Little Hope Was Arson

2013 "The only church that illuminates is a burning church."
Little Hope Was Arson
6.6| 1h11m| NR| en| More Info
Released: 19 October 2013 Released
Producted By: The Orchard
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Budget: 0
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Official Website: http://www.littlehopewasarson.com/
Synopsis

January 2010: In the buckle of the Bible Belt, 10 churches burn to the ground in just over a month igniting the largest criminal investigation in East Texas history. No stone is left unturned and even Satan himself is considered a suspect in this gripping investigation of a community terrorized from the inside-out. Families are torn apart and communities of faith struggle with forgiveness and justice in this incredible true story.

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ComedyFan2010 I didn't expect this documentary to be that interesting. The topic is good but it doesn't seem like the type of crime that would captivate one. Yet the director manages to make it a great documentary. It is never judgmental and let's everyone voice their opinion.Not having heard about this case before I also found it pretty suspenseful and it was an interesting twist that the brother of that woman involved with the police was part of it. It is pretty interesting how they lest us hear different views on that and how many see it in a different way. One would never snitch on her family, the other thinks it only matters if it is right or wrong. People are different. Listening to their families was a great part to get to know them.I especially liked the interviews with the guys at the end talking about their motives and views. Honestly, they made even more sense than some of the people outside who talked about how they should get shot or how they will never forgive him. For burning buildings. Not that it should not be punished but I think the punishment they received is already way too much.
blumdeluxe "Little hope was arson" is a documentary telling the story of a short period of time in which a notable amount of churches was set on fire. As the police searches for suspects, they come across two young men that are facing hard times and seem to have chosen a difficult path of dealing with them.The documentary tries to give a voice to different people that played a role in the solving of this crime and the social environment of the suspects. It tries to characterize who these young men were and what could have led them to such desperate measures. You learn how different people react to the happenings, how they try to create sense out of destruction and how faith remains one of the leading powers in the United States. To me, the last quote was a bit unnecessary, because it seemed like a conclusion and surely that wouldn't be the appropriate conclusion for this case. Otherwise it was a good depiction of the case, even though the case itself was not so complex in itself.All in all this is an informative and entertaining film that makes you think about how people deal with desperation and disappointment and how people that did wrong are perceived in the respective communities.
Brent Hankins In 2010, a series of church fires plagued a 40-mile section of East Texas, beginning with the Little Hope Baptist Church outside of Canton. Originally suspected as an electrical fire, it was only connected to the subsequent incidents when a message was found etched into the restroom wall of a local business: "Little Hope Was Arson."Sharing the same name as the message itself, Theo Love's documentary about the crimes and their impact on the residents of the small Texas locales in which they occurred is an engrossing piece of work. Charting the story from the inaugural incident to the arrest of two suspects, Jason Bourque and Daniel McAllister, Little Hope Was Arson covers plenty of ground, doling out new information in carefully measured doses.But the film is most effective when it pauses to allow its subjects a bit of breathing room. Take, for example, a series of anecdotes from McAllister's father, who recalls his attempted suicide in the same plain-spoken manner in which he discusses courting his would-be wife. Both stories are delivered with an easygoing southern drawl and a certain matter-of-factness, and it's these sort of moments that truly humanize the residents of these small Texas towns.With law enforcement interviews, archived news footage and a haunting soundtrack, Love paints a vivid picture of life in the Bible Belt, where blue-collar folks value their religion and their community. It would have been easy to portray some of his subjects as hillbilly redneck stereotypes, but Love refuses to cast anyone in an unfavorable light – even the arsonists themselves, who are interviewed toward the end of the film. Instead, he remains completely objective throughout the proceedings, opting instead to the let the audience form their own opinions. At a scant 71 minutes, Little Hope Was Arson is barely longer than an episode of Forensic Files, yet stands tall as one of the year's most captivating documentaries.
SLUGMagazineFilms Theo Love's documentary, Little Hope Was Arson, finds communities in East Texas reacting to the burning of 10 churches. The film follows the logic of law enforcement and community members discovering their churches having been torched, one by one, and the trajectory of the investigation. A central figure of the documentary is Christy McAllister, who received a lead that her brother, Daniel McAllister, was a suspect. From there, Love gradually introduces family members and church mentors of two troubled young men, Jason Bourque and Daniel, as the film gradually delves into the young men's respective pasts. Once law enforcement sleuths their way to find enough probable cause for them to obtain warrants for the young men. This is where the thematic crux of the film becomes evident as the two men are taken into custody: In light of the East Texas Bible Belt's "buckle's" extreme Christianity, what is fair sentencing for these two men who committed these crimes in the depths of depression, but who physically harmed no one? The production value of Little Hope Was Arson is top notch, and it succeeds as an exposé in that there is no dogmatic side that the film takes, and leaves enough room for the viewer to exact her or his opinion of the matters at hand. (Not to its discredit, this film has nothing to do with black metal.)