King of the Roaring 20's – The Story of Arnold Rothstein

1961 "The hell-bent, jazz-crazed era and the man who ruled it all!"
King of the Roaring 20's – The Story of Arnold Rothstein
5.6| 1h46m| en| More Info
Released: 11 June 1961 Released
Producted By: Allied Artists
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Synopsis

Gambler Arnold Rothstein marries an actress, avenges his buddy and meets an underworld fate.

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kapelusznik18 ****SPOILERS*** A robotic looking as well as acting David Janssen plays big time gangster Arnold Rothstein the man with the "Big Bankroll" who broke his father Abraham's, Jeseph Schildkraut,-An observant and synagogue going man of the Jewish faith-heart by not studying to become a rabbi or cantor and even worse later marrying a "Shiksa"-A woman not of the Jewish religion-Carolyn Green, Dianne Forster, who to add insult to injury refused to convert to Judaism. But the biggest and baddest thing that Arnold did was getting involved with the mob in becoming its major bag-man and financier that had him end up losing every thing he had, including his life, by the time the movie ended.We get to see Arnold work himself up the ladder of organized crime since he was a teenager with his good friend "Irish" Johnny Burke, Mickey Rooney, whom he later set up to get rubbed out by the mob. That by Arnold tricking him to testify against corrupt cop Let. Phil Butler, Dan O'Herlihy, who's been a pain in Arnold and Johnny's butts since they were teenagers running numbers for the local mobsters. It's later that he had Butler who was behind Burke being rubbed out get arrested indited convicted as well as executed, all within a 24 hour period, by getting those he hired to knock Burke off to testify against him. With his wife Carolyn having nothing at all to do with him Arnold soon found out that all the palaces of interest his was involved in, gambling dens speakeasies and whore houses, were closed to him leaving him out in the cold.****SPOILERS**** Finally finding a crap game that he was invited into Arnold was set up to be knocked off by his fellow card players who plugged him under the table as he finally got the hand of a lifetime-A Royal Flush-that eluded him all his life. Still even when shot Arnold was impeccably dressed and groomed-without even as much as a strand of his hair out of place-without his clothes mussed up or stained by his blood as he staggered out of the room and was hospitalized where he died, still in perfect and pristine condition,the next day.The movie concentrated so much on Arnold's love life as well as double-crossing his friends and associates that it completely overlooked his biggest crime that almost destroyed organized Baseball the infamous 1919 "Black Sox" scandal. You never really get to see and appreciate just what a big man in the world of crime that Arnold Rothstein really was. He comes across as a petty crook who never gets beyond running a second rate gambling den which is always getting raided instead of him being the big time operator that he really was.P.S The movie "King of the Roaring Twenties" turned out to be actor Jack Carson's-As "Big Jim" O'Brian-last movie appearance.
dougdoepke By 1961, splatter guns, bouncing flappers, and real gangsters of the 1920's were a hit on TV, especially with The Untouchables (1959-1963). So it's not surprising the formula would find its way into the movies. Real life gangster Arnold Rothstein (Janssen) gets the treatment here, except there're no splatter guns or much action, but there is lots and lots of talk. Spread out over nearly 2-hour time frame, that's a tough challenge for any 20's crime film. Then add Janssen's turn that's notably low-key and generally emotionless, and the upshot is a disappointingly listless crime film.I guess the film is best taken as a character study built around a favorite Hollywood theme of one man's rise and fall on the ladder of success. The narrative's mainly about how slickly Rothstein maneuvers through the echelons of urban crime. There's some interest in his conniving, but the account gets draggy with too much slow pacing and mechanical editing. Then too, Dianne Foster's role as AR's ladylove further stretches out the narrative. It's like the producers are also using the movie to promote her career.Anyway, Janssen was soon to star in that classic chase series The Fugitive (1963-67), where his thespic skills could really shine. On the other hand, I'm not sure what the producers were reaching for here, perhaps an abrupt departure from the Cagneys and Robinsons of old. But what they got instead was a sluggish result that now dwells in well-deserved obscurity.
jacegaffney the verdict on this picture seems to be that it's a fizzle because of Janssen's performance as Rothstein, the most interior portrayal of an organized crime figure this side of John Garfield in Abe Polonsky's magnificent FORCE OF EVIL. Well, Janssen's no Garfield and KING OF THE ROARING TWENTIES is no FORCE OF EVIL, but this Allied Artist's spin-off of the popular "Untouchables" series with Robert Stack deserves a few more props from the peeps at the IMDb website than it has already gotten. It's not quite as droll as Boetticher's very similar looking RISE AND FALL OF LEGS DIAMOND (which came out at about the same time) but the director, Joseph M Newman, is an underrated dude who, (like Joseph H. Lewis), is long overdue for cultish discovery. The scene in this picture where Mickey Rooney pleads to his childhood buddy, Rothstein, for his life is proof alone of how good he was with actors. Newman worked extensively in television, especially on the ALFRED HITCHCOCK PRESENTS series. One episode in particular, titled SEE THE MONKEY DANCE starring Efrem Zimbalist and Roddy McDowell is a marvelous example of what can be done within the imperatives of a weekly commercial format. His work deserves a little more recognition than it's been given thus far.
ccthemovieman-1 I am hardly a fan of national film critics, but they are right on the money with this one - it stinks. One major objection is having David Janssen playing the gangster Arnold Rothstein. What kind of casting is that? He couldn't be less credible in that role. Other cast members don't fit in here, either. The whole thing is a mess. The first half hour of this movie doesn't exactly grab your attention, but when the romance sets in, it really puts you to sleep....and really never recovers. "King of the Roaring Twenties" sounds like an interesting, exciting gangster film but is just the opposite. Don't waste your time.