bob the moo Russell Walker is riding the wave of the hip-hop wave, with the new single from his group Run-DMC getting lots of heat on the street; problem is he just needs a little money to get more prints made to profit on it. With nowhere else to go he turns to a local loan shark to get the money, however it coincides with tensions with his brother Run. Meanwhile, on the outside looking in, the Disco 3 look for a way to get signed.This film was recommended to me by a fellow user and old-school fan on this site and I made an effort to seek it out despite having never heard of it. The film is essentially a way of getting hot new artists into a film and doubling benefiting by giving them exposure and also getting money from people wanting to see them in a film. It is perhaps of little surprise then that the plotting isn't quite all it could have been. Based very loosely on the early days of Def Jam, this mostly fictionalised film can't decide quite what it wants to be. On one hand we the drama with Walker, in debt, in conflict with his brother Run over matters business and personal while also up to his neck in the sort of debts that get legs broken. These sections are handled seriously and contain swearing and a tough tone. By contrast we also have sections with the Fat Boys (partially here as the Disco 3) where the tone is much, much lighter as they mug around and play up the comedic side of their personas. These two aspects sit really uneasily beside one another – alone neither is great (although neither is bad) but together they just seem a very odd contrast and give the feeling of the film really not being sure what to do in terms of tone and story. Sometimes it works but too often it is a little cheesy and uneven and it makes it hard to enjoy as a story-driven film.On the plus side, sitting between these two aspects is the music – lots of music. Shelia E, Kurtis Blow, Run-DMC, New Edition, the Fat Boys, Beastie Boys and a really impacting introduction for LL Cool J – all of them are given time to do a little bit within the context of the plot. LL makes the biggest splash with Radio, but Shelia E is great throughout and the other artists all please and satisfy. While the film may not have been very steady in terms of plot, with the music it totally knows what it wants to do. As actors I was pleasantly surprised to find that the majority of the cast were comfortable in front of the camera. The cast is led by Blair Underwood making his acting debut and he is pretty good with the more serious parts of the film. Run is also very natural and strong in the film. Shelia E is great on stage and great with the lighter stuff, but when the love interest stuff starts the material is weak and she seems stiff – in real contrast to her being on stage, making it stand out more. The Fat Boys are pretty funny throughout and really it was only Kurtis Blow that sounded like he was reading his lines off 20 foot high placards.Overall then this is not a great film in terms of tone and plot but it does enough to avoid being a bad film in the way many similar ones have been. It seems to help that, although cashing in on the genre to a certain extent; it is being done from the inside rather than an outsider seeking to exploit others' success. The music is what it is all about though, and fans of this genre and period will get a lot of stuff to love here – ultimately this is who the film is aimed at and the target audience won't be disappointed.

dutchbeats I put off seeing this back in the day since it was kind of corny and I was into the 'real' hip-hip of the times. I am so glad I finally had the chance to see it though...Rap, Hip-Hop, whatever you want to call it, this is a great piece for the culture in general and probably an awful amount of fun for those that were there to make it. Definitely Def! P.S. - Recommended accompanied viewing is the 1986 Dutch rap documentary called Big Fun in the Big Town which can be seen on Google video for free. This shows interviews with Russell Simmons, Run DMC and LL Cool J, offering further insight into the story behind Krush Groove(there's other great stuff in there as well but I won't give it away).

vvanpo The storyline is a familiar about trying to make it big and how sometimes that means selling your soul to the devil but find redemption in the end etc. The difference here is many of rap music's early stars take a turn at acting. They do all right. I think that Blair Underwood inspired them to do a decent turn.The main attraction now is the nostalgia of seeing Kurtis Blow, Run-DMC, The Fat Boys and New Edition perform. Also there are cameos from the young Beastie Boys and a skinny LL Cool J.

Deep (just a guy) This movie is worth renting for a few scenes, like seeing LL Cool J burst in and performing "Can't Live Without My Radio" during the Krush Groove auditions. Unfortunately, the storyline is weak, and the acting is terrible. However, if you're a true old school fan, be prepared for some classic scenes featuring the likes of Sheila E., RUN DMC, the Beastie Boys, The Fat Boys, LL, and so on.