Lucky Devils

1933 "THEY CALL THEM LUCKY DEVILS IF THEY LIVE!"
Lucky Devils
6.2| 1h10m| NR| en| More Info
Released: 03 February 1933 Released
Producted By: RKO Radio Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Two Hollywood stuntmen compete for the same pretty extra.

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RKO Radio Pictures

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kevin olzak 1933's "Lucky Devils" is an often fascinating look at Hollywood stuntmen and the dangerous feats they perform anonymously for the benefit of cinema-goers around the world. Not long before Hopalong Cassidy, William Boyd toplines as the leader of the close knit group, Skipper Clark, with others portrayed by William Gargan, Bruce Cabot, Creighton Chaney (Lon Jr.), William Bakewell, and real life stuntman Robert Rose, who co-wrote the screen story. A breakneck pace is established right off the bat, with a daring daylight bank robbery that turns out to be a frenetic scene being filmed for a picture titled "Right Living," bullets and bodies flying all over the lot. Skipper's oft repeated phrase to his comrades involves any daredevil who loses his edge by marrying a dame: "a good stuntman makes a bad husband, and a good husband makes a bad stuntman." The picture veers toward predictability when Skipper himself falls for an attempted suicide whose life he'd saved, after which he does indeed lose his nerve on a swinging rope above a burning building, resulting in a near fatal fall for his buddy (William Gargan). All does end happily for husband and wife, a breathless rush back to LA buttressed by several clearly dangerous driving stunts just in case the audience hungers for more! The good outweighs the bad overall, and among the cast is a young Lon Chaney Jr., still using his real name in only his second RKO feature. As stuntman Frankie Wilde, he is always seen with the other group members, introduced right behind William Gargan during the opening scene. It's a decent role providing much screen time, if little dialogue, though he does get a laugh when fellow performer Roscoe Ates stammers through a toast on the upcoming marriage of one of their own with 'long life and prosperity,' Chaney interrupting his stuttering with 'progeny' in place of 'prosperity' (the New York Times reviewer noticed the novice newcomer: "Creighton Chaney figures in a minor role"). I wasn't able to spot Ward Bond among the on screen crewmen, but gorgeous Marion Byron can be seen virtually playing herself, a sexy flapper named Peanuts (her actual nickname).
mark.waltz Opening on a horrifying bank robbery with clichéd dialog and much more violence than "Scarface", this second feature gets your attention right away and never lets go. The story of the risks taken every day by Hollywood stunt men and their women who worry makes for riveting drama. The superstitions of their craft leads to paranoia and a few tragedies. A fire sequence on a movie set is horrifying. In a way, the film has a serial feeling towards it. Stars Bill Boyd and Dorothy Wilson are fine, but stuttering Roscoe Ates is utterly obnoxious, first seen in blackface for no real reason. Fortunately, he is off screen for the second half of the movie. The film concludes with a fast paced car chase sequence that requires real skill from the film's real stunt men whom the script honors.
kidboots There is a robbery taking place at the First Street Bank - robbers have broken the skylight and are descending via the chandeliers, a telephonist is thrown down the stairs, a teller is shot for sounding the alarm - very powerful stuff, too bad it is only a scene from a movie!!! The men who make it exciting are the stunt men, although they don't get much praise from anyone except the giddy fans (sweet Rochelle Hudson plays one). The cardinal rule for being a stunt man is they should not be married, once they are, as Skipper Clark (Bill Boyd) says "they are always thinking of the little woman" and that's when accidents happen. When Slugger (William Bakewell) accidentally breaks a bottle, that is a sobering wake up call as a broken bottle always means death to one of the fraternity. Of course now Slugger is about to marry Doris (beautiful Julie Haydon) he is now a bundle of nerves and bungles his driving stunt, going through a plate glass window.Skipper and Bob (William Gargan) are going through their own romantic woes - both are in love with the same girl, Fran (Dorothy Wilson) who they both rescued from a suicide attempt. Skipper, being the star, wins Fran but after their honeymoon (he has conveniently waived the "no marriage" rule) nerves get to him and he mistimes a stunt that sees Bob go to hospital.This is just a terrific little movie that packs so much action into it's 62 minutes, more than most films twice its length. Also it's one of the very few films that turn the attention to the unsung heroes of the action movie, the stunt men and the hazards of their working life!!Even though the burns are superficial Skipper feels responsible and quits but finds the real world tough and jobless and it is back with his "reel" crew that he finally finds work as a road digger. When the director offers $100 to anyone who can pull off a hazardous stunt involving a dinghy going over what looks like Niagara Falls, Skipper's nerve returns along with his good standing.Dorothy Wilson proved once again what a talented young actress she was and that talent isn't always found on the stage or in acting schools. She was director Gregory La Cava's stenographer and was given a well publicized movie contract when the director was looking for new talent for his movie "The Age of Consent". William Boyd, at this time, just before he found fame and fortune as Hopalong Cassidy, was trying to rebuild his career after he had been wrongly identified as the actor William "Stage" Boyd who had been arrested for attending a very wild party.
Connie P. A fun romp, Starring William Boyd, (best known as Hopalong Cassidy)about a group of Hollywood stunt men. The story by Bob Rose and Casey Robinson, two of the top stunt men of the era, follows the men through the up and downs of the stunt world in early films. Complete with a rousing song,sung several times in the film, about the trials and tribulations of the Hollywood stunt man, not unlike the "Fall Guy" theme. You get a glimpse of "state of the art" stunts of that time and it ends with William Boyd using all of his "stunt" skills to race from Big Bear back to Hollywood to make the birth of his child. It's fun, and gives a good look at old Hollywood as it plays as the backdrop for the story. Just a look at the size of the palm trees lets you know just how long ago this took place. Enjoy!