orange_kandiy this movie definitely hits something. it isn't the best movie i've ever seen but its one of the best of its type. it had some really great actors in it, even if most wouldn't agree to that. part of the reason i think this was such a good movie is because it is so real and it is really what goes on in peoples lives in small towns. i'm from a pretty small town and even high school this is what people are doing. its crazy to think that things like this aren't actually as far away from my life as it may seem. the acting in this is great because in some places, even if it may seem as if the acting is crappy, it really isn't. the actors are able to get into the character and let that person take control which is what makes them look and sound like real people and not just actors. i definitely would recommend this to anyone who needs a little dose of reality...if there wasn't so much cussing it would be a good movie to show in health classes when the life units happen...but yeah basically good movie :]

Christopher Green (Grimcicle) I recently watched Little Athens, and while I love multi-protagonist films (I'm actually writing one at the moment for university), I was rather disappointed with this particular film.For one, while most (most; not all) of the characters are fairly distinct from one another, they didn't have a lot in the way of redemption in the story. Most of the characters are so rotten in their own ways that it's difficult for a viewer to connect with them in any sort of way. To be honest, the only character in the film that was "likable" was Michael Pena's character. But his character was burdened by the fact that his purpose in the story was never really explained, nor did he seem to have any real purpose other than be in scenes with Jill Ritchie's character so she wouldn't have to monologue.It is also a tad unbelievable (though, I admit it does happen in the real world these days) to have several 20-something characters all engaging in behavior and shenanigans that would be better attributed to 14-17 year olds. Perhaps this is simply my opinion, but this kind of behavior in characters that we're supposed to like and connect with only makes us like them even less than we already did.As far as the multi-protagonist, intertwining story goes; I will admit that it is very difficult to write these types of stories and make them "work." Part of the trick is to have the viewer actually believe that these stories should connect somehow. But when you basically go the entire film having these character go through entirely different actions, and then simply have all of them happen to be where the climax of the film transpires, it comes across as being very contrived.While the film is not a complete travesty, and I did not detest it, I find it difficult to give a one-word summary any higher than "mediocre."

larry-411 This excellently-crafted film follows the lives of a group of post-high school graduates (or dropouts), late teens and early twenty-somethings for whom college is not an option. There are 4 stories which proceed independently of each other, occasionally passing off the baton from one to the next, but eventually all coming together.Little Athens is a slice of life in a relatively lifeless environment -- a small town called Athens, but it could be any small town just about anywhere. Certainly, anyone who grew up in such a place knows it well. There isn't a whole lot to do. So you do what you can to get by. These characters' lives are about who you're dating, used to date, or would like to date, who you're cheating on and who's cheating on you, who's doing drugs and who's selling them, getting jobs and getting fired, getting into trouble and staying out of trouble, and trying to figure out who you are in a town where nobody amounts to much unless you leave. Stay and you're stuck, so you may as well make the best of it. In a town with no rock concerts, no sports arena, no dance clubs, no mall, and no multiplex, there's no drama. And when the drama doesn't exist without, you create it from within. Nature abhors a vacuum, so these young people fill the void by creating their own conflicts, because it's so much easier to be discontent than not.If it sounds sad, well, where there's pity there's sympathy. And where there's sympathy there's comfort. We know these people. And that cuts to the heart of what makes this film what it is -- this brilliant young cast does what good actors are supposed to do -- they make these characters real. You never get the feeling that this is scripted, or has been rehearsed -- and the camera similarly stays out of the way.Most of the film is shot in widescreen 35MM, as if to emphasize how small these characters are set against the bleak landscape of this town. We are watching them from a distance, just observers, taking it all in and allowing us to slowly invest ourselves in these people. The last portion of the film uses hand-held 16MM, as the four separate story lines come together towards the climax of the film. Now we are there, with them, because now that we know them we are allowed into their world.The aspects of the film which stand out the most in my mind are the performances and the music. The acting is just spot on. It's always hard to single anyone out in an ensemble cast, but John Patrick Amedori's Jimmy is arguably the most sympathetic character in a film where you tend to feel sorry for everyone. He's perfectly cast -- the story had to have one sometimes sad but hopeful puppy-dog, and he's it.The other highlight for me was the music, but that's always my weakness. After the acting and the soundtrack comes Tom Zuber's intricate story, told with the luxury of one able to write it, produce it, direct it, and edit it. He should be extremely proud of this work.

ac-42 Was lucky enough to catch LITTLE ATHENS last night and think we're looking at an exciting young director. The film is constrained by its small budget but punches largely above its weight due to the ingenuity of its Zyber and the talent in the young, and I have to say, hot, cast.To compare it to the Outsiders perhaps puts too much weight on its shoulders and certainly the flavour is very different, but I felt like I was watching the beginning of a new set of burgeoning careers and it was tremendously exciting.If you have seen this film, please add your comments, I'd be very interested to read them.On a final note, the music on this project is phenomenal.(I work in the trade but have no affiliation to this film - to allay the fears of some of the other critics here).But don't listen to what I have to say, see it and make up your own mind.KilledCat