Wizard-8 Charles Bronson was probably convinced to do "Love and Bullets" because it gave him an opportunity to work alongside his wife Jill Ireland, something he tried to do whenever he could. But the end results did him no favors. While the title promises to show another side of Bronson apart from his tough guy status, there is actually very little "love" in the movie - his character and his wife's character actually don't fall in love until the last twenty minutes, and barely any "love" is shown. They hardly ever have an in-depth conversation! Elsewhere, Bronson doesn't seem very enthusiastic, Ireland gives her character a squeaky voice that is downright annoying, Rod Steiger gives a hammy performance as the mob boss, and Henry Silva not only has hardly any screen time, his character disappears before the end to a fate unknown. The script needed more work, since there is not only very little action, important linking footage seem to be missing here and there like with the first meeting of the two leads. About the only saving grace the movie has is some nice Swiss scenery, but that only helps a little.

Scott LeBrun Begun by John Huston, who departed the production supposedly because of that old standby, "creative differences", the action-melodrama "Love and Bullets" is mostly noteworthy for its exotic locale, as well as some breathtaking photography and a super Lalo Schifrin score. The way that it often plays out may lead one to believe that it's meant to be seen as tongue in cheek; it does get silly at times. Still, it's attractive, reasonably well directed (by Stuart Rosenberg), and nicely acted.Charles Bronson actually plays a guy named Charlie; Charlie Congers is an Arizona detective sent by the FBI to Switzerland to pick up a gangsters' girlfriend, a gal named Jackie Pruit (played by Bronsons' real-life love and frequent co-star Jill Ireland). The feds desperately want her to testify against her boyfriend, who's portrayed in a typically hammy fashion by Rod Steiger. He's hired assassins including a creep named Vittorio (Henry Silva) to silence her.Overall, "Love and Bullets" is fun to a degree. It's not really remarkable in any way, but it moves along well and has some good moments. Bronson is in fine form and he and Ireland (whose bimbo shtick ultimately wears a little thin) naturally have good chemistry. Steiger is amusing; in one interesting character touch, he has a stutter. A solid bunch of familiar faces have supporting roles, although some, like Silva and Strother Martin (who plays Steigers' lawyer) are under utilized. Also co-starring are Bradford Dillman, Michael V. Gazzo, Paul Koslo, Val Avery, Billy Gray (the kid from "The Day the Earth Stood Still" all grown up), Albert Salmi, John Hallam, Robin Clarke, and Andy Romano.The movie gets off to a shaky start, but soon recovers, and fortunately isn't too predictable. Fans of this cast should find it to be a mild diversion.Six out of 10.

ma-cortes An Arizona Police Inspector named Charlie Congers (Charles Bronson) is sent on a dangerous assignment to Switzerland to bring an outrageous mafioso(Rod Steigers)'s love interest named Jackie Pruit(Jill Ireland , Bronson's wife) back to USA to testify against him in trial . Meanwhile some killers (Henry Silva, Paul Koslo) attempt to murder Jackie .The picture contains suspense , action, thrills and is quite entertaining , though average . Excellent Rod Steiger as peculiar stuttering mobster who amuses himself with Nelson Eddy and Jeanette MacDonald films . Very good support cast formed by prestigious secondaries as Strother Martin , Bradford Dillman , Albert Salmi , Michael V Gazzo , Val Avery and many others. Special mention to Henry Silva as a nasty and sadist criminal , as ever. Pretty locations from Switzerland well photographed by Fred Koenekamp and Anthony Richmond . Atmospheric musical score by Lalo Schifrin with certain influence in Ennio Morricone music.Rosenberg's regular direction that underlines the strength of personalities involved , undercutting the less pleasant aspects and putting the focus squarely on Bronson's tough performance and Ireland's excessive silly character. Stuart Rosenberg was one of the best TV directors of the 50s and 60s and subsequently realized segment of crime and mystery series . In 1967 directed his first film , the successful ¨Cool and Luke¨ with Paul Newman . Booth of them attempted in vain to repeat the formula in three further movies together ¨WUSA movie, Pocket money and The drowning pool¨ . However he achieved other two hit smash in the terror genre with ¨The Amityville horror¨ and again with a prison film ¨Brubaker¨. Since then Rosenberg's output has been unsatisfactory and sporadic as ¨The Pope of Greenwich village ¨ a Mickey Rourke vehicle . Rating : Passable though mediocre thriller.

rayxt This action flop has aged so well to the point when you leave out Charles Bronson and Jill Ireland and most of the cast, the film moves into the realms of a minor (but most certainly unintentional) masterpiece. The stars undoubtedly had a pleasant paid holiday in Switzerland while making the film. Charles Bronson preferred Europe, so this ridiculous change of scenery was probably thrown in as it suited producer, director and stars.Paul Koslo (the actor perpetually with the worst hair in Hollywood) is as always a lackey and fallguy who gets blown away. But this film really comes into its own with such a towering performance from Rod Steiger that one has to wonder why he wasn't nominated for an Oscar. 100% brilliant comedy send up - his speech impediment is a masterstroke, masterly executed. Steiger can be watched and rewatched endlessly, he's such a scream, while the end of the film one of the best blasts you'll ever see.