Curious Jim One of the worst films I've seen (but not the worst so I'll give it that.) It's clear that someone spent a lot of time and effort making this film but I must admit it just didn't do it for me. The various camera experiments didn't really pay off, it's still got that kind of daytime drama feel to it, (great for daytime dramas, not so good for films) and the less said about the painful slow motion scene the better.A couple of the plot lines were more than a little ridiculous and generally the story was fairly poor. The script was only rescued by the comedy builders with their refreshingly bawdy banter. (There were other parts of this film that amused me but I don't think they were meant to.) If you want a good Voodoo film then try Skeleton Key, it's a bit glossy Hollywood but it's better than this.

timothyinchina 'London Voodoo' is a story about a corporate New Yorker who moves to London with his wife and child. The wife discovers the remains of a voodoo shrine in the cellar of their London apartment with very predictable consequences. While voodoo is normally associated with creole culture in the southern United States, London's vibrant Afro-Caribbean culture also maintains some remnants of voodoo practices. The minimal cultural differences between Britain and the US begs the question as to why US actors were needed in this film in the first place. The acting is amateur and wholly unconvincing. Movie fans will be sympathetic to what the movie is trying to achieve. However, this movie is destined for the bargain basement.

willravens `Modern Classic' was once an oft over-used term and thank goodness we don't hear it so often any more. However. If ever there was a film that so aptly fitted the title, it is surely Robert Pratten's London Voodoo.If most genre films of recent times are fast food - easily consumed, a fleeting moment of satisfaction and then just as quickly forgotten (often regurgitated?!) - London Voodoo is a banquet that starts, if a little precariously, with a mouth-watering entrée, builds to a sumptuous main course and climaxes with a glorious, delicious dessert. The film ends and you sit bloated in your seat unable to move for having overindulged. London Voodoo works on so many levels that I probably need to see the film again to appreciate all the detail invested in it. Every character is a real character. Every location feels like a real location.But is it a horror film? Well.yes, it is. It certainly belongs to that sub-genre known as `yuppie nightmare' - attractive young couple move into new house and life falls apart - but David Morrell tells us that horror > fear. On this measure I believe the film has traded fear for intrigue, suspense and wonderment. Probably those less accustomed to watching horror films than I might find the film scary but for this viewer, desensitised from years of blood and gore, I found myself more in amazement than fear. Amazed that someone would come forward to reclaim the horror film from the MTV/Cabin Fever generation and use the genre to deliver a message about family values.I am very grateful for Robert Pratten and his wife to have shared the film with the World Horror Con in Phoenix and I'm pleased to repay this gratitude with a review that I hope will encourage others to seek out and discover this film. If you like the films of Roman Polanksi, Peter Weir, Nick Roeg or Joseph Losey then you should check-out London Voodoo and discover a filmmaker that I hope will continue to make such important contributions to this genre that I love.I believe - and, pray - that this is a milestone film for 21st century horror.William

nomoreheros911 I caught this film at the NY Independent Film Fest in LA and, not knowing much about the film I took a gamble on the excellent poster (not the one shown here but the voodoo doll one). Wow! Did the gamble pay off! This movie has it all - superb acting, directing and script. It keeps you on the edge of your seat from start to finish. What this film lacks in blood it makes up in depth of characterisation and story layers - the old lady's suicide pact with her dead husband, the psycopathic nanny, the insensitive businessman etc. etc. It'll keep you guessing until the end. It's been a week now since I saw this movie and I can't stop talking about it. If you're into slashers or zombie movies then this isn't likely to be for you but if you like European supernatural thrillers - GO SEE IT!Dark Star