Lee Eisenberg Fernando Di Leo's "Colpo in canna" ("Loaded Guns" in English) should be a typical mediocre 1970s action flick. But it has nude shots of Ursula Andress, so that makes it ultra-enjoyable. The woman best known for emerging from the ocean bikini-clad in the first James Bond movie plays a flight attendant caught up in battles between rival gangs in Naples. But the plot is pretty much irrelevant. It's pretty clear that the movie is all about showing off Ursula Andress's body. Yes, every man who's seen "Dr. No" has spent eternity wondering what she looked like under that bikini. She had some similar scenes in "The Loves and Times of Scaramouche", directed by Enzo Castellari*. But the scenes here are the real deal. "Loaded Guns" isn't that easy to find, so you'll have to find a local video/DVD store if you want to watch it. And you'll love it.*He also directed "The Inglorious Bastards", whose title of course inspired Quentin Tarantino's movie.

lazarillo At his best, director Ferdinand DiLeo was on par with great Italian genre directors like Bava, Argento, Fulci, and Sergio Martino. But he was also kind of uneven, especially when he got too far from his comfort zone of violent crime thrillers. Fortunately, he isn't TOO far away here. This is kind of like a sex comedy/parody of a crime thriller. It has a typical strong DiLeo plot: a stewardess is offered $100 to deliver a letter and finds herself involved in a Neapolitan gang war between drug traffickers, and has to outwit both sides (and the police) "Yojimbo"/"Fisftul of Dollars" style. Naturally this isn't nearly as good as one of DiLeo's serious crime thrillers, but if you take it as an Italian sex comedy, it's a relative masterpiece. Italian comic Lino Banfi has a dual role as a police chief and a cabdriver, and even though I've seen more of his films than any non-drunken Italian peasant from the 1970's should, this and Sergio Martino's "Creampuffs" were the only two where I thought he was actually funny.I thought this was my first DiLeo comedy, but I found out from the accompanying documentary that a DiLeo film I saw earlier, "Mr. Scarface". was also supposed to be a comedy; it was so badly presented on public domain DVD I had no idea (I just thought it REALLY sucked). Nocturno really deserves kudos therefore because their presentation here really makes this movie (they have also released DiLeo's "La Seduzione" and Sergio Martino's similar comedy/crime thriller hybrid "Suspicious Death of a Minor"). Bond girl Ursula Andress made this film during her late 70's "Sensuous Nurse"/"Mountain of the Cannibal Gods" phase when she was regularly throwing all her clothes to the wind. One of the guys in the documentary complained that she was "over-the-hill". Well, maybe compared to her 20- year-old self in "Dr. No", but compared to 99.9 percent of twenty year olds and pretty much 100 percent of forty year olds, she stacks up pretty well. (She's a lot sexier than Jack Palance in "Mr. Scarface" at any rate). The supporting cast includes Marc Porel from "Live Like a Cop, Die Like a Man", hulking African-American actor Woody Strode from DiLeo's "Manhunt", and, of course, Banfi. This is not Dileo's best movie by a long shot, but you could certainly do worse.

gridoon I wonder how, in all those biblical epics they made, they never got Ursula Andress to play the role of Eve. After all, she is the perfect female specimen, so what better choice is there for the first woman ever created? And can you believe that this incredible body and face belong to a (then) 39-year-old woman? And yes, she does get nude, frequently. There is a rather distasteful scene early on where she gets roughed up by some thugs, but don't worry, she takes charge later on and even kicks a little ass herself! The plot? Ah, who cares, it's just a senseless mess about rival crime organizations in Napoli. One strange thing is the tone: for the most part it's fairly serious, but when the fight scenes come they are shot in a slapstick style that reminded me of the Bud Spencer - Terence Hill comedies (with Woody Strode, of "Spartacus" fame, in the Bud role). There is also an overlong "comic" car chase with a clumsy Italian inspector. The problem is that these fights and chases are not the least bit funny. See this movie (if you can find it) only for Ursula...and frankly, she's reason enough to see it. (**)

Stefan Kahrs This is one of these daft sex comedies that could only have been made in Italy, and only in the 1970s. Often, the moments and plot twists are just completely ridiculous and at other times the film expects us to take it seriously.However, there are a few classic scenes of 1970s exploitation cinema in here which are just priceless. One of them lets us ogle at the nude Ursula Andress having a bath in her hotel room when she is rudely interrupted by the local Mafia clown (played by the unbearable Jimmy il fenomeno) with gun in hand and trousers down. Undeterred, Ursula smashes a radio on his head to calm him down. They don't film scenes like this anymore.