Sam Panico
In his very first line in the movie, Sartana paraphrases the Bible verse "I have come to call not those who think they are righteous, but those who know they are sinners and need to repent" before killing a corrupt sheriff and two of his deputies. If I wasn't already excited about the fourth Sartana film, I'm now fully ready.Sartana turns himself in for their murders in order to get one of his old friends, Grandville Full, out of the corrupt jail, one so horrible that the wardens urinate onto men desperate for water. That friend I mentioned earlier - Grand Full for short - knows where a half million in gold and two million in counterfeit money is. But there are plenty of people after it too, like an evil widow (Nieves Navarro!), a one-eyed killer, another corrupt lawman and even a general gone deaf and mad.Like every Sartana movie, the only person you can trust is Sartana himself. The entire town of Mansfield is looking for the gold and ready to kill one another and anyone else that comes to visit. Like Mara Krupp, who pretty much plays the same horny hotel owner that she played in For a Few Dollars More.Well, maybe Pon Pon, an old friend and inventor, can be trusted. After all, he's invented a robot for Sartana named Alfie. Yep, in the middle of a spaghetti western, there's a robot. Welcome to the Sartana films! He's also building a giant organ for his dance hall, which he claims to be the reason why he needs the money.The scene where Alfie the robot blows up the sheriff, spraying out burning counterfeit money that Sartana lights a cigarette with while laughing? That's exactly why I love the Sartana series. They've moved from him as an angel of death to a detective with James Bond gadgets over the four Gianni Garko films.The finale, where the pipe organ is taken into the street, only for it to contain machine guns that mow down hundreds - if not more - soldiers and assorted killers, thieves and liars has to be seen to be believed.The music, by Bruno Nicolai, is great. He also scored plenty of Jess Franco films, as well as The Red Queen Kills Seven Times, All the Colors of the Dark, The Case of the Bloody Iris and so many more. Here, he continually brings back the haunting theme of Sartana and ups the intensity at the close of the film.Of the four Sartana films I've watched, this one is my favorite. Now, it's not the dark and realistic film that a Leone Western can be, but it has a charm and verve all its own. Also, I want a robot that lights my cigars like Alfie!
TankGuy
Astute gunslinger Sartana springs the thief Grandville from prison in the hope that he can access a fortune in gold stolen by the latter. Grandville was double crossed by his partner who has since been killed and now a crooked sheriff, a fierce bandit and his gang, a saloon keeper and a shady widow are after the loot. Sartana and Grandville are become marked men and bounties are put on their heads. Immediately Sartana begins playing everyone off against each other whilst trying to find clues to the whereabouts of the gold. As the bodycount increases, Sartana finds that Grandville is not all he seems...This fourth instalment in the awesome Sartana franchise is as whacky as you'd expect. There's a huge amount of fun to be had here as suave Gianni Garko fills the boots of our titular hero for the last time. What exists of a plot becomes increasingly convoluted as the film progresses, but hey it's a Spaghetti western. As with the first three movies this one has a very Bondian feel mainly because of the gadgetry Sartana relies on to get him out of tight situations, or in not so tight situations he uses curious clockwork toy fashioned like a mini totem pole to light his cigarettes. This is a refreshing addition to the plot which succeeds in making the film more engaging. We have a decent score from Bruno Nicoli and the movie gets off to a brilliant start with our protagonist making a cool entry. The action scenes are exciting but the finale is truly memorable. Daft as it may be, Sartana's climatic "organ solo" is one of the most amazing(and highly amusing)lessons in Spaghetti western ass kicking ever committed to celluloid. Bodies drop like flies thanks to a good old church organ which has been equipped with some complimentary armaments, namely cannon and a machine gun turret!.What else can I say, a great hour and a half of fun. 9/10
ma-cortes
SARTANA is a fundamental archetype in Spaghetti/Paella genre as well as James Bond in spy-genre , here Gianni Garco-Sartana stars an entertaining SW with lots of action , gun-play and fun . As always , the mythic personage appears elegant and dressed in black and with a killer look . Gianni Garco's Sartana is the standard by which every spaghetti antihero is measured along with Lee Van Cleef's Sabata and Franco Nero's Django . The film deals with a cache of gold and counterfeit money that has disappeared turning into several hands . The dark , elegant hero , a freelance gunman named Sartana (Gianni Garco or John Garco) appears to chase the nasty thief , discovers the robberies and settles disputes by shooting . Bemusing Spaghetti Western with Sartana as a tough and stranger protagonist , he's an efficient gunslinger acting as judge , jury , and executioner . At the beginning Sartana arrives in a small town named Sandy Creek where occurs a slaughter by two nasty deputies (Luis Induni and Dan Van Husen) who kill a judge (Francisco Sanz) and he then seeks vengeance . Sartana is taken prisoner and locked along with Grand Full (Piero Lulli) . It follows the seemingly endless adventures of Sartana in search of a cache of stolen gold . The confrontation will be inevitable among the town's ambitious sheriff (Massimo Serato) , an astute widow named Belle (Nieves Navarro) , a cruel murderous Mexican general named Monk (Jose Jaspe) and