Scott LeBrun
"Last Embrace" is one of the better suspense-thrillers to be made in the mold established by The Master. The plot could be seen as a little convoluted, but Jonathan Demmes' direction is masterful, the use of locations is excellent, the cast is amazing, and the finale is quite gripping. Even if the viewer figures out where the story is headed, getting to the conclusion is an enjoyable journey.Making a difference is the ever personable Roy Scheider, playing Harry Hannan, a CIA agent who has to watch while his wife is assassinated in a cantina. (One of the goons is played by Joe Spinell in a very brief cameo.) He becomes paranoid, and spends the balance of the film wondering if he will die next. Certainly it seems that somebody has marked him, as he is receiving cryptic death streets printed in Aramaic.Scheider is extremely well supported by a lovely young actress, Janet Margolin, who plays the role of Ellie Fabian. Ellie is an anthropologist who through circumstance comes to stay in Harry's residence. Watching her, one will likely regret the fact that she didn't have a more visible film career, and mourn her untimely passing. John Glover as always is a real hoot as the uppity professor who is dating Ellie. The endearing Sam Levene makes the most of his screen time as private investigator Sam Urdell. Demme regular Charles Napier is good as Dave Quittle, the brother of Harry's late wife. Christopher Walken, like Glover, is typically fun in an amusing turn as Harry's weaselly young superior. Other familiar faces appear in the supporting cast: Jacqueline Brookes, David Margulies (the mayor from "Ghost Busters"), Andrew Duncan, and Marcia Rodd. Look for Mandy Patinkin and Max Wright in bits as commuters, and for Demme himself in an uncredited blink-and-you-might-miss-it part as a man on a train. Scheider has one particularly fine monologue scene.The score by Miklos Rozsa is absolutely perfect, and the story (based on a novel by Murray Teigh Bloom) is well told and reasonably absorbing. Niagara Falls provides a stunning backdrop for the climactic action. While there's no epilogue, one feels a certain sadness at the outcome.This is a good film to check out, so it's appreciated that Kino Lorber finally released it to Blu- ray.Seven out of 10.
Coventry
Like so many other great directors, Jonathan Demme (world famous for his superior thriller "Silence of the Lambs" but originally started as an exploitation filmmaker) is a huge fan of the almighty master of suspense Alfred Hitchcock and made the ultimate homage in the shape of a full-length tribute thriller. "Last Embrace" is chock-full of references, obvious ones as well as subtle ones, towards Hitchock's repertoire but also stands on itself as a convoluted and intensely paranoid conspiracy thriller. The screenplay is often quite flawed and none of the main characters are identifiable and/or likable, but the basic plot is definitely compelling and the film contains a few impressively staged moments of suspense. CIA agent Harry Hannan spent a few months in a mental institution because he tragically lost his wife in a work related incident. When he returns to New York with the intention to carry on with his life, he immediately suspects that he's targeted for assassination. Harry's former employers seemingly want to get rid of him, but there's also a mysterious Hebraic organization after him for some unknown reason. Ellie, a cute laboratory assistant who occupied Harry apartment while he was away, offers her help. The primary plot involving the Jewish murders is terrific, but sadly unfolds slow and often tediously. Just when the all the pieces of the puzzle begin to fit into their place, Demme sadly too soon reveals an essential aspect of the denouement. The sub plot with Harry's agency stalking him is rather inferior, with a meaningless cameo appearance by Christopher Walken and a couple of over-the-top ludicrous sequences with an incompetent Charles Napier clumsily following Harry around in the cemetery and a bell tower. Roy Scheider's performance as Harry Hannan is admirably bitter and integer, but his character is repellent and I'm pretty sure I would also want to kill him. Spotting the Hitchcock references is the most fun part of "Last Embrace", whether it's in the plot elements, the genius camera-work of Demme's regular cinematographer Tak Fujimoto or the impeccable soundtrack by Miklós Rózsa. The grand finale at Niagara Falls is excellent as well.
ccthemovieman-1
This film certainly had a memorable scene with a man clinging for his life with Niagara Falls below! It's always stuck with me, even though it has been a long time since I've seen the movie. I've been waiting for this to be released on DVD so I can see it again, but as of now it's only available in Region 2.It might be fun again just to see veteran actors Christopher Walken, Mandy Patinkin and John Glover in a film made 30 years ago. Director Jonathan Demme has done some interesting films since then, too.Most of the story involves "mysterious" people chasing others and if I went into it in any detail it would ruin things for anyone who hasn't seen it. That's especially true because there are so many twists and turns in this story. However, to be frank, I think Hollywood has overdone "conspiracy theory" movies, of which this is one. I also think the profanity could have been lowered in here, especially by Roy Scheider's character "Harry," and the film would still have been just as intense.What I really appreciated, more than the actors or story, frankly, was the photography and Demme's direction. There were a lot of really interesting camera angles, shots that zoomed in an out and other gimmicks that I usually fall for. There were enough of them to carry the first hour, at least. Living not too far from Niagara Falls, I was glad to see that in the climactic finale.
jotix100
Having watched an interesting documentary recently, "Dial H for Hitchcock", it's clear to see how Jonathan Demme was influenced by the master himself. His admiration for the master is evident, yet, in spite of everything, Mr. Demme's "Last Embrace" was a surprise nonetheless. "Last Embrace" was one of his first films and it sort of showed the trajectory of Jonathan Demme as a film director would follow. If you haven't seen the film, please stop reading here.When Harry Hannan's wife is tragically killed, his life begins to unravel. Harry spends some time in a sanatorium trying to get himself together. Unfortunately, whoever wanted him put away is still much in evidence as his presence is felt right at the station where Harry is trying to board the train back home to Manhattan.Harry is taken aback to find Ellie living in his apartment, something he had no idea was happening. It's only fitting with films of this genre that Harry will fall for the beautiful young woman who apparently seems to be trying to help him solve the puzzle about a cryptic death threat he has received at home.Harry with the help of Sam Urdell, starts investigating about the meaning of the strange message he got. Urdell's connection within the Jewish community also unravels another conspiracy that Harry knew nothing about. The final episode involves going through the tunnels where visitors must enter in order to see real close the Falls at Niagara. Even before that there's also a great scene involving Harry's former brother-in-law in a tower at Princeton, which kept reminding us of "Vertigo".Roy Scheider makes an intense Harry. In fact, Mr. Scheider at the time this film was made, was at the height of his career and he clearly shows why he was an excellent actor. The beautiful Janet Margolin plays Ellie, a woman who is too good to be true when we first meet her, but we have no clue as to what she is capable of doing. The great Sam Levene is seen as Sam Urdell, who befriends Harry and is instrumental in getting to the bottom of this mystery. In supporting roles some familiar faces who went to do much better work later. Christopher Walken, Mandy Patinkin, Jacqueline Brookes, Marcia Rodd, Charles Napier, among others are seen in the film.Jonathan Demme proved he was a talent that would go to bigger and better things even then.