Mike Naughton I will not completely summarize the plot since so many have done this well in these reviews. And although I clicked the spoiler alert I prefer not to spoil the movie's resolution.The main character is a man who we slowly learn has known loneliness and abandonment in his life. From Antonio's cheery, direct face as he relates to others we might not know that he is in need of another person. He meets Maria and we begin to see Antonio coming to the surface. At first he relates to us, the audience, through the persona of a science fiction character named Morgan. He finds it easier to explain his feelings of detachment through the fictionalized concept of being an alien on another planet. At first I actually found this to be off-putting. But it works. And his feet finally do find the ground. The point that I found to be the most telling about him and about the raison d'etre of the plot came about near the end as Antonio spoke with his employer about the duties of a chauffeur. Knowing when to speak was the number one ability. But secondly Antonio mentioned that in difficult situations he should find a way out. "There's always a solution" he concluded. That gave me his personality. He focuses on fixing. That is the direction he moves in.I enjoyed the way the story was told. There were times that the camera would follow someone outside the story, and we would notice that Antonio watched life seemingly from actual interest. If we were to project what Antonio might do when he "grows up" it would probably be as a writer, or a filmmaker.The acting and direction were excellent. The script was real, and spare. These seemed like real people. One of the reviews here criticizes the ending as though it didn't follow the course we expected. I can see why a viewer might feel this way. But endings can be beginnings. It does seem that the term "realism" implies a less than happy ending. With the huge popularity of dystopian prognostications in film I can understand why most people prefer a jaded POV.I cannot think of a film that supposes the future as an extension of the things that work well in society.

gradyharp LIGHT OF MY EYES ('Luce dei miei occhi') is more a fantasia on theme of loneliness and need for love than it is a straightforward narrative story. Under the direction of Giuseppe Piccioni, who co-wrote the screenplay with Umberto Contarello, it shimmers like and extended poem, a theme so delicate and so suffused with melancholy that it remains as an echo long after the film is over.Antonio (Luigi Lo Cascio) is a sweet dreamer who respects his station in life as a chauffeur for customers about Rome, following the rule of 'Know when to talk and when to shut up' his boss has set as the standard. In his lonely ennui Antonio narrates his life in a voice-over monologue as a man named Morgan, a character with whom he identifies from his science fiction novel. His life takes on some meaning when he prevents an accident from happening with a young girl Lisa (Barbara Valente) who lives a lonely life with her lonely mother Maria (Sandra Ceccarelli) whose life is divided among making a living in a not too successful frozen food shop, a frustrating sexual attachment to a cold married man, and trying to hold her little home together since her husband's absence. Gradually Antonio's act of protecting Lisa is acknowledged by Maria and while Antonio is quite taken with the distant Maria, Maria thanks him in a brief and passionate but isolated sexual experience. Maria is needy, Antonio is needy, Lisa is needy, but somehow the connection cannot be made: Maria must concentrate on her lack of income to support Lisa.Antonio, seeing the need to assist Maria's financial situation, allows himself to accept a chauffeur job that involves illegal smuggling of foreigners. Maria's response to her desperate situation is to allow Lisa to be cared for by her grandparents. In a moment suggestive of the old Christmas tale where the man buys combs for his wife's hair while the wife sells her hair to by a gift for her husband, Maria and Antonio face the misunderstanding of their 'friendship' and all seems lost until each changes a significant event that opens a communal door of caring and hope for something more for the little trio.Both Lo Cascio and Ceccarelli are fine actors and make these difficult roles wholly credible. The atmosphere of the film is well defined by the adroit camera work of Arnaldo Catinari and enhanced by the musical score by Ludovico Einaudi. This is one of those very small films that may evade the casual film-goer not only due to the inappropriately poor DVD cover art but also by the lack of proper promotion. It is a word of mouth success in this country. In Italian with English subtitles. Grady Harp

Matt Lairsey Sometimes it isn't always love at first sight for both of the people involved and you actually have to work at it. That's true for most of us and most of us never have the courage to keep walking such a tenuous thread for another person. This has become my most cherished and favorite film. I love to watch it late at night on weekends - this really brings the atmosphere and music of the film to life. And such a wonderful ambient soundtrack that is woven throughout the film! Settle in one evening with your significant other and put this one on - it will heighten your perception of your relationship and make you appreciate just how much easier it was for the two of you to get together than for the couple in the film.

zimader Despite being highly criticised by movie critics at Venice Festival, it's a great movie. True and touching. Sandra Ceccarelli is only wonderful, as Silvio Orlando in a minor role.If you have a chance, give it a look!.