varun-76528 Amazing movie with loads of comedy moments. Akshay kumar as always has proved his comic timings. Supporting cast has also done good job except for Himesh Reshammiya who is not an actor. But still would like to comment on the story he has written.Its purely a premise which belongs to 80s and 90s era, known as masala entertainer with foot tapping dance numbers (Himesh's music is another highlight of the movie). People looking to get entertained will surely love this movie whenever it is played on television. Movie strongly connects to masses and classes would also smile for the movie, if not they laugh.

sashank_kini-1 Plot: Akshay Kumar plays himself but since he is an 'actor' and the 'film' requires it's cast to have unique character names, he is therefore called Bahattar Singh; the guy is a con policeman whose entire family of equally tough men believe in making money catching criminals and sometimes framing innocents wrongfully, but the same guy is also rejected by every girl in the town. The leading lady Asin asininely plays a crime lord's daughter whose lover remains behind bars and so she takes all her prospective bridegrooms on a deadly car drive so that they can reject her. The marriage-maker is played here by Himesh Reshammiya, whose character's idiosyncrasies put him in great trouble. Supporting cast made up by people usually associated with Akshay Kumar films.After being repeatedly and uninhibitedly subjected to erratic zip-zap-zoom cinematography with not really visible attempts at fine-tuning, shoddy, so-obvious-it's- made-out-of-cheaper-quality-material set properties and horrifyingly loud and sometimes out-of-sync sound that has the ability to molest one's ear, an Indian like me has begun to believe that the availability of good technology, the assumption that the Indian audience always keeps their cerebrum aside while entering the theater and the mass manipulation of the media by the moneyed mainstream has corrupted many of today's Indian directors, actors and production crew, who seemed to have forgone the basic elements of creating a good cinema and completely left out the advantages of a well-penned script, thereby tarnishing quality completely in favor of show-me-the-money!Ah I feel so good now after getting this off my chest! This the the pent up feeling (or rant) that bubbled within me with each new frame in Khiladi 786, whose director is incompetent, whose producer (the lead actor's wife herself) is a cash cow, whose cinematographer is reckless, whose sound recordist is insane and whose actors are extremely aware of their limitations yet incredibly proud that they still are minting money while hundred of capable actors aren't getting their dues. Salman Khan dropped the bar to depths rivaling Othello's hapless state after realizing the deceit played on him by the manipulative Iago, but Akshay out-lowers him with smelly poo excreted into an expensive diaper. Only time shall tell whether it is Salman who goes even lower in Dabang 2 or it is some third person who walks away with the usually-dreaded-but-now-coveted-because- money-is-at-least-recovered Hall of Shame.Since the movie took it's audience for granted, I did the same for the movie: I left (read 'fled') during the interval. It should not be the way a movie should be critiqued but there are certainly exceptions such as this wacky piece. I'm not sure whether the director tried doing a Tarantino (i.e. using prominent qualities from low budget action film in developing a highly stylized, high quality movie, such as Kill Bill inspired by small budget Japanese martial arts films), but in case he did, then he has failed miserably. Just getting a better camera and better recording devices aren't the keys of making a better film; would Kill Bill have received such a glorious response had it just got a very expensive camera with sharper clarity and high-tech sound devices without creating the epic saga, using proper narrative devices or choreographing it's complex martial arts moves with beauty and precision? The people associated with Khiladi 786 are all spoilt brats who shamelessly exploit wrongly the resources they are able to obtain just because they have so much money. The most disturbing part of films such as Khiladi 786 is the open misogynist values it promotes. Asin's character is a rough rider who can only be controlled by a man, and so there's a humiliating sequence where Akshay's character Sattar dumps her on the shotgun seat, takes charge of the driver seat and drives at a monstrous speed to make her submit to his manhood completely. In between the sequence, the action is cut to a fantasy sequence where Sattar driving a swanky car and Asin sits beside him and acts like one of those bimbos in music videos. I've seen this with Salman Khan films too - nearly all his leading ladies literally act like they are completely powerless under Salman's mighty control.Seems like my rant has still not finished, but what else can said about this work? Akshay Kumar has admitted he isn't very talented as an actor but he proves now that he has stopped being an entertainer too. Asin has been having a Ghajini hangover for over two years and it's time she really tries her hand at some other profession. Reshammiya should suck his hubris about being multi-talented and stick to what he does best... Judge music shows that I don't watch so I do not get to see his face. The rest of the cast knows they risk losing their money-making jobs if either Akshay or Salman quits, so they remain loyal to their films, no matter how hopelessly their little talent is exploited.

dineshprakash Director Ashish R Mohan has forced himself to make a mass entertainer film at the level that movie comes into bits and pieces. Somewhere you enjoy it but sometimes it's too loud and senseless. Story has nothing to tell new. Screenplay is good at places. Even they try to give it emotional touch but not through the main plot but with sub plot. A scene where ,Mansukh' father is being happy when his son scolds him for making silent call, is touchy. Climax is very boring and repetitive. The name of film according to content is 100% irrelevant. It is kept to consider a particular section of audience. Dialogues by Bunty Rathore is good among story and screenplay. It generates the required laughter. Performance wise Akshay Kumar is good. Himesh REshamiya is OK. Asin is so so. Mithun Da is very good. Famous and adorable female comedian, Bharti is also in movie but totally wasted. She is fantabulous performer but nothing to do in this film. Music by Himesh Reshamiya is good. When film drags, music supports it very well. Action by Jai Singh Nijjar is good. Single screen audience will enjoy it at a level but doubtful in multiplexes. After all an average film.

Jasrick Johal Akshay Kumar is back in Khiladi avatar an man is he damn good. Action and Comedy to the max is what this film provides. I wont add any spoilers but, do one thing if you like Action, Comedy, or just love pure entertainment for 2 hrs go watch khiladi 786 and you won't be disappointed but do leave your brain at home!!!Performance Wise Akshay KHILADI Kumar is just amazing, his comic timing and comedic performance should be applauded he is in full form in k786. Others who came out with good performances are Mithun, Himesh, Rahul S, and Johnny Lever. Asin is purely there for her looks and she is used well as she looks beautiful.So all in all if you wanted to be entertained watch this crazy action comedy!!!