Tony Mike Leigh is very good at this, he creates films that have no action or real plot to follow. He just portrays the every day humour, hopes, dreams and sometime drama that happen in any family. Easy to relate to, and with the pick of top rank British actors, easy to care about even if they at times seem annoying individuals. To put one aspect raised by others to bed, the daughter who dresses in " male " clothing is a plumber. I'm a joiner and we have 2 women in our firm, they dress like us males, work as hard, curse as hard and can drink us under the table. They are definitely not lesbian, maybe tomboys, but true feminists who will match the men whilst always liking them.

James Hitchcock Mike Leigh is one of the true independent auteurs in the British film industry, and one of the few major British directors who has not allowed himself to be seduced away by Hollywood. His films, generally based on modern urban English working-class or middle-class life, concentrate more on character than on action and have a very distinctive style which arises out of his equally distinctive method of working, based upon allowing a story to emerge through improvisation, rehearsals and discussions with his cast before shooting actually begins. He generally uses a select group of actors, including Jim Broadbent, Timothy Spall and his one-time wife Alison Steadman.Broadbent, Spall and Steadman all appear in "Life Is Sweet", a comedy based upon the lives of a family from the North London suburb of Enfield- father Andy, mother Wendy and their 22-year-old twin daughters Natalie and Nicola. Andy works as a chef, but hates his job and harbours ambitions of running his own business. He has bought a dilapidated fast-food van which, at some unspecified future date, he intends to clean and restore in order to start up a fast-food business, but has not taken any further steps towards realising his goal. Another major character is Andy's friend Aubrey, another chef, who has taken his own entrepreneurial ambitions a stage further by opening his own French restaurant named "The Regret Rien" after the Edith Piaf song.Like a number of British film-makers from the eighties and early nineties, Leigh made his films from an essentially left-wing position and was critical of the Conservative government of Margaret Thatcher. "Life is Sweet", which appeared in the last year of her premiership, can be seen as a veiled satire on the cult of the entrepreneur which flourished under Thatcherism and on the tendency to see business, both big and small, as the sole key to national success. The characters of Andy and Aubrey are well contrasted. Andy is a competent chef but lacks the drive to become a successful independent businessman; his ambitions never seem to amount to much more than vague daydreams. As Wendy says, he has "two speeds, slow and stop".Aubrey, by contrast, is a man whose inordinate faith in his own abilities is matched only by an incompetence which will surely doom his business career to failure. Much of the humour derives from the bizarre nouvelle cuisine dishes he takes a perverse pleasure in devising. (Saveloy on a bed of lychees, anyone?) When Aubrey's business does not work out as well as he hoped he takes refuge in alcohol.The film is as much about Andy's home life as his work life, if not more so. His two daughters, although twins, are completely unlike both in looks and in character. Natalie, crop-haired and chunky, is a tomboy who works as a plumber and spends her leisure time playing pool and drinking with her male workmates. Nicola, who is unemployed, is extremely thin, a sufferer from bulimia and a chain-smoker. Whereas Natalie is relatively placid, Nicola is neurotic, bitter, foul-tempered and much given to hurling abuse at her family and acquaintances. She claims to believe in various left-wing causes- "capitalist!" is her favourite insult for her father because of his business ambitions- but never does anything active to further them. Natalie does not appear to have any romantic interests in her life- none of her male drinking chums count as boyfriends, and although some have seen her as a stereotypically "butch" lesbian, she has no girlfriends either. Nicola, by contrast, has an active sex life, although a rather odd one- she likes her rather reluctant boyfriend to smear chocolate spread over her chest.The two acting performances which really stand out come from Spall as Aubrey- a brilliant comic creation- and Jane Horrocks as Nicola, an equally brilliant tragi-comic one. The film is, however, really an good example of ensemble acting, and there are also great contributions from Steadman as Wendy and Broadbent as Andy.With its general theme of frustrated ambition and a character as unbalanced as Nicola, "Life is Sweet" could easily have been made as a tragedy. Yet that title is not meant ironically. Leigh might not be a large-C Conservative, but this film suggests that he is a small-c conservative when it comes to family values, and the film is very much about family life. For all their eccentricities, the family at the centre of "Life is Sweet" is not intended to be portrayed as a dysfunctional one. It is a family that functions, although in ways that outsiders might perceive as strange. The sensible, steadfast Wendy and Andy, who beneath some surface peculiarities is a deeply caring man, have an unconditional love for their daughters. They are prepared to make allowances for Nicola's behaviour, which is the result of emotional insecurities rather than spitefulness or malevolence. "We don't hate you! We bloody love you, you stupid girl!" (We learn that Wendy got pregnant with the twins as an unmarried teenager but refused to have an abortion because of a belief in the sanctity of life).After all the storms, the film ends on a note of calm and hopefulness. This is one of the most distinctive, and one of the best, British social comedies from the early nineties. 8/10

chrissyjac Whoever wrote the late review missed the boat on this one - 'another boring film from mike leigh', 'i can tell you no such dialog ever did, or ever would take place' - rubbish! This is a very real, moving film. Don't let the plot premise put you off - life in the day of 'typical' english, dysfunctional family of four - the characters develop at slow-burning pace while we watch on at fly-on-the-wall distance. Alison Steadman's character in particular. I initially judged her as a rather silly woman who would giggle at anything, but as the film progresses you see how good a mother she really is, what she does for her children, how she has made sacrifices for them and communicates with them. If people have seen this as a negative film, I hope they reconsider, as, for me, it shows how life is sweet, despite of and because of all the dysfunction of the family.

andyfennessy A superb example of Mike Leigh's directing method - working with his actors, many of them regulars, making up most of the script as they go along.No falling empires or coveted magical rings here, just the small victories and tiny despairs of everyday life - Timothy Spall's ridiculous restaurant ("Liver in Lager"??), Jane Horrocks' eating disorder and general estrangement from the world, Jim Broadbent and his grimy little burger van, Clair Skinner's endearingly sensible tomboy plumber... all exquisite little portraits. Best of all is Alison Steadman as the suburban Earth-mother trying to hold it all together.It shows, above all, that a great film can be about anything really, as long as the direction, acting and script is of this calibre. Ben Hur, it ain't!Absolutely marvelous - 9/10.