Mike B This has a street-wise and gritty feel to it (i.e. no glamour prostitutes in luscious locations). After being forced by her pimp, a prostitute lures a young homeless girl to perform for a client. Things go awry and they are forced to flee. They are then pursued by the pimps plus their clients. It all leads to a forceful conclusion.The pace is frantic throughout as we move from seedy London surroundings to Brighton on the coast of England. The language is colloquial and gives added depth (I had the sub-titles on). Lorraine Stanley (the prostitute) and Georgia Groome (the homeless girl) provide a tough texture for this film.

sergepesic After the stunning in its violence riots in Great Britain, the world was taken aback by the anarchy on the streets.Those of us who are passionate admirers of British crime fiction and TV mysteries, might have not be as surprised as the rest of the people. The British class system seems to be designed to keep people where they are, and the consequence of this injustice is the large number of desperate, drug addicted young people, living in the estates, who have nothing to lose. "London to Brighton" is a quick and quirky little independent movie that tell a story about these lost souls. The prostitute, the scumbag dealer, the lost kid, the pedophile gangster, the psycho son. an ensemble of great actors, above all Lorraine Stanley.

Howard Schumann In 2001, Dr. Richard Estes and Dr. Neil Alan Weiner estimated that there are one million child prostitutes in the world and the average age of entry into prostitution is between 11 and 13. This disturbing subject has been largely ignored by the movies, with the exception of Lilya-4-Ever and Paul Williams' London to Brighton. Containing stellar performances by Lorraine Stanley as Kelly, a street-smart prostitute, and Georgia Groome as Joanne, an 11-year-old runaway, London to Brighton is a low budget but gritty, uncompromising thriller that dramatizes the lives of two young prostitutes, the predators who prey on them, and the criminal underworld of British society.Though it is sometimes hard to watch because of the graphic violence, the film conveys a sense of humanity that shines through the despair. As London to Brighton begins, two hysterical young girls hide in a public toilet in London's Victoria Station in the middle of the night The younger girl, possibly only 11 or 12, her face smeared with lipstick and bruises, cries copious tears while the older, chubbier girl tries to comfort her though her own face is a mass of welts and black and blue marks. Both girls are hiding from their pimp Derek (Johnny Harris) and his client Stuart Allen (Sam Spruell) after a botched job in which the client's father, Duncan Allen (Alexander Morton) died in the client's apartment.It began when Kelly, on orders from Derek, went scouting for an underage girl to match the needs of his wealthy client. Now on the run, Kelly leaves Joanne in the rest room while she does some "work" to obtain money to visit a safe house in Brighton. The film unfolds in a non-linear fashion and we gradually learn the sordid details in flashbacks. As the girls head to Brighton to take cover, Derek and his cohort Chum (Nathan Constance), forced to take action against the girls before they have to pay the price themselves, are determined to track them down.Recently released on a subtitled DVD that includes a commentary by the director and others, an alternate ending, and eight deleted scenes, London to Brighton packs a wallop. Energy and tension adorn the film from start to finish, a span of only 85 minutes. Though some of the scenes indicate a sense of lost hope, in the courage and loving protectiveness of Kelly and the childlike innocence of Joanne, there is also a sense of possibility. Winner of the Best New Director Award at the Edinburgh Film Festival with a style reminiscent of the raw immediacy of Shane Meadows and the social awareness of Ken Loach, Paul Williams in London to Brighton has delivered an outstanding first feature.

Jackson Booth-Millard I remember This Is England being one of the most realistic British films I had ever seen, and I felt the same satisfaction after finishing this powerful crime drama. Basically prostitute Kelly (Lorraine Stanley) with twelve-year-old newcomer Joanne (Georgia Groome) are on the run heading to from London to Brighton after doing something terrible. Originally Kelly's pimp Derek (Johnny Harris) with associate Chum (Nathan Constance) are in pursuit of them, with orders to find them by mobster Stuart Allen (Sam Spruell). As the girls hide out and the boys try to find them, we see what the girls did through a series of flashbacks. Derek needed to find a twelve-year-old girl to perform sexual acts for mobster Duncan Allen (Alexander Morton), Stuart's father, and Kelly found Joanne on the streets. After being offered a good amount of money Joanne accepts her job, she and Duncan get together, but Kelly stops them when he was attempting to rape her, and they kill him. So Derek and Chum eventually find the girls in Brighton, take them to a meeting place where Stuart is, and you'd expect him to want to kill the girls after the boys dig their graves, but actually he kills the boys, and the girls are let go. Also starring David Keeling as Charlie, Jamie Kenna as Tony, Chloe Bale as Karen and Claudie Blakley as Tracey. Young Groome is very good, Stanley is superb, and Harris is menacing, as with This Is England the performances and story is so realistic it is disturbingly good. It was nominated the BAFTA for the Carl Foreman Award for the Most Promising Newcomer for director Paul Andrew Williams. Very good!