tao902
Jim returns home to his family, who live in a white, working class, American small town in Indiana. He originally left home to become a successful writer in New York and has returned after failing. Jim gradually becomes closer to the family that he originally wanted to escape (an over protective mother, a disenchanted father, a divorced brother who tries to commit suicide).He begins a relationship with a local single mother who shows him respect that he didn't expect. Despite having no big dramatic moments the film holds your attention.A low key, good natured, dark humoured comedy.
Amy Adler
Jim (Casey Affleck) has just returned home to his parents house in the Midwest. Being an aspiring writer who loved living in Manhattan, this is cruel and unusual punishment. However, his two part time jobs didn't pay the bills so, thank goodness, Mother Sally (Mary Kay Place) is happy to see him. Father Don (Seymour Cassel) is less enthusiastic, probably because the couple's other son, Tim (Kevin Corrigan) is living with them, too, thanks to divorce and a low-paying job. Naturally, the parents urge Jim to "do something", after the first few days, so the young man reluctantly accepts a job at the factory run by his mother. He also meets a beautiful, single-parent nurse, Anika (Liv Tyler) at a local watering hole and they begin a relationship of convenience. But, nothing ever seems to make Jim come out of his perpetual "funk" and he fails to connect with anyone, except perhaps a pot smoking co-worker. Will Jim bring everyone around him down, too, even his always-sunny mom? Can he get his "act together"? Viewers who put this into their DVD players may not feel like watching after the first half hour. It is fairly depressing, despite some sporadic but successful "gallows" humor. However, those who choose to stick it out may appreciate the sharp life observations. The cast is really very nice, with Affleck doing a truly great job in a difficult role. Place, Cassel, Tyler, Corrigan and the other lesser role players are impressive, too. Appropriately, the setting is fairly nondescript and won't charm anyone while the costumes are well-chosen but far from attractive. The script has its moments of humor and pathos, almost too real for comfort. Then, too, the slow pace and undistinguished edit hurt its success, too. There are some fun moments, as when Jim goes bar hopping among the three local watering holes, named Riki's 1, 2 and 3. But, all in all, this is a grim flick, which will never earn the word "entertainment". Therefore, stay away, unless you are a fan of the cast or a serious student of film-making. Lonesome Jim will ultimately attract only a few "lone wolf" admirers.
muerco
This is the most pure example of American independent film that I've seen in years. Zeroing in on a few characters, a limited situation, perfectly consistent in tone (which might be characterized as realist-deadpan), simply yet effectively done--this is the best Raymond Carver adaptation ever made, yet of course it's not even based on one of his stories (it's based on a fine original screenplay by James Strouse).It seems like back in the late '80s films like this were made, but very rarely are anymore, when every independent film has become either a star vehicle or a strident, obvious Satire. This film (like Buscemi's also marvelous "Trees Lounge") seems organic to the story it's telling. I came to the film knowing nothing about it, had no idea where it was going or what it was up to, and was always happily surprised that it didn't take the cheap route through anything.The performances are all excellent. Mary Kay Place perfectly plays the all-American mom and without calling undue attention to himself Affleck absolutely embodies a type we've all met many times before but rarely see on screen with this level of detail. Even Liv Tyler is good. But a special word should be said about Buscemi as a director. There's nothing fancy in how he works yet he seems to know completely how to shape a movie, getting the most out of his actors and the bland settings that the drama plays out in. I wish we had more darkly comic, substantial, humane films like this. I really hope Buscemi gets to make many more films.
samkan
Although I agree with many of the people that this was a good movie, I do not necessarily agree that it had a moral, taught a lesson, etc. The script, as economical as it was, was terrific, not to mention hilarious! There is hardly a wasted line, scene, etc. Nobody overacts. The actors simply just do their jobs. Some of the jokes had me laughing out loud at midnight; e.g., when brother #1 says "awesome" upon learning brother #2 has bedded Liv Tyler, #2 thanks him - to which #1 says "No, I'm thinking her standards are so low I've still got a chance".The movie is chock full of tiny lines of great dialog. Most are not crafted jokes but simply hilarious circumstantially, as when the protagonist comments on the strength of the stoner's weed and - in a casual aside - the stoner says, "Yeah, I put some crack in". Also, our hero so deftly manages to unintentionally insult everyone and everything while spilling his guts; e.g., believing he's offering profound insight into life but instead degrading the existence of his listeners. These asides and conversations, like much of the dialogue, are not stand alone funny but fit in so well to the mood and of the setting. The setting and circumstances - failed dreams in the Heartland - could be milked for much melodramatic value but is well treated here in a matter-of-fact manner. This movie is true farce. I hate to use clichés but Lonesome Jim is the perfect example of "What you see (and hear) is exactly what you get.Casey Aflleck could easily have played his role as manic or overly deadpan but finds a great balance. Overlooked is his dad's character, who pulls pathos out of middle America. Liv Tyler displays more skill here than in all her minutes in Lord of the Rings combined. And the stoner uncle, without exaggeration could be a candidate for Best supporting actor. But Mary Kay Place steals the show outright. She is the Everymom of all time. I lost my mom last year and my siblings and I can see now that what we interpreted as mom's naive cheerfulness was actually a profound strength. No small feat to create this observation in a movie which, at times, seems almost completely played for laughs. In fact, the uplifting effect of the movie truly appears as almost an afterthought. Creating something out of nothing is the mark of good art.