T R I really enjoyed Lagerfeld Confidential. I actually found it quite riveting. I enjoyed the stream of consciousness-like feel and I really enjoyed Lagerfeld's dry, insightful and light humour. The nameless people who drifted throughout added to the dream-like quality and you had to guess who they were or what relationship they had (or not) to Lagerfeld. I may be completely wrong, but reviews which panned this because they said it is not revealing at all, have missed the point. I get the feeling that Lagerfeld is exactly as he is portrayed here. I have met people similar to him in my life and that's how they are. Even though Lagerfeld had say over the final product, I still think this would be quite close to how he is in life. He is very self contained. I thought overall it was intriguing.I found Lagerfeld's childhood story and how he internalized his mother's reaction to be very sad. .Lagerfeld made some very profound comments about life towards the end which I found surprising and quite fascinating. I think the title says it all. Lagerfeld said he did not want to be a reality in anyone's lives. He wants to be like an apparition. He thinks solitude is a victory. I think that's the theme of this movie and it came through very clearly. The fact that it wasn't the typical doc is what makes even more interesting.

mark_decew Early in this film, Karl Lagerfeld hides from the camera behind a magazine as he informs us he does not want to be photographed without his sunglasses on. A later shot catches the legendary designer through a window 'sans specs' and it feels like the filmmaker has captured him in a rare vulnerable moment. This is but one indication of the kid gloves used by the director in this mildly interesting borderline puff piece of a portrait documentary. Much of the film features the back of Lagerfeld's head as the camera is lead about by his ubiquitous silver pony tail down catwalks, into town cars, up private jet ramps, and behind photo shoots. Often it feels like the POV of a typical fashion industry fawning lackey nipping at the master's heels. Do not expect deep insights from the minions in his sphere, as Lagerfeld's guarded commentary (in french) is the only real voice in the film beyond the soft-ball questions lobbed in by the off-screen director. It seems clear that access to the subject was at risk and any offense was to be avoided. One can easily imagine the editor considering how every cut would be received by Lagerfeld when the movie would first be screened by its' 'star.'Relatively little of the designer's work is featured here and we are left with more sense of the man's personal style than his contributions to the fashion world. The few photographs of his life included are presented without chronology or context and are concentrated in comparatively concise sequences. Too much screen time is spent lingering on the gorgeous male models consistently spinning in his orbit.Not a bad film by any means, but risk-free and superficial. The closest we get to real incite on the fashion icon is when he references his mother who it would seem was one interesting gal. I would really like to have heard from others who know the man (collaborators, rivals, critics, family, etc) though I'm certain many live in fear of him. Does the man have a temper? He seems the type but the viewer gets no indication of any personality flaws, quirks, fears, weaknesses and consequently, real depth of character.

marymorrissey I'm surprised at the mixed reviews here, I felt this intimate portrait was really irresistible. felt Karl was irresistible. There's more to his story than you get here, certainly. It's part of a very engaging puzzle. I agree with the reviewer who said that somehow KLs work doesn't seem to appear dated in a way that a lot of YSL does, from even before the 80s. All of KL's famous bitchiness about YSL is completely repaid by Pierre Berger anwyay. . . it comes with the territory. As Morton Feldman once said "People say it's not a contest but they're wrong, it IS a contest and Wagner won, Brahms lost." Only in this context . . . we witness an instance in which the truth of Feldman's simplification is rendered more ambiguous. Anyway, I look forward to seeing this movie again.---I watched this again. This time I realized as a film it's not very strong; it's pretty sloppy in fact. Some of the montages with music I just fast forwarded through this time. And I don't know where I got any sense of YSL having anything to do with anything in this movie. There is paydirt here though, Lagerfeld, who clearly is never taken aback by any question anybody might likely think to ask. In fact in every instance we discover that whatever you might ask him, Lagerfeld has thought through whatever it is and he he rattles forth with the answer getting it out just about as quickly as humanly possible. He's extremely funny and quite adorable. Actually this time I noticed that some of the dresses didn't really float my boat, while some did. My experience was, then, rather different the 2nd time around. I've little doubt I'll watch it again one day.

Moobee Love the feeling for being an insider, follow the camera I am like there in Karl's life, what things he loves in life, how much he loves reading, how hard he works, reads, thinks, creates almost in any corner in his living, you are like going with him to different cities, love his passion in making, in life, you can truly understand his solitary life is a gift and love the ease he has in his moves yet profoundly...though the film is poorly made and I wondering why Karl Lagerfeld would give Rodolphe the job to do his documentary, since there are tons of talents could do much better than this one, but,on the other hand, as you get to know Karl for real...it is not hard to know why, I guess he is a very real and easy person, he might take this kind of depth of the film fine, you would still know he had a lot to say in life and he is not hiding any words from you if you just watch with a sensitive eyes, and an open mind.