Bobs-9 The concept of this film (an affectionate send-up of old-fashioned American cowboy films) is one that seems to have been kicked around in the movie business, both here and abroad, for quite a few years. The first realization of it that I'm familiar with is the 1949 stop-motion puppet animation short "Arie Prerie," or "Song of the Prairie," by the Czech animator Jiri Trnka. With no more dialog than some snickers and shouts, along with an operatic-style song performed by the singing cowboy hero and his heroine, it does a nice job of satirizing the old conventions of the singing cowboy movie. It's a charming film, well worth seeing."Lemonade Joe," done in 1964 by yet another Czech filmmaker, Oldrich Lipsky, seems to be expanding greatly on the subject in order to extend it to feature length, and aside from the basic concept the plot bears no relation to "Song of the Prairie." Yet, anyone who's seen "Song of the Prairie" will immediately see the connection. In fact the soaring, operatic song belted out by a tenor over the opening title turns out to be the very same song that the puppet protagonists of "Song of the Prairie" sang. To an English-speaking person like myself, the lyrics sound tantalizingly like English, even finishing up with the repeated phrase "goodbye, goodbye." Yet, if you look at the lyrics spelled out (as they are in the Czech DVD that I watched), you can see that they mean nothing at all in English. Are they in fact Czech, or some gibberish concocted to sound like English? Not understanding Czech, I can't really say.Laurie Edwards' sourpuss review (see "External Reviews" and "CultureDose.net") demonstrates that not everyone will appreciate this film's style, which is certainly foreign in comparison to typical Hollywood fare. While the film's basic concept appeals to me greatly and I enjoyed its bizarre, surreal, and anarchic qualities, I can see how it might rub people the wrong way, particularly those with more conventional tastes. One user comment suggests that its humor is quintessentially Czech and cannot be fully appreciated by outsiders, and as one of those outsiders I'm not in a position to dispute that. I wouldn't argue that it's a paragon of good taste, perfect form, and artistic refinement, but I did get a kick out of it and wasn't bored or irritated, as Ms. Edwards was. Besides being a satire of the American singing cowboy genre, there seems to be some jabs at American commercialism, and perhaps even racism. This film was made in a communist country during the height of the cold war, after all. On the other hand, far harsher criticisms were made by American filmmakers in American films during the same era, so I wouldn't dream of taking any offense at it at this point in time.The most recent attempt to satirize the singing cowboy genre that I'm aware of is Hugh Wilson's 1985 film "Rustlers' Rhapsody," starring Tom Berenger as the western hero. It seems to me more subtle and complex than "Lemonade Joe," but not nearly as stylish or entertaining.I enjoy seeing all three of the above films, but I think perhaps the cartoon format is the best for this concept after all. "Song of the Prairie" is my favorite, being an actual animated film, followed by "Lemonade Joe" which is a live-action film that is decidedly cartoon-like, followed by "Rustlers' Rhapsody," which to my taste seems a bit tame and conventional in execution.

ritznk I saw this film in the early seventies with a number of friends at Portland State University. I've seen it once and only once. Still, I can easily say it is one of the ten funniest movies ever. I am amazed to find it in your database! It is indeed a broad parody of the western movie genre: cliche piled upon cliche, yet still surprising and delightful. This movie can hold its own with Dr. Strangelove and The Marx Brothers. Its that good. I don't know where PSU got their hands on a dubbed in version, but if there is one out there on video tape, I know a lot of people who would do almost anything for a copy.

frbrooks I first saw this film, an excellent English dubbed version which made it totally comprehensible, at an El Paso, Texas movie theatre many years ago. The imagery and style are what really carry the movie. It is a brilliant, hilarious, outrageous spoof of the early American cowboy western. The central character, Lemonade Joe, is a personification of "clean living" and a combination of all those early movie cowboy heroes in the tradition of William S. Hart, Tom Mix, and Hopalong Cassidy. The movie follows Joe as he attempts to rid the town saloon of liquor and promote his own product creation Kola-Loca-Lemonade. As you can well imagine, Joe in his efforts has to confront some rather mean varmints especially one appropriately name Duke Badman who at one point in the movie gets the better of Joe by spiking his lemonade drink with liquor causing him to gag and pass out. But in the end, good triumphs over evil for as Lemonade Joe so philosophically declares at one point in the movie "Evil can not stand against a clean-living man."

Artemis-9 ...and even longer ago, there was an invasion of the American Wild West by depraved Eastern (a)morals. Therefore, the Comunist regime financed a satire on western films that is, by a long shot, one of the most funny, intelligent, vivid, wild, riotous, excellent movies I saw on TV a wonderful night. So many years ago it was, and I still feel good remembering it.