of course Sartana . At the end takes place a spectacular showdown in the streets of a town in which Sartana contends against all . This co-production Italian/Spanish is an exciting Sartana movie starred by Gianni Garco , it is plenty of action , shootouts , double-crosses , twists and loads of violence and blood . Sartana himself is like a crossover between Clint Eastwood's The Man with no Name and ¨Django¨, a black-clad amoral anti-hero ; adding the special characteristics from James Bond , his quirky gadgets and elegance . Sartana character is in equal parts mysterious , cool and deadly ; he is not out there to chase the bandits like a simple bounty hunter , he is just out for money and blood . His quirky gadgets often bring to mind the other similar character , Sabata played by Lee Van Cleef and Yul Brynner . The first Sartana was ¨Gunfighters Die Harder" or "If You Meet Sartana Pray for Your Death" a trend-setting film by Gianfranco Parolini with Gianni Garco , Klaus Kinski and Fernando Sancho . The best Sartana are directed by Giuliano Carmineo , alias Anthony Ascott, he realized various with George Hilton who replaces to Garco . Hilton played more natural and roguish than Garco who was cold and peculiar . The later "Sartana" movies directed by Anthony Ascott became increasingly cartoonish and humorous . It was followed by director Alfonso Balcazar with ¨Sartana non Perdona or Sonora¨ with George Martin , Jack Elam and Gilbert Roland . Miles Deem directed two Sartanas deemed lousy and cheesy . Furthermore , a string of sequels and rip-offs with other Z-series directors.The movie gets the usual Western issues , such as greedy antiheroes, violent facing off , quick zooms , exaggerated baddies and musical score with Ennio Morricone influence , among them . There appears as secondaries the habitual at Italian Western and Peplum genre , a cast played by the customary plethora of Spanish actors : Jose Jaspe , Maria Vico , Francisco Sanz , Frank Braña , Fernando Bilbao , Luis Induni ; and Italian players : Piero Lulli , Bruno Corazzari , Sal Borghese , Renato Baldini . Furthermore , the Eurotrash goddess, the babe named Nieves Navarro or Susan Scott as a cunning and killer widow . Special mention to Franco Pesce, Spaghetti's customary, and occasional comic relief as an old inventor who provides strange gadgets to Sartana . Very good Spag musical score , it's composed and conducted by Bruno Nicolai, Morricone's usual collaborator . Appropriate cinematography by Julio Ortas , photographed on location in Hoyo de Manzanares, Madrid and Rome, Lazio . The film is well produced by Eduardo Manzanos Brochero with his company Copercines financed a lot of Westerns , he built a Western town in Hoyo De Manzanares (Madrid) , today disappeared , called ¨Golden City¨ where filmed several Chorizo Western and various ¨Zorro¨ films as well as Sartana movies . The picture is professionally directed by Anthony Scott or Giuliano Carmineo who made several Spaghetti as ¨The moment to kill¨, ¨Find a place to die¨ , ¨They call him Cemetery¨ , ¨They call me Hallaluya¨ , and the Sartana movies : "Have a Good Funeral, My Friend, Sartana Will Pay" , ¨Sartana the gravedigger'(69) ,"Sartana's Coming, Get Your Coffins Ready" , ¨Light the fuse Sartana is coming¨(71) . Overall, this is a must see for SW aficionados . A cult Spaghetti , essential for the genre lovers.
Jakub Kaczynski
Sartana comes around for another case of Wild West crime mystery. This time it's a search for a well-hidden cache of gold (and $2 million in counterfeit money) - and it seems that half the neighborhood is looking for all of it, too - including (but not limited to!) corrupt prison warden, sheriff, a bunch of his deputees, self-proclaimed general and his army for hire, brothers, wives, partners, lovers and friends of deceased gold/money owners, federal agents, false federal agents, elderly gamblers/inventors, gambling house owners and the Apache (well, at least, their cave is involved). As you can probably imagine, with such a ridiculously vast array of characters, the "mystery" gets so muddled that you simply don't care about all the double-, triple- and quadruple-crossings going on all the time. A more talented director and/or writer COULD have been able to pull this thing off (probably by making some plot elements less pronounced than the rest), but as it stands, unfortunately, the whole thing suffers from the lack of consistent pacing - and some order or structure to what's going on.Though certainly not a masterpiece, the movie is still watchable and holds a certain undeniable entertainment value - and has a lot of shootouts and a really large body count (just think about the sheer number of people competing to get their hands on that gold who are certain to get killed before the final confrontation), complete with Django-like multi-barreled gun massacre the likes of which you probably won't see anywhere else. Also, while perhaps not brilliant, the music - like in many spaghetti westerns - is quite good, and adds a lot of atmosphere to the proceedings.Strangely, some supporting actors from the previous Sartana movie ("Have a good funeral, my friend - Sartana will pay") - namely, the undertaker (now turned gambler?) and Chinese servant - make appearances here - though it isn't clear if they are supposed to play the same characters they did in the previous installment. And how the hell did Sartana get the Alfie back, what with all the exploding in sheriff's face Alfie did fifteen minutes earlier? Anyway, if you are looking for an easy (if not necessarily very intellectually stimulating) way to spend 90 minutes of your life, give this one a try; perhaps even if you are not a spaghetti western fan - as the whole thing sometimes resembles more a Sherlock Holmes mystery than a typical western.