo(mostly relishing her acts towards her quarry)and her prey, to create an otherworldly experience. I don't think one ever truly feels the film is grounded in reality, and I do feel that's what Franco was going for. The film is really about Franco's love affair with the Canary islands and Romay's naked flesh..the director's camera embraces both. I do think the setting, and voodoo imagery layered within, are crucial for the atmosphere produced in this film. I didn't particularly find any of the characters attractive, so the other strengths worked more for me that the multiple sex sequences. Ajita Wilson is quite a presence on screen, if the others in the film do little to assist her. Romay looks rather ridiculous in that wig, but she is basically in the film to move and twist her naked body in a bed, or being seduced by Wilson and her hideous, dog collared entourage.