Last Party 2000

2001
Last Party 2000
6.5| 1h30m| en| More Info
Released: 02 November 2001 Released
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Synopsis

Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.

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Mort & Spunky the awesome cat Straight away, I'll disclose that I'm fascinated by politics and my views are probably to the left of most Nader voters, yet I've given over 5% of my income to the Democratic Party, Democratic candidates and pressure groups traditionally allied with the Democratic Party in recent years.This documentary takes the same cynical view of American politics most people use as an excuse to not involve themselves in the democratic process: Republicans and Democrats are the same. I think that this has been refuted by past five years--and it was simplistic and naive, at best, to think so before then. We get side-tracked by tactics of the LA and Philadelphia police departments, which would be good grounds for a POV documentary on PBS, and a number of other dead-end subtopics. Then, we get to see a few things C-SPAN and the networks failed to show, like the shadow convention--one of the reasons I give this a low average rating, rather than a poor rating.What this documentary and so many others fail to disclose is that we do live in a multi-party democracy within a two party system. The different factions within the Democratic and Republican Parties essentially give us the same choices one sees in the advanced multi-party democracies of Europe and elsewhere. We get to vote in primaries, they don't. Very briefly, Hoffman allows Barney Frank (always wise, witty and worthy of one's attention) to tell it like it is: Those on the left have abandoned the Democratic Party, if not the democratic process entirely, allowing it all to drift to the right. Simply put, most of those on the far right vote Republican. Most of those on the left don't vote, or waste their votes on people like Nader. Hence, Republicans win, Democrats lose. Unfortunately, Congressman Frank's wisdom (two minutes?) is almost wasted among the garbage here. I don't mean to split hairs here, but Rep. Frank was incorrectly identified with (R-MA) rather than (D-MA). Evidence of careless fact-checking? A thoughtful discussion with William Baldwin was the only other redeeming factor here. Unfortunately it was edited out, presumably because his was a progressive voice somewhat favoring the Democratic Party. It's among the extras on the DVD. Interestingly, among the predictions asserted by those being interviewed in this film, his are most eerily true.All in all, I would praise this if it were an effort by high school students. However this was done by people who should know better. Hopefully now they do.
rolinmoe The prior reviewer of THE PARTY'S OVER takes issue with the editor's choice not to cut the Republican and Democratic conventions in a parallel, us versus them fashion. That's fine and dandy, except that was not the intent of the film.Documentary is an odd beast that few people understand. The uproar behind Michael Moore's BOWLING FOR COLUMBINE came in part because Moore *gasp* didn't specifically edit in sequence; sometimes his reactions to the words weren't the reactions given as the subject spoke. "They are lies!" the Right chanted, assuming the use of B roll caused Moore's film moot. Forget that everything Charlton Heston says on camera is, in fact, what Charlton Heston said to Michael Moore.Frederick Wiseman, the grandpappy of cinema verite, would be the first person to tell you that documentary film is not the Truth in the way that ye olde traditional audience would expect it. How can it be? Someone chooses to film specific subjects, use specific music, edit in a specific fashion because it begets the theme of the film. This doesn't make documentary a faux relayer of society; it makes it more real than the simulacrum we inhibit, because the filmmaker chooses not to let society dictate her parameters.I'm not saying THE PARTY'S OVER (its name through FILM MOVEMENT) is a great film; expecting the Green Party to fill the role of protagonist is a large hope to pin, and this is coming from a Green supporter. What the film does do well is document what happened, showing us things we didn't see on the news -- protests in Philiadelphia, questionable police brutality, the shutting down of protests that were zoned for a longer period of time, and the lack of substantial difference between the Republican and Democratic parties.The best lines come from the politicians themselves -- Barney Frank, Christopher Shays, Henry Ford, and Gary Johnson all make great points about the inefficiencies of the system they inhabit, and they come at it from different sides of the aisle (who knew Frank was a Republican?). At the same time, turgid yes men like Newt Gingrich, Tim Hutchinson, and John Kerry come off as nothing more than arms of the establishment. If you expect a beginning, middle, and end to this film, you'll be disappointed. If you want to see a part of history you didn't get from Tom Brokaw, it's good viewing. Unfortunately, your political views will color how you perceive this film, as the number of 10 and 1 ratings here do show.
jryan-4 For most of its duration, this entertainiing documentary seemsto aim at the "both sides are identical in that they are equallyindebted to corporations" logic until the very end when the Bushbashing starts which doesn't favor the democrats as much as itillustrates the absurdity of the 2000 election. In a no win situation italways seems prescient in afterthought to impale the winner. At first this stance appears inconsistent until it becomes clearthat this film proposes the Green Party and Ralph Nader as a thesupposed solution to this both sides bad pardigm . The bloom is far off the rose for this argument because it wasNader who in fact enabled the "victory" of Bush thus underscoringthe danger of naivete and over simplification during the electoralprocess. The jingoistic attitude of America continues to this verywriting. Now, much thanks to Nader and political thinking like the leftleaning bias ultimately revealedin this film, we have ironicallyarrived at Bush and a war about which the spy novelist / coldwarrior John LeCarre has written; " Don't pretend that this is notreligiously based. Don't pretend this is not a crusade. Don'tpretend this isn't about oil. Don't pretend this isn't about making afortune and keeping the American people on their heels in fear"Aside from that Mrs Lincoln, it was a pretty good play. six
jrosenfe Political neophyte and open-eyed observer Hoffman leads us on a trail through the Presidential campaign and election of 2000. The film is a depressing illumination of the selfishness pervasive in America (as a synonym for Libertarianism in the Conservative movement), of the events leading up to the election of George W. Bush, and the stifling of public debate and protest along the way, and of the crookedness of the election results, which put into power the most self-interested administration and one less committed to genuine altruistic compassion than any other, elected by deceit and money, and the impotence of a voting public, that in large measure sees itself disenfranchised by corporate and party domination.