Lucky Partners

1940 "Gaiety, laughter, originality and sprightly romantic adventures combine...modern, unconventional, completely entertaining"
Lucky Partners
6.5| 1h40m| NR| en| More Info
Released: 02 August 1940 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

Two strangers split a sweepstake prize to go on a fake honeymoon with predictable results.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

RKO Radio Pictures

Trailers & Images

Reviews

morrison-dylan-fan After spending all evening with a family friend,I decided to end the night by watching a film. Planning to view the French Neo-Noir Mea Culpa,I stumbled on a rare RKO title about to leave BBC iPlayer,which led to me trying my luck.The plot:Walking down a street, Jean Newton bumps into a man who randomly wishes her good luck. Taking the words to heart,Newton starts experiencing good luck. Tracking down her lucky charm,Newton finds out that his name is David Grant. Wanting to see how far this luck can go,Newton gets her fiancé to stand aside and let her and Grant put a bet on the Sweepstakes. Playing his own luck,Grant says he will agree to the idea,only if Newton goes on a holiday with him. View on the film:Turning His Girl Friday down for the role, Ginger Rogers gives a sparkling performance as Newton,with Rogers delivering the Screwball Comedy dialogue with a sweetness,and giving Newton a light romantic simmering. Bouncing off Jack Carson hilariously playing Newton's geeky boyfriend, Ronald Colman gives a terrific performance as Grant,who blocks Newton's attempts to find out more about him,by Colman giving Grant a slippery, gentlemen smoothness.Getting Grant and Newton in the same bed with stylish spilt-screen, co-writer(with George Haight/Edwin Justus Mayer/ Franz Schulz/Allan Scott and John Van Druten) director Lewis Milestone & cinematographer Robert De Grasse keep the Screwball Comedy atmosphere whip-smart, with pristine pans catching the reactions from Newton and Grants playful exchanges. Playing their luck in adapting Sacha Guitry & Fernand Rivers film Bonne chance!,the writers keep the first encounters of Newton and Grant deliciously lively,with their deals on good luck leading to funny exchanges with those who don't have their lucky hands. While the ending slyly mocks rules of the Hays Code, the decision to end the movie in a courtroom leads to the flick losing a spring in its step,due to the dialogue getting used to untangle the knots in the plot,as the luck runs out.
Prismark10 Lucky Partners has Ronald Colman as a reclusive artist with a dodgy past who wishes Ginger Rogers good luck while she passes him on the street.Rogers gets an expensive dress that is being discarded to a house she visits. She thinks Colman is good luck and they cook up a scheme where they would go halves in some kind of Irish sweepstake's.Rogers wants the money to go on honeymoon with her beau Jack Carson. Colman wants to take Rogers on some kind of platonic honeymoon and he manages to persuade dunderhead Jack that this is a good idea.Of course on their road trip Colman and Rogers find out that they love each other and Colman decides to scarper but ends up getting arrested and it all ends in a courtroom showdown when it is revealed that Colman is a rather famous and notorious painter.Director Lewis Milestone won an Oscar for directing All Quiet on the Western Front, so maybe not someone who you might think would show a deft touch with a romantic comedy and truth to be told he makes heavy going of it.Colman looks too old to be sweeping Rogers off her feet and there is little chemistry between them. The courtroom scenes at the end was just farcical giving the movie a left turn.
blanche-2 Ginger Rogers and Ronald Coleman are "Lucky Partners" in this 1940 film, also starring Jack Carson and Spring Byington.Rogers plays Jean, a young woman walking down the street when she passes Dave (Coleman), whom she doesn't know, and he wishes her "good luck." She delivers a box of books (her mother owns the book shop The Book Nook) to a client. The client is in the midst of getting a divorce and doesn't want a $200 dress chosen by her soon to be ex-husband. So her mother gives it to Jean.Jean thinks back to Dave's "good luck" and wonders if he just might have something there. She goes to Nick & Nick's, a local store, and decides to buy a sweepstakes ticket with Dave, who's right across the alley. They introduce themselves to one another and after a lot of back and forth, they go in on the ticket.Jean is engaged to an insurance man (Carson) and plans on moving to Poughkeepsie with him after they're married, with no honeymoon. The condition of Dave going in on the ticket with her is that, if they win, Dave will take her on a trip, platonically of course, before she settles down. This somewhat surprises her fiancée but he agrees to it.They win, and it's one of those European sweepstakes where if you draw a horse, you either sell the ticket for $12,000, or bet that the horse will win, in which case you will win something like $150,000 American money. They gamble on the race and lose. However, Jean's fiancé, unbeknownst to her, has sold her half of the ticket for $6000. She gives Dave 3000, and he still wants to take her on the trip. She goes.Ronald Coleman...Jack Carson...now, what do you think happens? This is a slight movie enlivened by the two wonderful stars, Coleman, so dashing and charming, and Rogers, a somewhat naive young woman with a hidden sense of adventure. Rogers always did well playing opposite classy men, Fred Astaire being an excellent example.Some funny scenes, some sweet scenes. It's not earth-shattering, but I liked it.
FISHCAKE It was an article of faith among the more cynical critics during the "golden age" of Hollywood movies that most of what the industry turned out could be summed up as "boy meets girl, boy gets girl, boy loses girl but gets her back before the final fade". Well, here Lewis Milestone has directed just such a formula tale. But he, more famous for such films as ALL QUIET ON THE WESTERN FRONT, has handled the genre with such a light touch that the result is delightful. Mind you, I don't say the film is top 100 quality, but what's not to like about a Sacha Guitry romantic comedy featuring Ronald Colman and Ginger Rogers and ending with a courtroom scene, common to this type of film in the 1930's and 1940's, presided over by Henry Davenport as Judge?We start out with Colman as some sort of "mystery artist" accosted by Rogers with a hare-brained scheme to win the Irish sweepstakes, if only he will go halvers with her. He wished her "Good Luck" one morning, you see, and immediately she was given a lovely dress by a complete stranger. So naturally, she knew he was a sure token of good luck. She wants the money for her honeymoon, but Ronald has an idea of his own--he wants her to go with him on the honeymoon, strictly Platonic, of course. To make a long story a bit shorter, Ginger doesn't like the idea but Ronnie persuades her fiance, Jack Carson, that it's O.K. (Don't ask how!), so she finally agrees. They draw a horse on their ticket (if you don't know how the Irish Sweepstakes worked, there isn't room here to explain it all), but the horse doesn't win. However, Jack has sold one-half of the ticket for $6000 on the strength of the horse. He gives this to Ginger, who gives it to Ronnie, who arranges the trip and buys a car in Ginger's name. After considerable pussyfooting around it becomes clearer by the minute that Plato is going to lose this one. Ronnie gets cold feet and beats it in the car bought in Gingers's name. Naturally he is arrested for car theft, Ginger is arrested for possessing a stolen painting (I told you Ronnie as a "mystery artist"), Jack is arrested for breaking down Ginger's hotel room door (he got jealous after all), and they all end up in Henry Davenport's courtroom.Now, don't read another word if you don't already know the outcome, but if you are of the female persuasion and had the choice of Ronald Colman or Jack Carson, whom would you choose. This courtroom scene is not the best of this sort, which I mentioned was common to the period, but it does serve to sort things out. It may be corn, but it is lovely, sweet corn, and not from Iowa. Light sparkling comedy was Sacha Guitry's stock in trade.