caroline69-1 There are several things about this film so clunky and amateurish that they make me cringe. But it kept me glued to the screen anyway. The plot's not the problem: its disjointed nature seemed quite lifelike and realistic. It was very dark, and it surprises me that other commentators can call it comedic and enchanting. It certainly had comedic moments and enchanting moments but I found it pretty wrenching watching a 14-year-old begging her father not to abandon her to her mother, not to mention watching said mother have sex just to try to get money for the rent. But I was moved by those scenes. I was also intrigued by the scenario of the beautiful sister who doesn't have any fun in bed and her plain sister who knows how to enjoy herself. That's not what usually happens in the movies. What bothered me was the following: 1. All the anglo-Australian parts were caricatures of evil (except for one neutral, non-evil shop assistant). Yes, I know that's how Arabs, Germans and South Africans are portrayed in Hollywood films, but I expected more subtlety from this film. 3. Lucia spoke Spanish with a strong Australian accent, and I'm pretty sure you don't do that when your parents are native Spanish speakers. Well, you would if they never spoke Spanish to you, but Lola speaks almost exclusively in Spanish. I don't know quite how I expected the actress (Alice?) to overcome the problem, but it was a problem. 2. Lola looks like a 24-year-old movie star in every single shot, even when her daughter comes back to visit her. While I loved watching her for her sheer gorgeousness, it was hard, despite her acting talent, to believe in her as the mother of a 14-year-old, suffering poverty and stress. All that artfully shot dust never seemed to touch her or her beautiful clothes. Maybe her unchanging beauty was meant to be some sort of statement about how her daughter saw her, but I suspect it was really down to overzealous stylists or the director having a crush on her. Well, it wasn't perfect. I don't even know if I'd say it was good. But it was different, and that's something you don't see very often.

jinxmap While the DB reviewers all seem to be unsure of what to make of this film, it does indeed have a growing tradition in style with other Australian quirky movies such as Strictly Ballroom, Priscilla, and the Baz Luhrmann Red Curtain series. The staging, cinematography, execution and editing of shots are quick, colourful and energetically paced.This allows the bizarre story to unfold, and the characters to develop, with explanations for their motivations being revealed gradually. The genius lies in Anna Maria Monticelli's beautiful script which intelligently begins to unravel events that have already occurred without explanation, all in a comfortable linear format. Such imaginative exposition is rarely given without confusing flashbacks, and is the heart of this film. I found the structure elegantly clarified all of the initially obscure scenes.The mother Lola never becomes sympathetic, however Lola Marceli's sterling debut convinces the viewer of a person becoming truly disturbed by her transplanted identity as Spanish woman amongst Italians, in an uncaring Australian society, deserted by her husband and scorned by her neglected daughter. Alice Ansara's Lucia cool-as-a-cucumber performance is understated and believable, and all the more commendable for her excellent language skills which define her character, and serve as some of the funniest bits of business as she gently toys with her clients' own lack of linguistics.And of course Alex Dimitriades yet again demonstrates his smouldering leading man persona which we first saw in 1998's masterful "Head On".Lourdes Bartolomé's turn as catty sister Manola chews the lush scenery and deftly steals the show, particularly in the dancing and cooking sequence! I might point out that she is most entranced by a courgette (zucchini), rather than a cucumber, as one reviewer has written...

briandet6 La Spagnola had a lot of potential but didn't live up to expectations. The plot just was not strong enough. Despite fine acting this was a missed opportunity. It has its heart in the right place but not a lot really happens. Alice Ansara is a real find and is a young actor we will here a lot more from in the future.

mweston Lucía is a 14-year-old girl living in Australia with her beautiful Spanish mother, Lola (the title refers to her and means "Spanish woman"), while her Italian father (named Ricardo) has run off with an Australian woman. Lola is a woman of fiery emotions, which she demonstrates very quickly by throwing herself on top of and then in front of the car as Ricardo attempts to drive off. She wants him back, or at least for him to pay her bills, and failing that she wants revenge. Lucía would just like a normal family and to spend time with the family chickens and the goat named Elvis.That barely gives a hint of the flavor of the film, which is *very* quirky, often darkly humorous, and sometimes dramatic. I enjoyed individual bits (Lourdes Bartolomé steals the scenes she's in as Lucía's aunt Manola), but on the whole it didn't really work for me. Still, there's enough here to give it a mild recommendation.This was Australia's nomination for the best foreign language film of 2001, which is an interesting concept in that Australia is an English speaking country, but this is in fact a foreign language film. It is currently playing in Europe, but the director (who was at the San Francisco International Film Festival screening where I saw it on 5/1/2002 to introduce it but not for questions) does not expect it to get distribution in the U.S.