Keys to Tulsa

1997 "Murder. Blackmail. Deceit. ...There's no place like home."
Keys to Tulsa
5.2| 1h53m| R| en| More Info
Released: 11 April 1997 Released
Producted By: Gramercy Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Richter Boudreau is on a bad streak: Languishing in the shadow of his celebrity mother, he loses his job as a film critic for the town paper, and now he's been approached with a dangerous proposition that ultimately leads to blackmail. Richter's friend Ronnie ropes him into a scheme to steal the inheritance of his wife, Vicky.

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wes-connors Handsome red-haired Eric Stoltz (as Richter Boudreau) has trouble making ends meet on the salary he makes as a "Tulsa" Okalahoma newspaper movie critic. One end he likes to meet is his nose to a line of coke, though Mr. Stoltz never seems to get a buzz off the stuff. He also smokes cigarettes constantly, probably because nobody told him you have to inhale the dammed things for the desired effect; since the character Stoltz plays would work just as well if he did not smoke, why he pretends is a mystery.Another end Stoltz likes to meet is the one that finds what he calls the "nether regions" of topless house-guests who spread their legs, like strung-out stripper Joanna Going (as Cherry). Her line, "Sometimes I feel like a little animal protein," is a tip off. Ms. Going is introduced by Stoltz' dark hair-dyed dealer James Spader (as Ronnie Stover). Mr. Spader, who fills his tight clothing well, is married to Stoltz' lusciously lusty ex, Deborah Kara Unger (as Vicky). Trigger-happy Michael Rooker (as Keith) connects everyone.Supporting and cameo shots come from Mary Tyler Moore, James Coburn, Cameron Diaz, and Peter Strauss. The DVD sleeve touts Ms. Diaz as one of the top-billed stars, but her "comic" interlude lasts only a few minutes. The synopsis reads, "The black sheep son of a wealthy Tulsa family returns to the world he'd renounced and is forced into a blackmail scheme by his high school sweetheart's menacing husband. When he helps the only eyewitness to a murder, he gets caught in a web of revenge, deceit and redemption." Sometimes "Tulsa" seems an awful lot like a "Hollywood" acting class. Stoltz seems to play it straight, while most of the others seem to be having some scenery-chewing fun with their characters. This film was promoted as a "crime thriller" but often looks like it was really intended to be a "comedy thriller" - at least, that is how it comes across. In any case, it's not entirely clear - or successful - but the society "party" scene is funny, with Ms. Moore, Going and Josh Ridgway (as Billy) seeming to capture the film's mood.***** Keys to Tulsa (11/20/96) Leslie Grief ~ Eric Stoltz, James Spader, Joanna Going, Mary Tyler Moore
jmgrass The first time I watched this movie, I hated it. The second time I watched it, I liked it. The third time, it actually started to make sense. So ultimately there IS a cohesive plot, you just have to really pay attention, or watch it a few more times, which you won't mind doing if you like seeing a very-close-to-naked Eric Stoltz or a viciously sexy James Spader strutting around like Elvis. Or, if you prefer women, there's the beautiful and talented Deborah Unger, some gratuitous strippers, and this completely unrealistic Cherry girl who keeps peeling off her clothes at the first drop of alcohol. The reason I didn't like this film is the dialogue is so trite and predictable that you roll your eyes after every other line, and even though 1997 wasn't that long ago, this film feels completed dated. The didjeri doo (however you spell it) music is completely out of place, and obviously just trying to be trendy. Cameron Diaz serves no purpose except to be annoying, and the Keith/brother character is so offensive and unlikable that I was actually disappointed when he didn't blow his own head off. The 'adolescent male' conversation he has in the bar with Richter was almost enough to make me stop watching. I did think the acting was good. I especially liked the interplay between James Spader and Deborah Unger. These two also appeared as a married couple in David Cronenberg's Crash, but their characters in that were completely different. So I thought this film was a good example of their versatility. Otherwise, the film is worth a rent to see James Coburn say 'sit down son, have a . . . nut.' And of course, half naked Eric Stoltz and James Spader as Elvis. Can't go wrong there!
Flank Rroyd Light On the other hand , James Spader is seen here as a very menacing and masculine character and Deborah Unger , Eric Stoltz and Cameron Diaz all do a fine job of showing us the kind of trouble that wealth coupled with boredom can get a spoiled and no longer quite that young brat or two into . I enjoyed it . I got it out to see a bit more of Ms. Unger , but I gained a much greater appreciation of Mr. Spader .
maxxx-3 Call me crazy, but I really enjoyed this flick. I'm not nominating anyone for awards, but can't help but love the cast.Being a heterosexual male, I am in TOTAL love with Joanna Going and Deborah Unger. SO SHOOT ME.This one's for fun, gang. Not all movies have to reinvent the wheel. So pop a cool one and dig in...