SimonJack The idea of a loved one's ghost coming back to taunt, tease or help one who misses her or him, is as old as story-telling and the making of movies. Sometimes it works, and other times it doesn't. Unfortunately, for 20th Century Fox, this one didn't work. In spite of a considerable cast of the day - Sally Field, James Caan and Jeff Bridges, "Kiss Me Goodbye" is lacking in most of what it's touted for - comedy and romance. There is so little comedy in this film that it might be false advertising to bill it as such. And there's about as much spark of romance between Kay and Jolly, and Kay and Rupert, as there is between the animated cartoon characters Tom and Jerry. One can understand James Caan's later dismay over having made this film. His role as Jolly is rueful. He seems to be going through his lines rote, with no life or feeling, and only a smile pasted on his face. And, if he had any more energy in his brief tap dancing bits, one might thing he actually could have been on stage in Broadway.It's hard to understand how Sally Field received a Golden Globe nomination for her role as Kay. The best thing to say about her role is that she over acted most of the time. At least that showed some life compared to the rest of the cast. But it stood out like a sore thumb, and gave the film an aura of amateur theater. Jeff Bridges came close to giving a capable performance as Rupert. But his character is so uncertain and wishy-washy with no passion for Kay. The rest of the cast play into the pale of poor performances, for the most part. Director Robert Mulligan received an Oscar nomination for "To Kill a Mockingbird" in 1962. He directed a few other good films, but he clearly can't guide comedy to fulfillment. That may be a little harsh on him, because the screenplay for this film is very poor. This film was based on a 1976 Brazilian comedy-fantasy. That had significant changes including its setting and time, and it was a huge success. But this is a film that is best forgotten - by audiences as well as the cast.

SnoopyStyle Kay (Sally Field) lost her charmer husband Broadway choreographer Jolly (James Caan) when he fell down the staircase at home. Three years later, she is finally ready to move back home. She wants to marry stiff Egypt archaeologist Rupert (Jeff Bridges). He is concerned about her past with Jolly and then his ghost shows up. Only Kay can see him and he's not satisfied with Rupert.Sally is adorably flustered. She works really hard to sell this. Jeff Bridges is in a tougher position. He has to stay adorable despite disbelieving Kay. James Caan is perfectly good as the charming cad. It does get a bit sitcom-like at times. The movie is basically sold on the three legged acting foundation. This is a remake of a Brazilian film which I have not seen.

David Steiner The first time I saw this was on a long air trip. Jeff Bridges and Sally Field did a fine job with the material But James Caan walked away with the show...I really never tire of watching this movie again. The Dusty Springfield song and music by Peter Allen at the opening and closing are one of my favorites they are two people whose talent are greatly missed in the industry. I think the performances by the supporting cast were great too. I think it was likely one of the last roles for Mildred Natwick and Claire Trevor. It was fun to see some of the NYC locations used as well.

Isaac5855 I think I may have been one of the few people who saw this film in the theaters, but I really enjoyed KISS ME GOODBYE, a lighthearted comedy about a widow (Sally Field)preparing to remarry, who, days before her wedding, is visited by the ghost of her deceased first husband (James Caan), who was a Broadway director and choreographer. The story goes to all the familiar places that you would expect it to, but it is played with such an exuberant energy that you can't help but start to care for these people. Field and Caan are in top form and Jeff Bridges is at his adorably nerdy best as Field's new fiancée (a precursor to his performance in THE MIRROR HAS TWO FACES). There's also a brief, but memorable turn by the late Claire Trevor as Field's mother. A charming romantic fantasy that will grow on you upon repeated viewings.