Zettelhead This movie is one of those to slowly discover. It looks some kind of cheap from the beginning and it appears to have no precise direction at first, but as the story evolves and the relationships entangle it is getting better and better. The psychology of the plot is absolutely believable and the actors are led so sensitively and delicately by the director that their performance has some really outstanding moments. The movie is really getting strong when it defies the conventions of the typical American movie-morality. A threesome relationship is depicted as something that does not infest relationships per se, but as a possible way of living and loving, if those who are involved are sincere and wholehearted. The way you love does not matter as long as you do it without treason and lies. It starts with the burning of the American flag in a class at university as an example of freedom of opinion, and it ends with a decision to live in a way that is rejected as scandalous by the majority. And in between it tells a story about the risks and fears of establishing your personal utopia. It's daring and provoking. And it is sexy. too... If you cannot cope with those topics, return to your suppressed and/or guilt ridden sexual fantasies. If you are open minded and believe in the capability of human emotions to transcend rigid social rules, this one is for you!

mas17-2 For first time feature of William Tyler Smith, this movie holds what Smith is best at: the complex analysis of complex relationships with nuances of character that we may see in ourselves. Knowing Smiths work in his short films, it is clear that he has extended his sensibilities (and his love for the female persona and the complexities of women in general) with this movie. As an independent film it shows great promise and a new voice in cinema. The performances (and especially one in particular) are generally excellent and of course Smith's sense of visuals are throughout the movie. Talent starts out raw, and over time matures and develops a polish that takes a director from the ranks of director to the ranks of filmmaker. William Tyler Smith with this film is on his way!

suzanne813 Oh, what tangled webs we weave...Instead of just being about sex, this film is an extremely complex and insightful look at relationships and human interactions. The emotions are intensely subjective and raw, making it uncomfortable to watch occasionally. The vulnerability punctures through the screen due to a stellar performance by the entire cast. If you're looking for the average Saturday night sex comedy, than you might want to pass on this one. However, if you're looking for a 103 minute emotional roller-coaster of passion and perplexity, then definitely check this film out. I'm excited to see what William Tyler Smith has in store for us next.

cmartin333 I've seen this story already, in many films; and this film isn't a new take or even a better rendition of the threesome saga that filmmakers find fascinating for some reason.The acting is good and possibly the only reason to watch this film. But, I must say, only one performance sticks out and anyone who's seen it will have to agree. I did some research on the major reviews of the film and the critics seems to agree with me.Mirelly Taylor stays true and honest to her character. She didn't fall into the trap of playing the foreign Spanish sex kitten that was written for her, which most actresses would have. She plays her with elegance and class. She was the most interesting part of the film and it's too bad they didn't develop her story line even more. I've seen Beyond Honor, her other incredible performance that should put her on the map along side the top young actresses in the United States. That was a heart wrenching character that she portrayed with beauty and strength. It's no surprise she was picked as one of the 30 under 30 of 2006. I look forward to watching her in many great films to come.Jeremy London's performance is passable. Kathrine Winniks' pouting and constant melodrama is at times laughable. But I will defend her dedication to the melodramatics; they may be the fault of the direction or the writing. Elisa Donovan is always so cute to watch even when she plays a bitch of a lesbian.All in all, film doesn't pass, but the actors do a good job at saving the film from what was inevitably going to be an un-sexy rendition of a better film: Dreamers.