Love on the Run

1936
Love on the Run
6| 1h20m| en| More Info
Released: 20 November 1936 Released
Producted By: Metro-Goldwyn-Mayer
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Budget: 0
Revenue: 0
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Synopsis

A runaway bride and an undercover reporter get caught up in political intrigue as they lead a merry chase across Europe and uncover a spy plot.

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rickrudge Love On The Run (1936)W.S. Van Dyke, who's famous for doing great madcap, romantic, screwball comedies, like the Thin Man series, did an okay job with this one too. Crawford and Tone were recently married in real life and Gable has been friends (and more) with Crawford for many years.Two competing reporters, Michael Anthony (Clark Gable) and Barnabas Pells (Franchot Tone) chase down the story of a runaway bride heiress Sally Parker (Joan Crawford) who recently married and then jilted a European Prince Igor (Ivan Lebedeff). Naturally, you know that Sally is going to fall in love with Michael despite her hating reporters. Barnabas is slowly catching up though. Later they meet the Baron and Baroness Spandemann (Reginad Owen and Mona Barrie) who, as it turns out, are international (Nazi?) spies. Then the story veers off into a totally different direction.
PWNYCNY Let me tell you why this movie is good: It shows that Joan Crawford and Clark Gable were great comic actors. There is no question that if I Love Lucy had been re-casted with Crawford and Gable as Lucy and Ricky, the results would have been hilarious. Also, Franchot Tone gives one the more hilarious performances as Gable's news reporter chum and rival. Tone would have played an extremely amusing Fred Mertz. The story is so upbeat and so amusing that it is virtually impossible to find anything about it to dislike. The story has snappy dialog, farcical plot, engaging characters and excellent cinematography. Any movie that features Crawford, Gable and Tone running around France and getting into all kinds of silly trouble is a movie that will entertain.
Dale Houstman Clark Gable is fine as usual, but this film is so obviously struggling to amuse the audience that it becomes painful, then dull, to watch. The reliance on repeated shtick and what is often a wasted talent (Donald Meek's take as the mentally unbalanced caretaker is depressing, as he is usually a reliable character actor, here asked to broaden his approach to paint a personality of bizarre - but not amusing - proportions). I really wanted to enjoy this, but the speed at which it became obvious this was a leap at an "It Happened One Night" clone only made it suffer by comparison. Every frame screamed "love me!"Others speak of the chemistry between Gable and Crawford, but I do not see how it translates to the screen; I never once thought they were meant for one another, and was not entertained by the time it took to get there. The entire film - although spotted with good dialogue - failed to convince me that there was a guiding intelligence behind the tale, that the creators were convinced of its vitality as a comedy, or that it was meant as anything other than a desire to cash in on Gable's award-winning role in a better film. The slapstick is painful, the male rivalry unconvincing, and Tone particularly grievous, as he mugs and screams his way through this "comedy."
lindsay_duke A rich socialite Sally Parker flees her wedding only to fly to France with an undercover newspaper reporter Mike Anthony. Mike knows that Sally hates reporters, so he keeps his vocation a secret. The two are pursued by police, a rival newspaper man, and a sinister Baron ad Baroness. In the midst of all this there's romance and comedy throughout the film.I don't really like Clark Gable, but I must admit that he is a good actor, and I like this movie because it is a mix between romance, mystery, and comedy. If you ever run across this movie on Cable or in the store I would recommend watching it. Good movie.