MartinHafer In 1937, director directed a clever romantic-comedy, "The Awful Truth". It starred Cary Grand and Irene Dunne and the film was often wonderful--one of the better films of its type in the 1930s. Now, in 1953, the much less famous director Alexander Hall is given the unenviable task of doing the remake--with lesser actors in the leads and a lot of unnecessary singing and dancing tossed into the mix. Is there any possible way he could even come close to the original in quality or laughs? Well, the answer is an obvious NO--and I pretty much figured this out before the movie began. After all, the only reason to remake a movie is if the original was somehow seriously flawed and the remake corrected this. But the original was awfully good, so polished and featured amazing actors at their best--so how could Ray Milland and Jane Wyman hope to recapture the magic. Plus, the new script certainly isn't any better-in fact it's much worse (the film just didn't know when to end--and the final song by Wyman was god-awful). It seems that the one relatively minor flaw I saw in the original was still in this one...that the wife really did have reason to divorce because it's implied that the husband really WAS cheating on her. And, cheating is certainly NOT a subject that makes a film romantic. Now a misunderstanding causing the divorce, that probably would have worked better.The bottom line is see the original and only see this remake if you are bored and there's nothing better on the television. Not a bad film--just an unnecessary one.

Martha Wilcox Despite the good cast, this is not a good film. Ray Milland overacts and is unconvincing with his dubbed singing voice. He doesn't do comedy well, neither does he do Westerns well. His fake American accent is unbearable to listen to. Jane Wyman has no rhythm when she dances and looks like a flat pancake when she sings. There is a scene where she reveals her firm thighs which looks incongruous in her slight frame. Only Tom Helmore plays a believable role.The strong points in the film include the Technicolor, production and costume designs. It is beautiful to look at, but there is no story to maintain your attention. They are just pictures of people talking.

bkoganbing Let's Do It Again is the third rendition of the play The Awful Truth about an about to be divorced couple who really belong together, but have to wait until the end of the film to find out. Ray Milland and Jane Wyman are the couple repeating the roles that Cary Grant and Irene Dunne had back in 1937 in The Awful Truth.This started as an Arthur Richman play back in 1922 which ran 144 performances on Broadway with Ina Claire in the lead. So Let's Do It Again has a distinguished pedigree. This version had a musical score attached to it by Lester Lee and Ned Washington, none of the songs you will remember.Jane Wyman who could sing and dance proves she can again in this film, it's the main reason to see the film. Ray Milland starts off well, as the film opens you see him jamming on the drums at a club while Wyman thinks he's in Chicago. He fakes that pretty good, but when he's called on to sing, it's not his finest hour on the big screen. The main ballad in the film is sung by Dick Haymes on record to Wyman.She has two suitors for her on the rebound, Tom Helmore and Aldo Ray. Ray is not terribly comfortable in the Ralph Bellamy part, Bellamy played his role in 1937 film. Helmore is a cad, as he many times is on screen. The distinguished pedigree of Let's Do It Again does not guarantee a top quality product. Overall the film is all right, but there's nothing new that's really good here.

XweAponX The only reason I'm giving this an 8 is or Ray Milland's fair representation of playing the drums in the opening sequence, I was impressed with that.. He *mostly* hit the skins at the same time the sound hit the speakers, and if he was actually playing the trap kit I would not be surprised.As for being a musical remake of 1937's "The Awful Truth" - Well, "In the Good Old Summertime" was not a very good re-make of "The Shop Around The Corner" either, even though it has some good Judy songs in it- Or, "High. Society" for "The Philadelphia Story"- The originals of those romantic comedies were fine just the way they were, and did not need to be remade, especially the worst one of the 50's - "Bundle of Joy" (Remake of the hilarious "Bachelor Mother").I never understood why, in the 50's, when there were so many innovations in film: Widescreen, Stereo Sound, and Comfortable Theatres... that story-wise they had to regress back to the late 30's and re-hash films that had already worked once, with performances by actors and actresses whose performances could not ever be reproduced.Even so, there are a couple of things in this that are swell, for one thing Jane looks great and is on no lost weekend with Ray. The music is also good, the songs are actually well chosen and appropriate. Finally, Aldo Ray is almost as good as "The Hick" as Ralph Bellamy was in the original.So after getting over my initial revulsion of having to sit through yet another musical remake, I'd say this film is OK, especially for Columbia, which seems to fork out a good movie once every 5 years (true for the 50's as well as the 2000's)- But that little bit with Ray Milland playing Drums just about makes up for anything bad about the film.