Christine_Plymouth_Fury1958 I love a good horror or thriller, no matter how long and dragging the dialogues, but this is not one of those. It's more of a drama with one of the most irritating protagonist I've had the misfortune to come across. Seriously, I wanted to slap the beejeezus out of her. But if you like squeaky, fickle-minded women who consistently makes bad decisions and runs like a lame chicken, you have a winner here.I was initially excited by the movie concept. Scarecrows are one of my top choices when it comes to horror "monsters", for lack of a better word. Early on, I caught the plot of the entire movie and the probable spin they'll make in the end. I thought it was nice, nostalgic even, since it reminded me a bit of Pet Sematary. Sadly, the movie did not rise to its full potential, but fell flat on its face with a loud thud.It was like they couldn't decide which direction to go, long-haired ghost woman or scarecrow zombies...in the end, it fell short on both.If you really want to believe the positive reviews, go ahead, but it would be wise that you don't spend hard-earned money on this. You just might bang your head on the wall right after.

christopher-underwood Not at all bad! There is always a bit of a problem with the odd scarecrow horrors that there have been and that is basically it's hard to get too scared over a man of straw. This is creepy though and with convincing performances, effective music and beautiful but often eerie shots of the Japanese countryside, this at times reminds one of Wicker Man. Kaoru is searching for her brother and ends up in some sort of village of the damned made out of straw. Not entirely original and not too many heart stopping moments but it does have it's own momentum and plenty of innovative elements to keep one more than interested throughout. Most likable.

dbborroughs Although hampered by a budget that doesn't allow for sterling effects this is a creepy little thriller that works best when showing the least. The story has echoes of any one of a dozen other films from Spirited Away to Wicker Man, but there is something about the underlying tension and feeling that something thats not right thats makes the film watchable for me. Its the trip thats the joy here, not the destination simply because you'll probably know what that is way in advance of our heroine. As long as they keep the scarecrows in the distance this is a creepy little gem that should be seen by those who are willing to go with a good but flawed film.

regi0n2fan Tsuruta Norio's "Kakashi" caught my attention because of the obscure mental association I made with the "Kakashi-Dori" festival held annually in the Kaminoyama-shi city in Yamagata-ken prefecture. I wonder if Tsuruta had this in mind when he made this film. If he releases a sequel called "Kase-Dori"... well, never mind. Besides being rather short and less-than-satisfying in its plot resolution, my primary complaint about this film is the horrid transfer on the Region 3 DVD which is quite good for the daylight scenes, but irritatingly pixelated during the low-light and night shots. And being a low-budget horror flick, this turkey has a lot of shadowy and nocturnal footage which I had a hard time following because my attention was constantly being diverted to the ever-changing patches of pixels fading in and out. Yuck. As for the movie, Yoshikawa Kaoru (Nonami Maho)is searching for her brother Tsuyoshi (Matsuoka Shunsuke), who has disappeared. A search of his apartment turns up an ambiguous and messily-scrawled letter from a girl in Kozukata-machi, a small rural village. Kaoru drives to Kozukata on the eve of their "Kakashi-matsuri" festival, where she finds the cliche "little town with a secret", along with her brother. Unless there is a longer version of the film out there, the character development is as thin as both the plot and the special effects budget. Perhaps the movie's budget was blown on bringing in HK actress Grace Ip to play the very out of place Kozukata resident who barely speaks any Japanese. She even has a Chinese surname in the movie, which does little to explain why she's there in the middle of the rural Japanese heartland. Shibasaki Kou (who reminds me of a short Esumi Makiko) plays the mysterious girl who lured Tsuyoshi to Kozukata, and does a decent job with the sparse camera time she gets. The one thing that impressed me about this movie was the excellent lighting and cinematography of the daylight scenes depicting the beauty of a small rural farming village. Other than that, let the renter beware and the buyer be laughed at.