Kiltro

2006 "You touch her, you die."
Kiltro
5.5| 1h33m| en| More Info
Released: 20 April 2006 Released
Producted By: Mandrill Films
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Budget: 0
Revenue: 0
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Synopsis

Street tough Zamir has been in love with Kim ever since he rescued her from rapists, but the only way that he can express his affection is to attack any man who shows interest in her. Kim tolerates Zamir's infatuation, but keeps him at arm's length. When Max Kalba arrives in town to take vengeance on Kim's father, Zamir attempts to rescue her once again.

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A_Different_Drummer This review started innocently enough, noticed the film on a "best" list from a martial arts fan. A rarity, a South American martial arts film? Hard to find but I did. And wished I did not. Imagine the subtle stylings of the original blaxploitation Shaft, the casting and understated direction of a Sonny Chiba film, and the sound track by Ennio Moricone. OMG what junk. In the first segment of the film the oversized Chiba-esque lead spends his time pursuing his favourite hobby -- which is beating the &*&+%% out of any guy who goes near his schoolgirl crush (she looks late 20s so I guess she was held back?). Not a great film so far, but at least it is sweet. Then a villain who looks like he escaped from an early Bruce Lee film, always dressed in a uniform and never breaks a sweat, shows up and starts killing and/or maiming any of the extras foolish enough to stray onto the set. To deal with the bad guy, our hero is advised by a dwarf (literally, from the script) to go into the desert and seek training from a master. I am going to stop the review here because by this point either their martial arts consultant quit or they never had one in the first place. In either case, the fights from this point on have no pretence of reality or connection to the laws of Physics and more closely resemble what happens when Road Runner meets Coyote. Ugh.
NICO Kiltro is one of the extremely few Spanish movies having to do with the topic of martial arts. The approach taken by Ernesto Díaz Espinoza to produce such a peculiar movie was one of comedy brought about by fictitious exaggeration. The characters created by Espinoza are very corny and seem to have been taken right from other movies and dropped into present day Chilean society. Such characters as the dwarf and the faraway teacher give off the impression that Yoda and Obi-Wan Kenobi, from Star Wars, have stepped into the movie. Even though many situations were forced and fights were exaggerated in order to add more action and excitement to the film, one can find appreciation in the comedic aspect of it. South Americans can especially enjoy the different cultural aspects which can be seen amidst the fantasy of the story. For example, the drinking of "mate" when Zamir is being trained by Jose Soto in the desert, stood out to me as something which you would not expect in a martial arts movie unless it was in South America. Although not a very high caliber movie, Kiltro definitely can serve as an entertaining and admirable movie.
maticine Visceral, passionate and brave; Kiltro splatters boiling blood straight from the heart! An exercise of pure love to genre movies, a story told many times before but now told with a bunch of guts and the taste of a new generation.Kiltro is able to take very serious the most beautiful clichés and then punch you in your face with a marvelous twist! A lot of emotions come together, contradictable emotions, sometimes you don't now if to cry or to laugh, but both sentiments hit you hard. The director definitely loves the story he's telling; he loves it as obsessively as Zami (main character) loves Kim (the girl), you can clearly notice it when the camera follows Zami down the street… he's heart is broken… he walks sadly… the camera follows him on a steady-cam and never cuts… Zami keeps walking sad… mad… and starts to run! David Bowie's Modern Love sounds loud! The camera starts running with him! You get chicken' skin! Wow, at that point you just start praying to make this dude get the girl! That scene was taken from Leos Caraxe's Mauvais Sang and works more than perfect in Kiltro. Just like that one you'll see a lot of scenes taken from other movies, a similar exercise to Tarantino's Kill Bill, but more funky or weird. The story takes place at the Chilean's Korea town, where you also can find Arabic people and some pretty Chilean-Chilean characters. It's like a bubble right in the middle of Santiago city, a world where everything is possible, it reminds me some of Takashi Miike's flicks, where he shows Tokyo's underworld like something fantastic and stylized. Kiltro mixes anime, Leone's westerns, comic book flavor, Starwars, Bruce Lee and the whole spirit of Asian films. A pastiche totally coherent with south American cultures, a blend of the previous cultures, a fresh blend, that's why it works. And the fight scenes! Guys! Marco Zaror is like Tony Jaa or better. The fights scenes are terrific! The question came to me: Is the big fight scene in Kiltro the best fight scene I've seen? It could be. I don't remember any other martial arts movie with a fight like this one. Looks real but exceedingly stylized, it's raw and violent but funny at the same time, strange but cool mix. I loved it. Trying to think in a better fight scene but I can't. Proud to say it was made in Chile!To be honest with you I entered the theater just because of curiosity. I went to watch a Chilean action movie and after 20 minutes of film a forgot that fact… after 20 minutes of film I encounter myself in the middle of a FLICK, a flick that I enjoyed like I use to enjoy movies when I was a kid, like A JOURNEY, like watching something I've already seen but it feels like the first time, something bizarrely good, maybe AN EXPEDITION by a new road for south American cinema, something really pleasant, a MUST SEE for film lovers all over the world, those movies after you watch them you say "thanks". Now I'm just praying to have "Kiltro II" as soon as possible!
orochiklan Amazing, the soundtrack will blow the mind of all the fanatics of Morricone or Bacalov... a lot of spaghetti western influence like Tarantino's Kill Bill, plus bloody gore fx zatoichi style. Zaror was very good in the fights , and also he has a lot of charisma , but my favorite one was Miguel Angel DeLuca, the Kung Fu sensei who plays the bad guy in the film, a really great performance full of intense moments , like the tragic flashbacks (you will remember Leone in one of them). A very entertainment film that has quality and heart. Back off Tonny Jaa , here comes Kiltro!. I recommend this film to all the fans of the old kung fu films, spaghetti western, Miike, Tonny Jaa and martial arts.