jdesando Who are The Who? They're Kit Lambert and Chris Stamp. Of course, you first come up with the names Pete Townshend and Roger Daltrey because they actually play that wickedly-good rock. However the first two names in this essay are the founders of The Who, filmmakers with a dream to make a rock documentary but sidetracked into managing one of the best rock bands ever.Director James D. Cooper hits the right notes: plenty of talking head from handsome, articulate Chris Stamp (brother of famous Terence, who appears with commentary), entertaining clips from the band's early years, and a thriller of a break up story (almost required of all rock band stories, fact or fiction). Never could anyone be bored with such a complex, fascinating rags-to-riches tale.Pete Townshend, not much to look at as a young man but distinguished now with a naughty glint, gives as much as Stamp, especially when we try to understand the dynamic that led to the breakup. Although the posh Kit Lambert, whose dad was Constant Lambert the maestro, was an intrepid entrepreneur, he pushed himself to early death with cigs and drugs. During the growth times, however, he pushed the band into unknown territory. As did the better thinker, Stamp.Although Kit Lambert died before the making of this doc, he is so carefully edited in as to make it seem he was here all the time. Stamp is especially effective as we are taken through the creation of the mega-hit rock musical Tommy and the release of Lambert & Stamp from the organization. The Who buying Shepperton Studios, where the founders met, is a nice piece of irony. Lambert's brainy discussion of class and youth with its manifestation in the "mod" era directed by the youth of London elevates the documentary from curiosity to demanding to be heard to understanding the wild youth of London.

sjary-59834 It had me and my friends talking for an hour after the movie, marveling at the feats and actions of two young men with a dream. The dedication, commitment, creativity and audacity of these two men was astounding. Amazing characters, better than a novel, and true life. The move is a fascinating story, that is real, about how creativity, naivety and spontaneity can triumph. And, a morality play of how personalities and excess can lead to destruction. The interviews with Chris Stamp, Pete Townshend, Roger Daltry, Terrence Stamp and others are captivating. Character development,par excellence. It was also a cool glimpse into the Mod time of the 60s in London.

info-12190 I found this documentary fascinating and on many levels. Chris Stamp seems like an amazing man, his energy leaps off the screen, and the editing is such that you really feel in the time of the discovery and launching of The Who with all of the craziness. The film is fun to watch and there is a tidbit in there about the early days of a band we all know that is, by itself, worth watching the whole movie. I'm going to see it again because the editing is the visual representation of what is being said by the interviewees and there's so much worth a second look that goes by quickly. My wife loved it, too. It's not often you get to see a documentary that is as real and relaxed and worth watching as "Lambert Stamp."

subxerogravity In comparisons to such documentaries about musical artist like Nas, Time is illmatic and I Can't stand loosing you, which is about the Police, I found this movie uninspiring. The inspiring ones usually make me what to listen to their music all day long, and I have the Who's records on my iPhone, so I was ready. This doc did not do this for me.In all fairness, the film was more about Two filmmakers names Kit Lambert and Chris Tramp who began managing the Who as a way to make a documentary of the band. Yet, I'm still left with the same unspring feeling as I'm a huge fan of films and the idea that the Who was practically created as a film project seem right up my alley. The documentary is too self-serving. I know that seems a little Ironic to say, but I've seen docs that praise Keith Moon as a legendary Drummer and barely mentions John Entwistle (how unfortunate to be a great musician who got to live to old age). Pete Townsend attempted to tell us how awesome John was to the band, but it wasn't enough, and this goes for anyone vital to the band (like Keith) who is not alive to tell their own story (In defense the people getting interviewed seem unapologetic about their own self- worth). It's a little uneven.So while well crafted, Lambert and Stamp seems to show me that one of the most interesting bands in the world has a very uninteresting origin story. I just prefer to listen to the music.