Michael Watched this movie about a family dealing with a loved one's final days after having fought cancer for years. The cast was solid all around but the script is where this movie fails its audience. Jennifer Hudson,who plays a nurse on the cancer floor,is portrayed as a crass,crude and heartless person who insists that visiting hours are over and complains that too many people are crowding her hallway. Its extremely disrespectful to all the hard working nurses who are on the front line of advanced cancer patients,doing their best to provide comfort and compassion to the dying. No nurse would EVER tell a family member that a patient would have to wait to be cleaned up if they soiled their bed as Hudson's character does in this movie. They would move as quickly as possible to help. It is because of scenes like this that really brings this film way down....

siderite I first noticed Garrett Hedlund in On The Road, where I thought he was brilliant, in all senses of the word. The trailer for Lullaby also looked enticing. After watching the movie I can tell you that I don't regret my decision, I liked it very much, but it is not something that you can relax with or something that can be enjoyed at all times and by anyone.The plot is simple: family patriarch is dying and the family gathers around him at this difficult moment. We get to understand each character, mostly Hedlund's though, and their interaction. Courageous bald cancer girl and ex-girlfriend clichés are also present to further the story.People have talked about the length of the film and, indeed, to witness human uncomfortable suffering for two hours felt a little too much. However all actors played well, except maybe Jessica Brown Findlay, but she is just beginning, cut her some slack; the script was very nice and I could find no real flaws in the direction or other production values. Maybe bracing through two hours of good film is not so bad after all, is it?My personal take from the movie is that people always expect something from you and when they have nothing to lose, like when they are dying or are overwhelmed by pain, they actually demand it. I am still not convinced that being annoyed rather than involved is the bad thing to do. It makes for a good movie to get involved, I guess.Bottom line: watch out for Garrett Hedlund, he will be rising. The movie was great, but watch it when you are in the mood for consistent emotional dramatic tension, not at breakfast before you get to work. i think it is also cathartic for people who lost or are going to lose somebody soon. And Richard Jenkins is always good in the role of the dying or dead father, isn't he? :)

Amari-Sali Trigger Warning(s): Deals with death of parent and children with cancerWith top billing belonging to Amy Adams, the familiar face of Jessica Brown Findlay from Downton Abbey, and a sad topic which seemed like it would lead to a good cry, what other reasons would you need to see the film?Characters & StoryAfter leaving New York to pursue music in California, Robert's (Richard Jenkins) son Jonathan (Garrett Hedlund) returns only a day or so before Robert, after 12 years, is ready to die. Something his daughter Karen (Jessica Brown Findlay) refuses to let happen. But, with only a day, or so, until Robert's Dr. (Terrence Howard) is to perform an assisted suicide of sorts, Karen doesn't have much time to convince her dad to stick around much longer.PraiseThe more and more media I watch when it comes to people having cancer, dealing with family members dying, and other similar themes, I must admit I have built a sort of tolerance. Yet, with this film I found myself getting a bit emotional throughout. For while neither of my own parents are sick, nor anyone I personally know, the performances by both Hedlund and Findlay do bring you to that possible point where you realize that the natural way of the world, unfortunately, is for children to bury their parents.But, it isn't just Hedlund and Findlay, with of course Jenkins being front and center, that get you when watching this film. A side story with Jon dealing with this 17 year old cancer patient named Meredith (Jessica Barden) I think damn near matched the emotional impact of Robert's sickness. Which perhaps is weird to say since Meredith is a stranger to Jon in comparison to his dad, but what Meredith brought to the movie was a more unique, if not rare, angle to dying. For, to my media knowledge, there aren't too many movies or TV shows which focus on kids dying of cancer, and while arguably there is The Fault In Our Stars, I do feel Meredith gave us a more realist depiction of cancer than the optimistic, and arguably romanticized, view The Fault In Our Stars had for most of its movie. In fact, I sort of wish that Jon's sole side story was simply his character developing through hanging around Meredith and his sister more than anything else.CriticismNow, being that this film has a depressing subject matter, naturally it feels long. But being that it is nearly 2 hours, it feels so long that honestly I had to walk away sometimes. What doesn't help things though is as much as it was nice to get to know Jon, I felt the addition of Emily (Amy Adams) wasn't fully necessary to the story and could have been cut. For, after watching the film, I think the sole reason she is included is because she a recognizable name and not because her character really adds to the movie. For as Jon's ex she may let us know how bad he is with expressing his emotions, but with his dad dying it does make you wonder why they needed to go into Jon's love life?Also, I must admit that I felt bored at times when it was just Jon and Robert in a scene together. For while they certainly had chemistry, and issues between them, I just didn't feel that invested in Jon's life overall. Be it because he is a spoiler rich kid who just seemed a tad aimless, or because he seemed only devastated about his dad's death, at first, because he wasn't getting any money. Either way, the only thing which made his character interesting was when he was with the rest of his family, with Meredith, or one of the few scenes he had alone with his sister Karen.Overall: TV ViewingThis is one of those movies which start off strong, but as time goes on it wears out its welcome to the point you start looking at your watch a bit. For while the story will probably affect you emotionally, especially the one with Meredith, I just felt that after a while there was too much focus on Jon's life and not enough on either Robert's suffering, and decision, or how it affected his wife and daughter. Because of that, I am labeling this as "TV Viewing." For if the film wasn't so damn focused on Jon it could have been "Worth Seeing," but be it that the decision was to make Jon center of the universe, it gave the film a serious flaw.Collected Quote(s)"You have to listen, and share, which are two things you suck at. (And) I'm not talking about your bed and your tooth brush. I'm talking about life things, like real things, things that move you, things that make you feel, like a dream or a song." — Lullaby"Even death is not to be feared by one who has lived wisely." — Lullaby"I hope some day you become proud of your heritage, that you treat it as a lifeline and not a sentence." — Lullaby

gradyharp Andrew Levitas makes his screen writing and directing debut in this little film LULLABY and for a first time effort, despite all the rough unfinished edges of the canvas, he gives notice of a man with a fairly keen perception of the complex interrelationships of dysfunctional families.Jonathan Lowenstein (Garrett Hedlund) lives in Los Angeles attempting to become a singer of note and has been estranged from his wealthy New York family for years, always feeling as though he was unable to live up to his father's expectations. One day, he suddenly receives word that his terminally ill father Robert Lowenstein (Richard Jenkins) wishes to be taken off life support after a 12 year struggle with lung cancer and has 36 hours to live. When he agrees to visit his father, he unintentionally sets up a family conflict with no easy resolution. His mother (Annie Archer) has been caretaker of Robert and is happy to have the family reunited: Karen (Jessica Brown Findlay), the younger sister in law school, struggles with resentment for Jonathan, Jonathan detests the fact that he must observe the dying wishes of Robert (including setting up Seder when Jonathan has a history of disregarding his Jewish heritage), cope with Karen's acerbic flairs, deal with a stranger Meredith (Jessica Barden) who is 17 years old and dying of bone cancer who shares her needs with Jonathan and he with her, and re-encountering his lost love Emily (Amy Adams). Some of the best moments are provided by Jennifer Hudson as the potty mouth bitchy nurse, Terence Howard as the attending physician who is to aids Robert's 'assisted suicide', and Daniel Sunjata as a policeman who joins in the Seder. Though there are funny moments the story hangs on the subject of death and end of life situations, sharing the manner in which we evaluate our lives and our purposes in this life at that transformative moment of death of a loved one. Though falling frequently into the overplayed anger/grief/sobbing triad the actors are very fine and they make the film worth watching. Grady Harp, July 14